La Baxa Danza y la Alta (S. XV - XVI)

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contents:


1. Francesco de la Torre - Alta
2. Anon. (15th c.) - Baxa Castilla
3. Domenichino - España
4. H. von Constanz - Danza "La España"
5. Kochesperger - Danza "La España"
6. Anon. - Baxa Danza
7. Anon., 16th c. - España
8. Francesco Canova - Spagna
9. Antonio de Cabezon - Tres, Sobre el Canto Llano de la Alta
10. Anon., 1430 - Torneo de Castilla
11. Anon., 1430 - - Barcelona
12. Anon., 1430 - - Navarra
13. Anon., 1430 - Baxa Danza del Rey de España
14. Luys de Narvaez - Baxa de Contrapunto
15. E de Valdebarrano - Contrapunto Sobre el Tenor de la Baxa
16. Guillaume Dufay - Aragonesa
17. H.Weck - Baxa Danza Española
18. Vincenzo Capirola - Baxa Danza "La Spagna"

Sources:
[1] Cancionero Musical de Palacio, 321
[2] Museo Bibliogr´ de Bolonia, cod. 109, q. 16, fs. LIX-LX
[3] De la Arte di ballare et danzare (?)
[4] Basel University Library, f. IX, 58, f. 6-7
[5] Basel University Library, f. IX, 58, f. 14-15
[6] Ottavio Petrucci, 1503
[7] MS Leipzig
[8] Bibliothèque Royale de Bruxelles, f. 36v
[9] Libro Nueva de Venegas de Henestrosa
[10]-[13] Manuscrits dit des basses danses, Bibliothèque de Bourgogne
[14] Los seys Libros del Delphin
[15] Silva de Sirenas
[16] Munich Library
[17] Buxheimer Orgelbuch
[18] Newberry Library, Chicago

Rodrigo de Zayas (vihuela)
Conjunto instrumental "Pro Música Hispaniarum"
dir. Roberto Pla

W.A.Mozart - Concertos

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contents:

Flute & Harp Concerto K299
Andante for Flute in C K315
Bassoon Concerto K191
Flute Concerto K313

Lisa Beznosiuk, flute
Frances Kelly, harp
Danny Bond, bassoon

The Academy of Ancient Music
dir. Christopher Hogwood

G.P.Telemann - La Chasse, Tragikomische Suite

32 tracks - MP3 192 Kbps - RAR (117Mb)


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Overture "Jubeloratorium fur die Hamburger Admiralitat"
Suite "Alster" F-dur
Suite "La Musette" g-moll
Suite "La Chasse" F-dur
Ouverture jointe d'une suite tragi-comique

Akademie fur Alte Musik Berlin


Originally posted (04/12/2007)

Johann Rosenmuller - Sonate da Camera e Sinfonie

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Johann Rosenmüller was a Saxon composer who escaped from prison in Leipzig and fled to Venice in 1655 after being falsely accused of having a homosexual relationship with some of his students. While these totally, completely, impossibly gorgeous "Sonate da Camera e Sinfonie" (1654-1682) were composed primarily in Venice (Rosenmüller was a trombonist at St. Mark's Basilica), they were strongly influenced by the music of Rosenmüller's early teacher, the great German master Heinrich Schütz. Scored for 8 stringed instruments, cornet, trombone, and theorbo, these chamber sonatas combine the absolute best of the conservative North German musical tradition with a healthy dash of Venetian joie de vivre and achingly beautiful pan-European melancholic contemplation. Rosenmüller's sonatas are real jewels considering when they were written, since they totally avoid the typically overdone, clichéd pyrotechnics and gaudy bravura of the High Baroque while also managing not to be sleeping pills.
If, like me, you're a little nauseated with Bach and bored with Lully, give Rosenmüller a shot. I've heard several of Hespèrion XX's other recordings and this one is THE finest. Smooth, luscious, out of this world. Can't go wrong here.
By Stephen Taylor

contents:


Sinfonia II
Sonata VII
Sinfonia IV
Suite I
Sonata XI
Sinfonia I
Sonata IX

Hesperion XX
 dir. Jordi Savall

Christmas Concertos

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Contents:

1. Marc-Antoine Charpentier - Noels Sur Les Instruments
2. Johann Melchior Molter - Concerto Pastorale In G Major
3. Antonio Vivaldi - Concerto For 2 Trumpets In C Major, Rv 537
4. Giuseppe Baldassare Sammartini - Pastorale In G Major
5. Georg Philipp Telemann - Concerto Polonois In G Major
6. George Frideric Handel - Concerto A Due Cori In B Flat Major, Hwv 332
7. Arcangelo Corelli - Concerto Grosso In G Minor

English Concert
dir. Trevor Pinnock

O Canto da Sibila

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De todos os eventos, o mais antigo e mais largamente difundido por toda a Europa, durante a idade média, foi o Canto da Sibila. As sibilas eram profetizas muito populares nos ritos romanos, antes da Era Cristã. Uma de suas profecias fala do fim dos tempos, como foi descrito por São João no livro do apocalipse. Com o advento do cristianismo e no intuito de difundi-lo entre os "povos pagãos", esta profecia foi utilizada pela igreja como prova de que o cristianismo era uma verdade já prevista antes de sua existência. Assim, na noite de Natal, no meio da missa de meia noite, a Sibila era cantada para alertar a todos a se converterem antes do juízo final. Essa tradição se repetia todos os anos até que foi proibida em concílio pela Igreja. Por ser um evento tão popular e de tão grande importância, mesmo com tal proibição ele continuou a ser praticado em alguns lugares da Espanha até os dias de hoje.

