mercoledì 5 dicembre 2007

W.A.Mozart - Concertos

10 tracks - MP3 192 Kbps - RAR (110Mb)


DepositFiles - FileFactory


contents:

Flute & Harp Concerto K299
Andante for Flute in C K315
Bassoon Concerto K191
Flute Concerto K313

Lisa Beznosiuk, flute
Frances Kelly, harp
Danny Bond, bassoon

The Academy of Ancient Music
dir. Christopher Hogwood


martedì 4 dicembre 2007

G.P.Telemann - La Chasse, Tragikomische Suite

32 tracks - MP3 192 Kbps - RAR (117Mb)


DepositFiles - FileFactory


Overture "Jubeloratorium fur die Hamburger Admiralitat"
Suite "Alster" F-dur
Suite "La Musette" g-moll
Suite "La Chasse" F-dur
Ouverture jointe d'une suite tragi-comique

Akademie fur Alte Musik Berlin


Originally posted (04/12/2007)

Johann Rosenmuller - Sonate da Camera e Sinfonie

7 tracks - MP3 192 Kbps - RAR 91 Mb


Uploaded - FileFactory


Johann Rosenmüller was a Saxon composer who escaped from prison in Leipzig and fled to Venice in 1655 after being falsely accused of having a homosexual relationship with some of his students. While these totally, completely, impossibly gorgeous "Sonate da Camera e Sinfonie" (1654-1682) were composed primarily in Venice (Rosenmüller was a trombonist at St. Mark's Basilica), they were strongly influenced by the music of Rosenmüller's early teacher, the great German master Heinrich Schütz. Scored for 8 stringed instruments, cornet, trombone, and theorbo, these chamber sonatas combine the absolute best of the conservative North German musical tradition with a healthy dash of Venetian joie de vivre and achingly beautiful pan-European melancholic contemplation. Rosenmüller's sonatas are real jewels considering when they were written, since they totally avoid the typically overdone, clichéd pyrotechnics and gaudy bravura of the High Baroque while also managing not to be sleeping pills.
If, like me, you're a little nauseated with Bach and bored with Lully, give Rosenmüller a shot. I've heard several of Hespèrion XX's other recordings and this one is THE finest. Smooth, luscious, out of this world. Can't go wrong here.
By Stephen Taylor


contents:


Sinfonia II
Sonata VII
Sinfonia IV
Suite I
Sonata XI
Sinfonia I
Sonata IX


Hesperion XX
 dir. Jordi Savall




lunedì 26 novembre 2007

Christmas Concertos

27 tracks - MP3 192 Kbps - RAR 97Mb


DepositFiles - FileFactory


Contents:

1. Marc-Antoine Charpentier - Noels Sur Les Instruments
2. Johann Melchior Molter - Concerto Pastorale In G Major
3. Antonio Vivaldi - Concerto For 2 Trumpets In C Major, Rv 537
4. Giuseppe Baldassare Sammartini - Pastorale In G Major
5. Georg Philipp Telemann - Concerto Polonois In G Major
6. George Frideric Handel - Concerto A Due Cori In B Flat Major, Hwv 332
7. Arcangelo Corelli - Concerto Grosso In G Minor


English Concert
dir. Trevor Pinnock

sabato 24 novembre 2007

O Canto da Sibila

11 tracks - MP3 192 Kbps - RAR 63 Mb


Uploaded - FileFactory


De todos os eventos, o mais antigo e mais largamente difundido por toda a Europa, durante a idade média, foi o Canto da Sibila. As sibilas eram profetizas muito populares nos ritos romanos, antes da Era Cristã. Uma de suas profecias fala do fim dos tempos, como foi descrito por São João no livro do apocalipse. Com o advento do cristianismo e no intuito de difundi-lo entre os "povos pagãos", esta profecia foi utilizada pela igreja como prova de que o cristianismo era uma verdade já prevista antes de sua existência. Assim, na noite de Natal, no meio da missa de meia noite, a Sibila era cantada para alertar a todos a se converterem antes do juízo final. Essa tradição se repetia todos os anos até que foi proibida em concílio pela Igreja. Por ser um evento tão popular e de tão grande importância, mesmo com tal proibição ele continuou a ser praticado em alguns lugares da Espanha até os dias de hoje.



Tracklist:

Des Oge Mas
In Duici Jubilo
Verbum caro factum est
Verbum caro factum est
Pois que dos Reys
O Canto da Sibila
Riu Riu Chiu
Rey a Quiem Reies Adoran
Dadme Albricias
E la Don Don, Verges Maria
Ein Kind geborn zu Bethlehem

Musica Antiga da UFF (Live)



giovedì 22 novembre 2007

Shakespeare Songs (Deller)

19 tracks - MP3 192 Kbps - RAR 57 Mb


Uploaded - FileFactory


Tracklist:

