domenica 20 luglio 2014

In Taberna - Medieval Songs and Dances

31 tracks - MP3 192 Kbps - 96 RAR Mb


Detailing a multitude of recited, sung and played works, this absorbing release offers a fascinating insight into the rich world of medieval entertainment.
Much of the music is based on comic, parodic and satirical poetry, and this is nowhere better exemplified than in the earthily humorous 15th-century sonnets – which, cast in Paduan dialect, lie at the heart of the compilation. From the troubadours’ and trouvères’ refined tales of chivalry and love, to the Goliards’ ‘updated’ Latin texts discussing wine, women and general joie de vivre with rude vigour, the collection draws on many different parts of Europe as well as illuminating the ever-increasing attractiveness of secular literature at that time. It also features a series of courtly dances (among them the French estampies) that call upon the wonderful assortment of instruments comprising the release. Music clearly had an important role to play in everyday life during the Middle Ages, whether in accompanying battles, banquets or festivities. Combining anonymous works with new discoveries as well as classics – such as the extract from the Carmina burana of Codex latinus 4660 – Corte Antica’s lively performance conjures up a crossroads at which all manner of musicians, poets and dancers are able to meet.




contents:


Nicolò de' Rossi (1290-c.1350): Paduanus
Anon: Tre fontane
Anon: A l'entrada del tens clar
Anon: VII Estampie royale
Anon., Codice Ottelio (after 1470): Amor con un carcasso
Anon., Ludus Danielis: Astra tenenti
Raimbaut de Vaqueiras: Kalenda Maya
Moniot d'Arras: Ce fu un mai
Anon: Saltarello
Anon., Codice Ottelio: E vussi' rebaltar
Anon., Ludus Danielis: Conductus
Anon: Ductia I
Richard the Lionheart: Ja nuns hons pris
Anon: Trotto
Anon., Codice Ottelio: Frelo, el me vien
Anon., Carmina Burana: In taberna
Colin Muset: In may
Cantigas de Sancta Maria: Quen a festa
Anon., Codice Ottelio: Sonetus domini Elisei patavini
Anon: Lamento di Tristano
Anon: Rotta
Anon: V Estampie royale
Marsilio da Carrara (1294-1328): Dominus Marsilius de Carraria ad
Francesco di Vannozzo (c.1330-c.1389): Responso Francisci Vanocii
Anon., Codice Ottelio: Paduanus quidam
Anon., Codice Ottelio: Antedicuts
Anon., Codice Ottelio: Si no se ne ha ben
Anon., Codice Ottelio: Vilanesco
Anon., Codice Ottelio: Paduanus quidam 2
Anon., Codice Ottelio: E fu in su
Anon., Codice Ottelio: Sonetus domini Helisey patavini


Corte Antica

Francesco Bisetto (narrator)
Mario Campagnaro (voice)
Davide Carli (recorders, crumhorn, percussion)
Angelo Di Prima (recorders, crumhorn, percussion)
Arrigo Pietrobon (flutes, crumhorns, bombard, percussion)
Claudio Sartorato (voice, hurdy-gurdy, percussion)
Marco Squizzato (lute, percussion)

2 commenti:

  1. Where is the track 31?

    RispondiElimina
  2. Not in my CD

    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ---------------------------------------------------------
    1 | 0:00.00 | 0:53.69 | 0 | 4043
    2 | 0:53.69 | 1:22.44 | 4044 | 10237
    3 | 2:16.38 | 2:42.49 | 10238 | 22436
    4 | 4:59.12 | 2:07.09 | 22437 | 31970
    5 | 7:06.21 | 1:11.46 | 31971 | 37341
    6 | 8:17.67 | 2:35.32 | 37342 | 48998
    7 | 10:53.24 | 2:39.49 | 48999 | 60972
    8 | 13:32.73 | 3:15.41 | 60973 | 75638
    9 | 16:48.39 | 1:48.47 | 75639 | 83785
    10 | 18:37.11 | 1:27.49 | 83786 | 90359
    11 | 20:04.60 | 1:34.08 | 90360 | 97417
    12 | 21:38.68 | 2:10.43 | 97418 | 107210
    13 | 23:49.36 | 7:11.63 | 107211 | 139598
    14 | 31:01.24 | 1:41.09 | 139599 | 147182
    15 | 32:42.33 | 1:28.11 | 147183 | 153793
    16 | 34:10.44 | 2:11.12 | 153794 | 163630
    17 | 36:21.56 | 3:05.14 | 163631 | 177519
    18 | 39:26.70 | 2:55.14 | 177520 | 190658
    19 | 42:22.09 | 1:12.46 | 190659 | 196104
    20 | 43:34.55 | 2:37.36 | 196105 | 207915
    21 | 46:12.16 | 0:59.50 | 207916 | 212390
    22 | 47:11.66 | 3:37.63 | 212391 | 228728
    23 | 50:49.54 | 1:10.74 | 228729 | 234052
    24 | 52:00.53 | 1:13.42 | 234053 | 239569
    25 | 53:14.20 | 1:23.42 | 239570 | 245836
    26 | 54:37.62 | 1:15.39 | 245837 | 251500
    27 | 55:53.26 | 1:14.48 | 251501 | 257098
    28 | 57:07.74 | 1:22.43 | 257099 | 263291
    29 | 58:30.42 | 1:07.55 | 263292 | 268371
    30 | 59:38.22 | 1:15.31 | 268372 | 274027

    RispondiElimina