Tracklist:

Des Oge Mas
In Duici Jubilo
Verbum caro factum est
Verbum caro factum est
Pois que dos Reys
O Canto da Sibila
Riu Riu Chiu
Rey a Quiem Reies Adoran
Dadme Albricias
E la Don Don, Verges Maria
Ein Kind geborn zu Bethlehem

Musica Antiga da UFF (Live)

Shakespeare Songs (Deller)

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Tracklist:

1. It was a lover and his lass - Thomas Morley: As you like it, V, 3
2. Take, O take those lips away - John Wilson: Measure for measure, IV, 1
3. O mistress mine - Thomas Morley: Twelfth night or what you will, II,3
4. Strike it up, Tabor - Thomas Weelkes
5. Willow song - Anon.: Othello, IV, 3
6. Where the bee sucks - Robert Johnson II: The Tempest, VI, 1
7. How should I your true love know - Anon.: Hamlet, Prince of Denmark, IV, 5
8. Walsingham variation - Francis Cutting
9. We be soldiers three - Anon.
10. When griping griefs - Anon.: Romeo and Juliet, IV, 5
11. Full fathom five - Robert Johnson II: The Tempest, I, 2
12. Caleno custure me - Anon.: Henry V, mentioned at IV, 4
13. Canon: Then they for sudden joy did weep - Anon.: King Lear, I
14. Bonny, sweet Robin, luth solo - Anon.
15. When that I was - Anon.: Twelfth night, V, 1
16. Kamp'jig, luth solo - Anon.
17. Greensleeves - Anon., trad.
18. He that will an ale-house keep - Anon.: Ravenscroft's Melismas
19. Non Nobis Domine - William Byrd


Deller Consort

Alfred Deller (countertenor)
Philip Todd (tenor)
Max Worthley (tenor)
Maurice Bevan (baritone)
Desmond Dupré (lute)
Alfred Deller, dir.

Etienne-Nicholas Méhul - Overtures (1763 - 1817)

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Nicholas Méhul (1763-1817) is an intriguing transitional figure in French music, with a career that historically spanned the final years of the reign of Louis XVI and the heyday of Napoleon, and musically spanned the pinnacle of the classical style and the first stirrings of romanticism.Nowadays his music is hardly ever performed. The operas to which the nine pieces on this well-played disc provided the overtures - works like Mélidore et Phrosine, Horatius Coclès and Les Deux Aveugles de Tolède - have become little more than entries in a work list. But he was a forward-looking and, in his time, highly influential, composer, whose sense of musical theatre left its imprint on Berlioz and Weber especially.These overtures show how Méhul pushed at the boundaries of what could be expected of an orchestra at the beginning of the 19th century, giving it a new dramatic responsibility in the operatic scheme of things. This is no substitute for recordings of the complete operas, but is still worth investigating.

Tracklist:


01 - Mélidore et Phrosine
02 - Ariodant
03 - Joseph
04 - Horatius Coclès
05 - Bion
06 - Le jeune sage et le vieu fou
07 - Le trésor supposé
08 - Les deux aveugles de Tolède
09 - Le chasse du jeune Henri

Orchestre de Bretagne
 dir. Stefan Sanderling

Wikipedia:

English - - Francais - - Spanish - - Deutsch - - Italiano

Franz Joseph Haydn - deLirium

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The disc is characterized by splendid performances by the Ensemble Baroque de Limoges and Quatuor Mosaiques under the direction of Christophe Coin. Laborie's Joseph Haydn: deLerium is delightful in every way, and should easily satisfy anyone who has ever wondered about the Lire Organizzate. Franz Josef Haydn produced about a half dozen works for the Lire Organizzate, an eighteenth century hybrid of the hurdy-gurdy and organetto that by the twentieth century was nothing more than a museum instrument, with only about 20 examples extant and none playable. These works are commonly performed on recordings with a standard pipe organ in place of the Lire; however, Laborie's excellent release Joseph Haydn: deLerium stands apart in that the works are heard, for the first time in probably 200 years, on a pair of Lire Organizzate. Matthias Loibner and Thierry Nouat play reconstructed instruments built by hurdy-gurdy specialist Wolfgang Weichselbaumer that have a sweet and slightly tart tone reminiscent of an exotic brand of Viennese candy. While the Lire is obviously the star of the show, Laborie likewise includes a couple of Haydn's pieces for the Baryton, another obscure instrument favored by his patron, Prince Nikolaus Esterházy, for whom Haydn found himself obligated to create more than 100 works for this rather limited, dull-toned instrument. Even in these pieces, Haydn's patented "surprises" are part of the mix; when the natural horns creep into the final movement of the "Divertimento in A for Baryton" one really notices the difference.

Contents:

1. Concerto No. 1 for 2 lire organizzate in C major, H. 7h/1
 2. Divertimento a 8, for baryton, 2 violins, viola, cello, bass & 2 horns in A minor/A major, H. 10/3 
3. Notturno for 2 lire organizzate, 2 clarinets, 2 horns, 2 violas & bass in G major, H. 2/27
 4. Divertimento a 8, for baryton, 2 violins, viola, cello, bass & 2 horns in G major, H. 10/12
 5. Notturno for 2 lire organizzate, 2 clarinets, 2 horns, 2 violas & bass in C major, H. 2/32

Ensemble Baroque de Limoges
 Quatuour Mosaiques 
Cristopher Coin

baryton

G.P.Telemann - La Bizarre (Suites)

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Tracklist:

1. Suite En Ré Majeur, Twv55 D:18 : Ouverture
2. Suite En Ré Majeur, Twv55 D:18 : Menuet I, Menuet Il
3. Suite En Ré Majeur, Twv55 D:18 : Gavotte En Rondeau
4. Suite En Ré Majeur, Twv55 D:18 : Passacaille
5. Suite En Ré Majeur, Twv55 D:18 : Air
6. Suite En Ré Majeur, Twv55 D:18 : Les Postillons
7. Suite En Ré Majeur, Twv55 D:18 : Fanfare
8. Ouverture "Les Nations", Twv55 B:5 : Ouverture
9. Ouverture "Les Nations", Twv55 B:5 : Menuet I, Menuet Il
10. Ouverture "Les Nations", Twv55 B:5 : Les Turcs
11. Ouverture "Les Nations", Twv55 B:5 : Les Suisses
12. Ouverture "Les Nations", Twv55 B:5 : Les Moscovites
13. Ouverture "Les Nations", Twv55 B:5 : Les Portugais
14. Ouverture "Les Nations", Twv55 B:5 : Les Boiteux
15. Ouverture "Les Nations", Twv55 B:5 : Les Coureurs
16. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : !!!
17. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : Adagio
18. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : Menuet Alternativement
19. Ouverture "La Bizarre", Twv55 G:2 : Ouverture
20. Ouverture "La Bizarre", Twv55 G:2 : Courante
21. Ouverture "La Bizarre", Twv55 G:2 : Gavotte En Rondeau
22. Ouverture "La Bizarre", Twv55 G:2 : Branle
23. Ouverture "La Bizarre", Twv55 G:2 : Sarabande
24. Ouverture "La Bizarre", Twv55 G:2 : Fantaisie
25. Ouverture "La Bizarre", Twv55 G:2 : Menuet I, Menuet Il
26. Ouverture "La Bizarre", Twv55 G:2 :Rossignol

Akademie fur Ancient Music Berlin

W.A.Mozart - Acis und Galatea (from Handel)

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Part 1 - Part 2

This is the reorchestrated, German-language version of Handel's ''Acis and Galatea,'' done in 1788 for Baron von Swieten, a music patron who had fallen in love with Baroque music. In its original form, in English and lightly scored, Handel's delectable work has long been a concert and theater staple. However, Mozart's expertly crafted revision adds a bassoon as well as pairs of flutes, clarinets and horns, which adds to the orchestra's sonority and palette of colors but also subtly changes the character of the music.