1. It was a lover and his lass - Thomas Morley: As you like it, V, 3
2. Take, O take those lips away - John Wilson: Measure for measure, IV, 1
3. O mistress mine - Thomas Morley: Twelfth night or what you will, II,3
4. Strike it up, Tabor - Thomas Weelkes
5. Willow song - Anon.: Othello, IV, 3
6. Where the bee sucks - Robert Johnson II: The Tempest, VI, 1
7. How should I your true love know - Anon.: Hamlet, Prince of Denmark, IV, 5
8. Walsingham variation - Francis Cutting
9. We be soldiers three - Anon.
10. When griping griefs - Anon.: Romeo and Juliet, IV, 5
11. Full fathom five - Robert Johnson II: The Tempest, I, 2
12. Caleno custure me - Anon.: Henry V, mentioned at IV, 4
13. Canon: Then they for sudden joy did weep - Anon.: King Lear, I
14. Bonny, sweet Robin, luth solo - Anon.
15. When that I was - Anon.: Twelfth night, V, 1
16. Kamp'jig, luth solo - Anon.
17. Greensleeves - Anon., trad.
18. He that will an ale-house keep - Anon.: Ravenscroft's Melismas
19. Non Nobis Domine - William Byrd



Deller Consort

Alfred Deller (countertenor)
Philip Todd (tenor)
Max Worthley (tenor)
Maurice Bevan (baritone)
Desmond Dupré (lute)
Alfred Deller, dir.


domenica 11 novembre 2007

Etienne-Nicholas Méhul - Overtures (1763 - 1817)

9 tracks - MP3 192 Kbps - RAR 122Mb


Uploaded - FileFactory


Nicholas Méhul (1763-1817) is an intriguing transitional figure in French music, with a career that historically spanned the final years of the reign of Louis XVI and the heyday of Napoleon, and musically spanned the pinnacle of the classical style and the first stirrings of romanticism.Nowadays his music is hardly ever performed. The operas to which the nine pieces on this well-played disc provided the overtures - works like Mélidore et Phrosine, Horatius Coclès and Les Deux Aveugles de Tolède - have become little more than entries in a work list. But he was a forward-looking and, in his time, highly influential, composer, whose sense of musical theatre left its imprint on Berlioz and Weber especially.These overtures show how Méhul pushed at the boundaries of what could be expected of an orchestra at the beginning of the 19th century, giving it a new dramatic responsibility in the operatic scheme of things. This is no substitute for recordings of the complete operas, but is still worth investigating.


Tracklist:


01 - Mélidore et Phrosine
02 - Ariodant
03 - Joseph
04 - Horatius Coclès
05 - Bion
06 - Le jeune sage et le vieu fou
07 - Le trésor supposé
08 - Les deux aveugles de Tolède
09 - Le chasse du jeune Henri


Orchestre de Bretagne
 dir. Stefan Sanderling


Wikipedia:

English - - Francais - - Spanish - - Deutsch - - Italiano


martedì 6 novembre 2007

Franz Joseph Haydn - deLirium

15 tracks - MP3 192 Kbps - RAR 129Mb


Uploaded - FileFactory

The disc is characterized by splendid performances by the Ensemble Baroque de Limoges and Quatuor Mosaiques under the direction of Christophe Coin. Laborie's Joseph Haydn: deLerium is delightful in every way, and should easily satisfy anyone who has ever wondered about the Lire Organizzate. Franz Josef Haydn produced about a half dozen works for the Lire Organizzate, an eighteenth century hybrid of the hurdy-gurdy and organetto that by the twentieth century was nothing more than a museum instrument, with only about 20 examples extant and none playable. These works are commonly performed on recordings with a standard pipe organ in place of the Lire; however, Laborie's excellent release Joseph Haydn: deLerium stands apart in that the works are heard, for the first time in probably 200 years, on a pair of Lire Organizzate. Matthias Loibner and Thierry Nouat play reconstructed instruments built by hurdy-gurdy specialist Wolfgang Weichselbaumer that have a sweet and slightly tart tone reminiscent of an exotic brand of Viennese candy. While the Lire is obviously the star of the show, Laborie likewise includes a couple of Haydn's pieces for the Baryton, another obscure instrument favored by his patron, Prince Nikolaus Esterházy, for whom Haydn found himself obligated to create more than 100 works for this rather limited, dull-toned instrument. Even in these pieces, Haydn's patented "surprises" are part of the mix; when the natural horns creep into the final movement of the "Divertimento in A for Baryton" one really notices the difference.



Contents:

1. Concerto No. 1 for 2 lire organizzate in C major, H. 7h/1
 2. Divertimento a 8, for baryton, 2 violins, viola, cello, bass & 2 horns in A minor/A major, H. 10/3 
3. Notturno for 2 lire organizzate, 2 clarinets, 2 horns, 2 violas & bass in G major, H. 2/27
 4. Divertimento a 8, for baryton, 2 violins, viola, cello, bass & 2 horns in G major, H. 10/12
 5. Notturno for 2 lire organizzate, 2 clarinets, 2 horns, 2 violas & bass in C major, H. 2/32

Ensemble Baroque de Limoges
 Quatuour Mosaiques 
Cristopher Coin

baryton

G.P.Telemann - La Bizarre (Suites)