Disc: 1

1. Acis Und Galatea: Act I - Overtura
2. Acis Und Galatea: Act I - 1. O begluckter Schaferstand! (Galatea)
3. Acis Und Galatea: Act I - Du grunes Feld, bebuschter Hugel - Still, du kleiner Wipfelchor (Galatea)
4. Acis Und Galatea: Act I - 3. Wo such ich sie, die holde Nymph? (Acis)
5. Acis Und Galatea: Act I - 4. Blieb, Schafer, bleib! - Schafer, was suchst du so angstlich (Damon)
6. Acis Und Galatea: Act I - 5. Ach, Schaferin, wend, Galatea - Lieb in ihr Aug verkrochen (Acis)
7. Acis Und Galatea: Act I - 6. O fuhltest du die Qualen der Entfernung - Wie's Taubchen klagt (Galatea)
8. Acis Und Galatea: Act I - 7. Wohl uns! (Galatea) (Acis)
9. Acis Und Galatea: Act I - 8. Wohl uns!

Disc: 2
1. Acis Und Galatea: Introduction To Act II - Larghetto (Handel: Concerto grosso Op. 6 No. 6, Musette)
2. Acis Und Galatea: Introduction To Act II - Largo (Handel: Concerto grosso Op. 6 No. 7, Einleitung)
3. Acis Und Galatea: Act II - 9. Arme Hirten!
4. Acis Und Galatea: Act II - 10. Ich ras, ich schmelz, ich brenne! - Du roter als die Kirsche (Polyphem)
5. Acis Und Galatea: Act II - 11.Schonste, was eilst du von hinnin - Fleh nicht mehr zur stolzen Schonheit (Polyphem) (Galatea)
6. Acis Und Galatea: Act II - 12. Strebst du nach der zarten Schonen (Damon)
7. Acis Und Galatea: Act II - 13. Das Ungeheu'r weckt meine Wut - Die Liebe ruft (Acis)
8. Acis Und Galatea: Act II - 14. Bedenk doch, o Schafer (Damon)
9. Acis Und Galatea: Act II - 15. Lass, lass ab, Geliebtester - Eh' lasst den Berg die Herde (Galatea) (Acis) (Polyphem)
10. Acis Und Galatea: Act II - 16. Hilf, Galatea! - Trau'rt, all ihr Musen! - So ist mein Acis denn dahin, Lass, Galatea, lass den Schmerz! (Acis) (Galatea)
11. Acis Und Galatea: Act II - 17. Wohlan! So nutz ich meine Gottermacht - Herz, du Sitz verliebten Grams (Galatea)
12. Acis Und Galatea: Act II - 18. Galatea, klag nicht mehr

The English Concert
dir. Trevor Pinnock

Antonio Vivaldi - L'Arte della Trascrizione

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Sonata in mi minore per flauto in la, flauto di voce e B.C. op. V n. 18 (= 6) RV. 72
Sonata in mi bemolle maggiore per due flauti contralto e B.C. op.I n. 10 RV. 78
Sonata in si minore per flauto di voce e B.C. op. V n. 16 (= 4) RV. 35
Sonata in do minore per due flauti contralto e B.C. (Ms Lund ) RV. 74
Sonata in do maggiore per due flauti soprano e B.C. op. I n. 3 RV. 61
Sonata in mi minore per due flauti di voce e B.C. op. I n. 2 RV. 67
Sonata in si bemolle maggiore per flauto contralto e B.C. n. 6 RV. 46
"Follia" in sol minore per due flauti contralto e B.C. op. I n. 12 RV. 63

Lorenzo Cavasanti, Manuel Staropoli: flauti dolci
Linda Murgia: violoncello
Claudia Ferrero: clavicembalo
Ugo Nastrucci: tiorba e chitarra barocca
Direttore Artistico: Pietro Busca

Schubert - Sonate für Arpeggione

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Franz Schubert - Sonate für Arpeggione und Klavier D.821
Robert Schumann - Fantasiestücke für Cello und Klavier Op.73
Robert Schumann - 5 Stücke im Volkston für Klavier und Cello Op.102

Mischa Maisky - Cello
Marta Argerich - Piano

Quel lascivissimo cornetto

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Tracklist:

1. Tarquinio Merula: Sonata prima per violino ò cornetto e basso
2. Cipriano da Rore: Angelus ad pastores, motetto passeggiato da Giovanni Battista Bovicelli
3. Andrea Gabrieli: Caro dolce ben mio, madrigale passeggiato da Giovanni Bassano
4. Giralamo Frescobaldi: Canzona seconda detta la Bernadinia per canto solo
5. Frescobaldi: Canzona quintadecima detta la Lievoratta per due bassi
6. Frescobaldi: Canzona decimanona detta la Capriola per canto e basso
7. Giovanni Palestrina: Io son ferito ahi lasso, madrigale passeggiato da Bovicelli
8. Thomas Crecquillon: Onques amour, chanson à 5
9. Crecquillon: Onques amour, chanson passeggiato da Bassano
10. Giovanni Battista Fontana: Sonata seconda
11. Palestrina: Pulchra es amica mea, motetto passeggiato da Francesco Rognoni Taeggio
12. Crecquillon: Petite fleur, chanson à 5
13. Crecquillon: Petite fleur, chanson passeggiato da Girolamo Dalla Casa
14. Nicolaus à Kempis: Sonata per violino solo

Bruce Dickey (cornetto)
Stephen Stubbs (chitarrone, viheula)
Erin Headley (viola da gamba)
Andrew Lawrence-King (double harp, renaissance harp, organ)

J.S.Bach - Actus Tragicus

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When Joshua Rifkin introduced his thesis that Bach composed most of his choral works for only one singer per part, he used the Mass in B Minor as his demonstration piece--in part, no doubt, for maximum shock effect. Since then, Rifkin's theory has made the greatest headway with performances of Bach's early cantatas--those he wrote before arriving in Leipzig in 1723. Even Christ lag in Todesbanden and the Actus tragicus, both considered canonic works of the choral literature, have benefited from fine single-voice recordings by groups such as the Taverner Consort and the American Bach Soloists. Now along comes Cantus Cölln and outdoes them all.

contents:


Christ lag in Todes Banden BWV 4
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106
Der Herr denket an uns BWV 196
Weinen, Klagen, Sorgen, Zagen BWV 12Cantus Cölln
dir. Konrad Junghänel

Consort of Musicke by Byrd and Gibbons

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I know, pianos were not there when these musics were delighting people's ears all around Europe, still I think this record is worth a try. Glenn Gould was a sheer universal genius: here each voice of these splendid poliphonics is so perfectly clear that I think this record should be used in classrooms too.

Tracklist:


William Byrd - First Pavan and Gaillard
Orlando Gibbons - Fantasy in C major
Orlando Gibbons - Allemande (Italian Ground)
William Byrd - Hughe Ashton's Ground
William Byrd - Sixth Pavan and Gaillard
Orlando Gibbons - ''Lord of Salisbury'' Pavan and Gaillard
William Byrd - A Voluntary
William Byrd - Sellinger's Round
Jan Peterszoon Sweelink - Fantasia in D (Fantasia Cromatica)

Glenn Gould, piano

Duo Mediterraneo - Musik des Mittelalters und der Renaissance

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Tracklist:

Anon.:

Improvisation on medieval melody

Anon., Paris Bibl. Nat. Ms. Franç., fol. 104v:

La Ultime Estampie Real

Anon., Folksong, Greece:

Tou Kastrou tis Orias
Tris Kalogeri Kritiki

Anon., 14-14th c., Hs Lo Brit. Mus., Add. 29987:

Saltarello

Anon., trad.:

Reigentanz aus Makedonien

Anon., 13th c.:

Chanson à refrain

Heinrich Newsidler: Lute book

Wascha mesa

Anon., 14-14th c., Hs Lo Brit. Mus., Add. 29987:

Trotto

Istampita Ghaette

Lamento di Tristano & Rotta

Anon., 12-13th c.: Trouvere song "Souvent suspire Moncuer"

Estampie

Anon.:

Improvisation on an arabic rythm

Anon., Folksong, Greece:

Omorfoula

Alfonso el Sabio (attr.): Cantigas de Santa Maria

Cantiga 166: Como poden per sas culpas

Duo Mediterraneo: Jannis Kaimakis
(launeddas, piccolo recorder, flojera, gaida, Pan's flute, renaissance lute, tanbura, crumhorn, gemshorn)
Issam Le-Mallah
(riqq, duff, bongos, tabla (darabuka), bandir, taar, tabl-baladi)

Clement Janequin - La Chasse et Autres Chansons

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I think this is the finest record so far from the astonishing Clement Janequin Ensemble, for three reasons. The first is that every performance here is bursting with energy and with the apparent experience of innumerable public performances: you never get the impression that a piece was prepared just for the recording. There are six very different voices here, sometimes scarcely blending, and occasionally with a touch of roughness. But that is all part of the magic. They are real performances.The second reason, related to the first, is that one of the Clement Janequin Ensemble's most notable virtues is the ability to articulate some of those long, elaborate works of Janequin that can so easily seem empty and rambling. The singers offer a masterly variety of colour, texture and pace that clarifies many of the internal details but at the same time seems always beautifully focused on the needs of the broad musical design. They show that Le caquet des femmes, La chasse and La guerre are works of considerable—if bizarre—genius.Which in turn brings us to the third reason: Janequin. He is surely one of the most varied and resourceful of all sixteenth-century composers. The record includes three immaculately turned Ronsard settings, and two of Marot. It includes the superbly madrigalesque Ce petit a'ieu qui vole, the exquisite C'esl a bon droit almost in the ultra-pure style of Claudin de Sermisy, and— as befits the finest musical exponent of the spirit of Rabelais—several works that are just plain dirty in a way that is difficult to parallel anywhere else in the history of music.  --   --  Gramophone [9/1988]

tracklist:

Clément Janequin
1. Le caquet des femmes
2. Va rossignol
3. D'un seul soleil
4. Bel aubepin verdissant

Guillaume Morlaye
5. Gaillarde des Dieux

Clément Janequin
6. J'ay double dueil
7. Au verd bois je m'en iray
8. Revenés souvent m'amye
9. J'ay d'un costé l'honneur
10. Ce petit dieu qui vole

Adrian Le Roy
11. Branle de Bourgogne

Clément Janequin
12. La guerre
13. L'espoir confus
14. Petite nymphe folastre
15. Pourquoy tournez-vous vos yeux
16. C'est … bon droit

Guillaume Morlaye
17. Fantaisie

Clément Janequin
18. Sur l'aub‚pin qui est en fleurs
19. Ce moys de may
20. Las, si tu as plaisir
21. Ventz hardis et légiers

Adrian Le Roy
22. Branle gay

Clément Janequin
23. Plus ne suys
24. Frère Thibault
25. La chasse

Ensemble Clement Janequin

Georg Philipp Telemann - Kleine Cammer-Music

42 tracks | MP3 192 Kbps | RAR 98Mb


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Contents:

1. Kleine Kammermusik, TV 41 B1/P 2: Partita no 1 in B minor
2. Kleine Kammermusik, TV 41 G2/P 2: Partita no 2 in G major
3. Kleine Kammermusik, TV 41 c1/P 2: Partita no 3 in C minor
4. Kleine Kammermusik, TV 41 g2/P 2: Partita no 4 in G minor
5. Kleine Kammermusik, TV 41 e1/P 2: Partita no 5 in E minor
6. Kleine Kammermusik, TV 41 Es1/P 2: Partita no 6 in E flat major

Camerata Köln

Sabine Bauer (Harpsichord)
Julie Borsodi (Viola da gamba)
Karl Kaiser (Flute)
Michael Schneider (Recorder)
Mary Utiger (Violin)
Hans-Peter Westermann (Oboe)
Rainer Zipperling (Cello)

Effetti e Stravaganze. Affect and Effect in 17th-Century Instrumental Music

15 tracks | MP3 192 Kbps | RAR 88Mb

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Contents:

Giovanni Picchi: Canzon undecima à 4 (Venice, 1625)Le bizzarrie
Nicolò Corradini: Canzon à 4 La Sincopata (Venice, 1624)
Alessandro Piccinini (1566-1638): Toccata cromatica (Bologna, 1623)
Biagio Marini: Sonata decima terza senza cadenza (Venice, 1626)
Antonio Troilo (fl.1606): Canzon à 4 (Venice, 1606)Due stravaganze a due voci
Bartolomeo de Selma y Salaverde (1585-1638): Canzon à 2 tenori (Venice, 1638)
Giovanni Battista Fontana: Sonata 11 à 2 canti
Marco Uccellini: Sonata XI à 2 violini e 2 bassi (Venice, 1639)I canti degl'uccelli
Tarquinio Merula: Canzon La Gallina à 2 (Venice, 1637)
Uccellini: Aria nona à 3 L'Emenfrodito: Maritati insieme la Gallina e il Cucco fanno un bel concerto (Venice, 1642)Echi e risposte
Lodovico da Viadana: Canzon francese in risposta
Corradini: Suonata in risposta La Golferamma (Venice, 1624)
Nicolas a Kempis (c.1600-1676): Sinfonia 1. à 4 (Antwerp, 1647)
Benedetto Ré: Canzon à 4 in risposta (Milan, 1609)
Giovanni Battista Riccio (fl.c.1615) Canzon La Moceniga in ecco (Venice, 1620)Concerto Palatino:Bruce Dickey (cornet)Doron Sherwin (cornet)Charles Toet (sackbut)Wim Becu (sackbut)Stephen Stubbs (chitarrone)Klaus Eichhorn (organ)

Johann Sebastian Bach - The Secret of the Semitones

11 tracks | MP3 192 Kbps | RAR 99 Mb


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Players of the modern harp may look with trepidation on anything with 'chromatic' in its title and velocity on the agenda, imagining a need for a third foot - and for all three to be hyperactive. But the baroque double harp which Lawrence-King uses here has no pedals; there are separate strings for every note, but their selection calls for skill and speed, talents he has in abundance. Nor does he lack any other of the attributes needed to approach such a demanding programme. His view of the Chromatic Fantasia is contemplative rather than dramatized, occupying 10'32'' (par for the keyboard course is six or seven minutes) and in his annotation he rightly refers to the harp-like textures in which it abounds. Given its success it is a pity he severed it from its companion Fugue but doubtless he had his own good (perhaps technical) reasons. Technical reasons may also account for the changes of key for BWV997 (C minor to D minor) and BWV1004 (D minor to A minor), which should disturb no one.The convincing flexibility of his phrasing is superimposed on the beat of the metronome that ticks in his head, giving eloquent humanity to the music, and his fingers respond faithfully to dynamic detail such as the differentiation of appoggiaturas from their resolutions. He is adept, too, at embellishing repeats - and not just by adding the odd ornament here and there. The performance of the famous Chaconne is leisurely but majestic (17'36''), with minor but logical additions to the score, though the sudden piano at 8'17'', debatably anticipating the following variation, may raise some eyebrows - as it did mine. If Bach is listening to this recording he probably has an approving smile on his face. Need I say more?

contents:


Chromatic Fantasia and Fugue in D minor, BWV 903
 Suite for Lute in C minor, BWV 997
 Fantasia in A minor, BWV 944
 Partita for Violin solo no 2 in D minor, BWV 1004
CiacconaAndrew Lawrence-King (Harp)

G.P.Telemann - The 12 Fantasies for Recorder

32 tracks | MP3 192 Kbps | RAR 96Mb


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Fantasy No.1 in C major
Fantasy No.2 in C minor
Fantasy No.3 in D minor
Fantasy No.4 in E flat major
Fantasy No.5 in E flat major
Fantasy No.6 in F minor
Fantasy No.7 in F major
Fantasy No.8 in G minor
Fantasy No.9 in G major
Fantasy No.10 in A minor
Fantasy No.11 in B flat major
Fantasy No.12 in C minor

Recorder: Peter Holtslag

Henry Purcell - Royal Odes (King's Consort) 8 CD

8 CD - MP3 256 Kbps - 8 RAR files (980Mb)

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CD 1: 112Mb

Arise, My Muse
Welcome To All The Pleasures
Now Does The Glorious Day Appear
CD2: 142Mb

Hail! Bright Cecilia
Who Can From Joy Refrain?

CD3: 141Mb

Fly, Bold Rebellion
Sound The Trumpet, Beat The Drum
Celebrate This Festival
CD4: 111Mb

Ye Tuneful Muses
Celestial Music Did The Gods Inspire
From Hardy Chimes
CD5: 131Mb

Ode For The Birthday Of Queen Mary
Ode For The Centenary Of Trinity College Dublin
Welcome Song For King Charles II
CD6: 126Mb

Ode For Queen Mary's Birthday
Ode For St. Cecilia's Day
Welcome Song For Charles II

CD7: 122Mb

The Yorkshire Feast Song
Welcome Song For Charles II
Welcome Song For The Duke Of York

CD8: 126Mb

Ode For The Birthday Of Queen Mary
Welcome Song For Charles II
Welcome Song For King James
The King's Consort
dir Robert King

Morin, Mouret, Corrette, Rameau - La Chasse du Cerf

17 tracks - MP3 192 Kbps - RAR 100Mb


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1. Jean-Baptiste Morin: La Chasse Du Cerf - Scene 1 - 'Le Réveil'
2. Scene 2 - 'Chour de Nymphes - Le Rendezvous'
3. Scene 3 - 'Le Rapport'
4. Scene 4 - 'Le Déjeuner'
5. Scene 5 - 'La chasse'
6. Scene 6 - 'La Mort du Cerf'
7. Scene 7 - 'La Curée'

8. Jean-Joseph Mouret: Symphonies de Chasse - Fanfare et Air
9. Airs, gracieusement
10. Gavottes - Menuets

11. Michel Corrette: La Choisy - Allegro
12. Adagio
13. Allegro

14. Jean-Philippe Rameau: Hippolyte et Aricie - Choeur
15. Premier air
16. Deuxième air en Rondeau
17. Menuets

Orchestre Jean-François Paillard
dir. Jean-François Paillard

Phantasticus - 17th Century Italian Violin Music

11 tracks - MP3 192 Kbps - RAR 117 Mb


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Giovanni Antonio Pandolfi - Sonata 'La Monella Romanesca' Op. IV, No. 3
Giovanni Paolo Cima - Sonata Per Il Violino
Dario Castello - Sonata I
Alessandro Piccinini - Romanesca Con Partite Variate
Giovanni Paolo Cima - Sonata
Dario Castello - Sonata II
Girolamo Frescobaldi - Partite Sopra L'Aria Della Romanesca
Giovanni Battista Fontana - Sonata V
Girolamo Kapsberger - Toccata I
Giovanni Battista Fontana - Sonata VI
Niccolò Corradini - Sonata 'La Sfondrata'

Romanesca

Andrew Manze, violin
Nigel North, theorbo
John Toll, harpsichord & chamber organ

Francois Couperin - Concert Royaux

25 tracks - MP3 256 Kbps - RAR 119Mb


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contents:

1. Second Concert : Prélude
2. Second Concert : Allemande, Fuguée
3. Second Concert : Air Tendre
4. Second Concert : Air Contre Fugué
5. Second Concert : Echos
6. Premier Concert : Prélude
7. Premier Concert : Allemande
8. Premier Concert : Sarabande
9. Premier Concert : Gavotte
10. Premier Concert : Gigue
11. Premier Concert : Menuet En Trio
12. Premier Concert : Le Charme
13. Premier Concert : L'enjouement
14. Premier Concert : Les Graces, Courante Françoise
15. Premier Concert : Le Je Ne Scay Quoy
16. Premier Concert : La Vivacité
17. Premier Concert : La Noble Fierté, Sarabande
18. Premier Concert : La Douceur
19. Premier Concert : L'et Caetera Ou Menuets
20. Septième Concert : Gravement Et Gracieusement
21. Septième Concert : Allemande
22. Septième Concert : Sarabande, Grave
23. Septième Concert : Fuguette
24. Septième Concert : Gavotte
25. Septième Concert : Sicilienne

Wieland Kuijken
Robert Kohnen
Barthold Kuijken

Giuseppe Valentini - 7 Bizzarrie per Camera Op 2

33 tracks - MP3 192 Kbps - RAR 85Mb


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Bizzarria No 1 (in D major)
Bizzarria No 2 (in E major)
Bizzarria No 3 (in F major)
Bizzarria No 4 (in E minor)
Bizzarria No 5 (in F major)
Bizzarria No 6 (in E major)
Bizzarria No 7 (in B minor)

Aura Musicale
dir. Balazs Maté

Paul Hillier - Proensa (A Theatre of Voices Project)

8 tracks - MP3 192 Kbps - RAR 102Mb


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Guillaume IX - Farai un Vers
Giraut de Bornelh - Reis Glorios
Raimon de Miraval - Aissi cum es genserpascors
Marcabru - L' Autrier jost' una sebissa
Bernart de Ventadorn - Be M'an Perdut
Bernart de Ventadorn - Can vei la lauzeta mover, motet
Peire Vidal - Pos tornatz sui en Proensa
Guiraut Riquier - Be'm Degra de Chantar

Paul Hillier, voiceStephen Stubbs, lute & psaltery
Andrew Lawrence-King, harp & psalteryErin Headley, vielle

Jacques Hotteterre le Romain - Premier Flutiste Francais

60 tracks - MP3 192 Kbps - 2 RAR files (100Mb+97Mb)



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CD 1 - - CD 2


1. Méthode pour la musette, Op 10: Bourrée d'Achille
2. Suite in B flat major for recorder & basso continuo, Op 2
3. Premier Livre de Pièces, Op 2: Échos, pour la flûte traversière suele
4. Trio sonata in C major for 2 oboes & basso continuo, Op 3
5. Méthode pour la musette, Op 10: La Pharaonne
6. Méthode pour la musette, Op 10: La Petite Janeton
7. Trio sonata in D minor for 2 recorders & basso continuo, Op 3
8. Premier Livre de Pièces, Op 2
9. Méthode pour la musette, Op 10: Quitte la musette
10. Méthode pour la musette, Op 10: Marche des dragons
11. Premier Livre de Pièces, Op 2: Suite in E minor
12. Méthode pour la musette, Op 10: Musette de Mr. Clerambault
13. Méthode pour la musette, Op 10: Le Badaut
14. Deuxiéme Livre de Pièces, for flute, continuo & other instruments, Op 5: Suite in E minor
15. Airs et Brunettes
16. Méthode pour la musette, Op 10: Prélude et la Régence
17. Méthode pour la musette, Op 10: Tres Beaux Yeux ma Nicole
18. Deuxième Suitte de Pièces for 2 flutes (or other instruments)
19. Deuxiéme Livre de Pièces, for flute, continuo & other instruments, Op 5: Suite sonata in C major
20. Méthode pour la musette, Op 10: Rigaudons
21. L'Art de préluder, Op 7: Prélude, for recorder
22. L'Art de préluder, Op 7: Prélude, for Transverse Flute
23. L'Art de préluder, Op 7: Prélude, for oboe
24. L'Art de préluder, Op 7: Prélude, for soprano Viola da gamba
25. Airs et Brunettes: Brunette, "l'autre jour ma Cloris"
26. Airs et Brunettes: Air de Mr Lambert "Goûtons un doux repos"

Frans Bruggen, Wieland Kuijken, Gustav Leonhardt
Bruce Haynes, Ku Ebbinge, Danny Bond, Shelley Gruskin

Georg Philipp Telemann - String Concertos

29 tracks - MP3 192 Kbps - RAR 95Mb


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tracklist:

Concerto Polonois G-dur (43:G7)
Concerto Polonois B-dur (43:B3)
Divertimento A-dur (50:22)
Divertimento B-dur (50:23)
Concerto G-dur (51:G9) for Viola
Concerto ''a sei'' G-dur (52:G2)
Concerto G-dur (52:G3)

Musica Antiqua Koln
Reinhard Goebel

George Frideric Handel - The Secret Handel

20 tracks - MP3 192 Kbps - RAR files 142Mb

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"Christopher Hogwood’s incisive mind regularly leads to strong and imaginative concepts and this, the first of a series of clavichord discs dedicated to Bach, Handel, Haydn, Mozart and Beethoven, is a perfect example. The clavichord has a history of domestic usage, the intimate nature of its utterances seeming both exquisite and slightly enigmatic. Its main mechanical feature of stretching strings gives the player the ‘touch’ to grade dynamics, alter pitch through vibrating and other idiomatic colouring. These are delicate nuances with an instrument of such softness, offered as fleeting gestures, usually for the player’s ears alone." - GRAMOPHONE

tracklist:

1. Suite for keyboard (Suite de piece), Vol.1, No.3 in D Minor, HWV 428
2. Aria (Chaconne) and variations for keyboard in G major, HWV 430/4a
3. Fugue for keyboard in C minor, HWV 610
4. Suite for 2 harpsichords in C minor, HWV 446 (fragment)
5. Minuet for keyboard in A major, HWV 545
6. Minuet for keyboard in A major, HWV 547
7. Minuet for keyboard in A major, HWV 546
8. Air for keyboard in F major, HWV 464
9. Water Music Suite No.1 for orchestra in F major, HWV 348: Bourrée and Hornpipe
10. Aria and variations for clavichord in B flat major
11. Air for keyboard in B flat major, HWV 469
12. Concerto for keyboard (2 movements) in G major, HWV 487
13. Air Lentement for keyboard in G minor, HWV 467
14. Concerto for keyboard (2 movements) in G major, HWV 487
15. Allemande for keyboard in B minor, HWV 479
16. Courante for keyboard in B minor, HWV 489
17. Sarabande for clavichord in B minor
18. Gigue for clavichord in B minor
19. Jesu meine Freude, chorale for keyboard in G minor, HWV 480
20. Chaconne for harpsichord in G major, HWV 435Christopher Hogwood, clavichord

Alfonso X - Cantigas de Viola de Rueda

14 tracks - MP3 192 Kbps - RAR 77 Mb


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Tracklist:


1. Cantiga de Santa María 68, A Groriosa grandes faz
2. Cantiga de Santa María 77, Da que Deus mamou o leite do seu peito
3. Cantiga de Santa María 61, Fol é que cuida que non poderia
4. Cantiga de Santa María 327, Porque ben Santa María sabe os seus dões dar
5. Cantiga de Santa María 74, Quen Santa María quiser deffender
6. Cantiga de Santa María 92, Santa María poder á
7. Cantiga de Santa María 81, Par Deus, tal sennor muito val
8. Cantiga de Santa María 407, Como o demo cofonder
9. Cantiga de Santa María 91, A Virgen nos d´ saud' e tolle mal
10. Cantiga de Santa María 259, Santa María punna d' aviir
11. Cantiga de Santa María 71, Se muito non amamos. Gran sandeçe fazemos
12. Cantiga de Santa María 76, Quenas sas figuras da Virgen partir
13. Cantiga de Santa María 62, Santa María sempr' os seus ajuda
14. Cantiga de Santa María 72, Quen diz mal




Musica Antiqua Ensemble, Luis Delgado
Conducted by Eduardo Paniagua

Georg Philipp Telemann - 5 Violin Concertos

16 tracks - MP3 192 Kbps - RAR 81Mb


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Concerto n°4 in E
Concerto n°11 in B-flat (attributed)
Concerto n°8 in G
Concerto n°3 in D
Concerto n°9 in G minor

Iona Brown, violin and direction
Academy of St.Martin-in-the-Fields
continuo:
Denis Vigay, violoncello
Alan Cuckstone, harpsichord

Arcangelo Corelli - Sonatas Op 5

30 tracks - MP3 192 Kbps - RAR 96 Mb


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Sonata I. D major
Sonata II. B flat major
Sonata III. D major (orig. C major)
Sonata IV. G major (orig. F major)
Sonata V. G minor
Sonata VI. A major


(Flute Transcription: Benedek Csalog)


Benedek Csalog, flute
Léon Berben, harpsichord

Atrium Musicae - Villancicos

7 tracks - MP3 192 Kbps - RAR 63 Mb


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01 - Luys Milan (adapted by Gregorio Paniagua)
Poys dezeys que me quereys ben
Toda mi vida hos amé
Perdida teñyo la color

02 - Anon., Madrid, Bibl. Medinaceli sign. 13230 Cancionero de Medinaceli
A su alvedrio
Anon. (adapted by Gregorio Paniagua), Madrid, Bibl. Royale sign. 2.I.5 Cancionero de Palacio
Pase al agoa
A los baños del amor

03 - Anon. Cancionero de Uppsala
Vésame y abraçame
E la don don verges Maria
Gregorio Paniagua
La Begognette
Anon. Cancionero de Uppsala
Riu Riu Chiu

04 - Anon. (adapted by Gregorio & Eduardo Paniagua), Madrid, Bibl. Royale sign. 2.I.5Cancionero de Palacio
La mas graciosda serrana
Juan del Enzina, Madrid, Bibl. Royale sign. 2.I.5 Cancionero de Palacio
Amor con fortuna (contrafactum of Halcón que se atreve)
Anon. (adapted by Gregorio Paniagua), Madrid, Bibl. Royale sign. 2.I.5 Cancionero de Palacio
Quien vos avia de lievar

05 - Juan Vásquez, Seville 1560
Con qué la lavaré
Luys de Narvaez, Delphin de Música
Con qué la lavaré
Anon. Cancionero de Uppsala
Con qué la lavaré

06 - Anon., Madrid, Bibl. Royale sign. 2.I.5 Cancionero de Palacio
So ell enzina
Sola me dexaste
Dindirindin
Daca bailemos
Francisco de la Torre (adapted by Gregorio Paniagua), Madrid, Bibl. Royale sign. 2.I.5 Cancionero de Palacio
Pánpano Verde

07 - Gregorio Paniagua - La Edoarda
Anon., Mss. 7.I.28, Seville Cancionero de la Columbina
Pues no mejora mi suerte
Gregorio Paniagua - Fermata

Atrium Musicae de Madrid

Gregorio Paniagua (small bells, vihuela, vielle, soprano viola, singer, bowed vihuela, viola, xirimia, soprano gamba, syrinx, psalterion, cymbals, metallophone, whistles, tenor recorder, tenor gamba, alto crumhorn, soprano crumhorn, very small bells).Eduardo Paniagua (small bells, bass recorders, dulcimer, alto and soprano recorder, carillon, , tenor recorder, tambourine, cymbals, very small bells, psalterion, flute, shepherd's flute, timbals)
Beatriz Amo (tambourine, exequier, very small bells, dulcimer, singer, positive, castanets, psalterion, metallophone, vielle, darabukka)
Begoña Olavidade (tambourine, alto recorder, singer, teeths sound, psaltterion, tintinabulum, alto and soprano recorder, vielle)
Luis Paniagua (tar, timbals, dulcimer, vihuela, friction drum, tenor recorder, tenor crumhorn, singer, sliding trombone, wooden tabla, small bells, psalterion, carillon, triangle, whistle, metallophone, panderete (tambourine), darabukka, small darabukka, smal tambourine, bird whistle, calabash, very small bells)
Carlos Paniagua (small bells and tar, bass recorder, small drum, bass crumhorn, psalterion, alto crumhorn, darabukka, metallophone, dulcimer, timbals, small bells, vihuela)

dir. Gregorio Paniagua

Camerata Iberia - Songs and Dances from the Spanish Renaissance

17 tracks - MP3 192 Kbps - RAR 72Mb


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1. Anon., Codex de Upsala - ¡Ay, luna que reluces!
2. Anon., Ms Leipzig - Bassa Danza La Spagna
3. Juan del Encina - Ya soi desposado
4. Juan del Encina - Daca ballemos, Carillo
5. Diego Pisador Manuel Fueullana - Endechas de Canarias
6. Anon., Codex Medinaecelli - Di perra mora
7. Anon., Codex de Upsala - Si n'os huviera mirado
8. Anon., Codex de Upsala - Falalalan-Falalera
9. Diego Pisador - Quién tuviese tal poder
10. Juan del Encina - Una sañosa porfia
11. Antonio de Cabezón - Pavana con su giosa - La Cara Cosa
12. Juan Vásquez - Morenica dame un beso
13. Hayne van Ghizeghem Alexander Agricola - De tous biens pleine
14. J.A. Dalza - Calata ala spagnuola
15. Juán Vasquez - Quien amores tiene ¿comó duerme
16. M. Gulielmus M. Perugia - Falla con misuras
17. Alonso, Codex Palacio - La Tricotea

Camerata IberiaJuan Carlos de Mulder: Vihuela
Pedro Estevan: Percusion
Carlos J. Mena: Contratenor
Ernesto Schmied: Flauto de pico
Daniel Carranza: Vihuela
Francisco Luengo: Viola da Gamba

Alfonso X el Sabio - Cantigas de Santa Maria

9 tracks - MP3 192 Kbps - RAR 67Mb


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1. CSM 384 A que por muy gran fremosura
2. CSM 159 Non sofre Santa Maria
3. CSM 60 Entre Av'e Eva
4. CSM 340 Virgen Madre groriosa
5. CSM 150 A que Deus ama, amor devemos
6. CSM 322 A Virgen, que de Deus Madre est
7. CSM 391 Como pod'a Groriosa
8. CSM 27 Non devemos por maravilla teer
9. CSM 20 Virga de Jesse

Esther Lamandier
(voice, harp, portative organ, medieval fiddle)

G.P.Telemann - Concertos for Viola da Gamba

22 tracks - MP3 192 Kbps - RAR 128Mb


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contents:


Sonata in B minor for violin, viola da gamba and b.c.
Concerto in E for violin, viola da gamba and b.c.
Concerto in A for viola da gamba, 2 violins and b.c.
Suite in D for viola da gamba, strings and b.c.
Concerto in G for viola (da gamba), strings and b.c.


Hille Perl - Viola da gamba
Freiburger Barockorchester, dir Petra Mullejans

Adriano Banchieri - Il Festino del Giovedi Grasso

31 tracks - MP3 192 Kbps - RAR 88 Mb


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Alessandro Striggio - La Caccia
1. Dalle Gelate Braccia Di Titone (Prima Parte A Quattro)
2. Su, Su, Presto Alla Caccia (Seconda Parte A Cinque)
3. Ecco Ch' Al Bosco Siam Vicini Omai (Terza Parte A Sei Voci)
4. Mirate A Quei Cinghiali (Quarta Parte A Sei Voci)
5. Ecco Il Sol Chiaro Dianzi Che S'Asconde (Quinta Parte A Sette Voci)Adriano Banchieri - Festino nella Sera del Giovedì Grasso Avanti Cena
6. Prologo
7. Il Diletto Moderno Per Introduzzione
8. Justiniana Di Vecchietti Chiozzotti
9. Mascherata Di Villanelle
10. Seguita La Detta Mascherata
11. Madrigale A Un Dolce Usignolo
12. Mascherati D'Amanti
13. Gli Amanti Morescano
14. Gli Amanti Cantano Una Canzonetta
15. Gli Amanti Cantano Una Canzonetta
16. La Zia Bernardina Racconta Una Novella
17. Capricciata A Tre Voci
18. Contrappunto Bestiale Alla Mente
19. I Cervellini Cantano Un Madrigale
20. Intermedio Di Venditori Di Fusi
21. Li Fusari Cantano Un Madrigale
22. Gioco Del Conte
23. Li Festinanti
24. Vinata Di Brindesi E Ragioni
25. Sproposito Di Goffi (Pero Di Gusto)
26. Il Diletto Moderno Licenza E Di Nuovo InvitaAlessandro Striggio - Il Cicalamento delle Donne al Bucato
27. Nella Vaga Stagion Che Premer Suole (Prime Parte...)
28. Buon Giorno, Belle Donne! (Seconda Parte A Sette Voci)
29. Ho Udito Che La Fante (Terza Parte A Sette Voci)
30. Non Ti Ricordi Quando, Oggi Fa L'Anno (Quarte Parte...)
31. Orsu Stendiamo Questi Panni (Quinta Parte A Sette Voci)Concerto Italiano
dir. Rinaldo Alessandrini

Johann Joachim Quantz - 7 Sonatas for Flute

21 tracks - MP3 192 Kbps - RAR 110Mb


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content:


B minor QV 1-167 (Dresden)
D major QV 1-47 D-dur (Potsdam)
C major QV 1-12 (Potsdam)
C minor QV 1-15 (Dresden)
F major QV 1-86 (Dresden)
E minor QV 1-73 (Dresden)
G major QV 1-105 (Potsdam)


Benedek Csalog, Baroque Flute
Rita Papp, Harpsichord

First recording