Inserisci link26 tracks - MP3 192 Kbps - RAR 102Mb


DepositFiles - FileFactory


Tracklist:

1. Suite En Ré Majeur, Twv55 D:18 : Ouverture
2. Suite En Ré Majeur, Twv55 D:18 : Menuet I, Menuet Il
3. Suite En Ré Majeur, Twv55 D:18 : Gavotte En Rondeau
4. Suite En Ré Majeur, Twv55 D:18 : Passacaille
5. Suite En Ré Majeur, Twv55 D:18 : Air
6. Suite En Ré Majeur, Twv55 D:18 : Les Postillons
7. Suite En Ré Majeur, Twv55 D:18 : Fanfare
8. Ouverture "Les Nations", Twv55 B:5 : Ouverture
9. Ouverture "Les Nations", Twv55 B:5 : Menuet I, Menuet Il
10. Ouverture "Les Nations", Twv55 B:5 : Les Turcs
11. Ouverture "Les Nations", Twv55 B:5 : Les Suisses
12. Ouverture "Les Nations", Twv55 B:5 : Les Moscovites
13. Ouverture "Les Nations", Twv55 B:5 : Les Portugais
14. Ouverture "Les Nations", Twv55 B:5 : Les Boiteux
15. Ouverture "Les Nations", Twv55 B:5 : Les Coureurs
16. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : !!!
17. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : Adagio
18. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : Menuet Alternativement
19. Ouverture "La Bizarre", Twv55 G:2 : Ouverture
20. Ouverture "La Bizarre", Twv55 G:2 : Courante
21. Ouverture "La Bizarre", Twv55 G:2 : Gavotte En Rondeau
22. Ouverture "La Bizarre", Twv55 G:2 : Branle
23. Ouverture "La Bizarre", Twv55 G:2 : Sarabande
24. Ouverture "La Bizarre", Twv55 G:2 : Fantaisie
25. Ouverture "La Bizarre", Twv55 G:2 : Menuet I, Menuet Il
26. Ouverture "La Bizarre", Twv55 G:2 :Rossignol


Akademie fur Ancient Music Berlin

lunedì 5 novembre 2007

W.A.Mozart - Acis und Galatea (from Handel)

21 tracks - MP3 192 Kbps - 2 RAR (84+89Mb)

DepositFiles
Part 1 - Part 2

FileFactory
Part 1 - Part 2

This is the reorchestrated, German-language version of Handel's ''Acis and Galatea,'' done in 1788 for Baron von Swieten, a music patron who had fallen in love with Baroque music. In its original form, in English and lightly scored, Handel's delectable work has long been a concert and theater staple. However, Mozart's expertly crafted revision adds a bassoon as well as pairs of flutes, clarinets and horns, which adds to the orchestra's sonority and palette of colors but also subtly changes the character of the music.

Disc: 1
1. Acis Und Galatea: Act I - Overtura
2. Acis Und Galatea: Act I - 1. O begluckter Schaferstand! (Galatea)
3. Acis Und Galatea: Act I - Du grunes Feld, bebuschter Hugel - Still, du kleiner Wipfelchor (Galatea)
4. Acis Und Galatea: Act I - 3. Wo such ich sie, die holde Nymph? (Acis)
5. Acis Und Galatea: Act I - 4. Blieb, Schafer, bleib! - Schafer, was suchst du so angstlich (Damon)
6. Acis Und Galatea: Act I - 5. Ach, Schaferin, wend, Galatea - Lieb in ihr Aug verkrochen (Acis)
7. Acis Und Galatea: Act I - 6. O fuhltest du die Qualen der Entfernung - Wie's Taubchen klagt (Galatea)
8. Acis Und Galatea: Act I - 7. Wohl uns! (Galatea) (Acis)
9. Acis Und Galatea: Act I - 8. Wohl uns!

Disc: 2
1. Acis Und Galatea: Introduction To Act II - Larghetto (Handel: Concerto grosso Op. 6 No. 6, Musette)
2. Acis Und Galatea: Introduction To Act II - Largo (Handel: Concerto grosso Op. 6 No. 7, Einleitung)
3. Acis Und Galatea: Act II - 9. Arme Hirten!
4. Acis Und Galatea: Act II - 10. Ich ras, ich schmelz, ich brenne! - Du roter als die Kirsche (Polyphem)
5. Acis Und Galatea: Act II - 11.Schonste, was eilst du von hinnin - Fleh nicht mehr zur stolzen Schonheit (Polyphem) (Galatea)
6. Acis Und Galatea: Act II - 12. Strebst du nach der zarten Schonen (Damon)
7. Acis Und Galatea: Act II - 13. Das Ungeheu'r weckt meine Wut - Die Liebe ruft (Acis)
8. Acis Und Galatea: Act II - 14. Bedenk doch, o Schafer (Damon)
9. Acis Und Galatea: Act II - 15. Lass, lass ab, Geliebtester - Eh' lasst den Berg die Herde (Galatea) (Acis) (Polyphem)
10. Acis Und Galatea: Act II - 16. Hilf, Galatea! - Trau'rt, all ihr Musen! - So ist mein Acis denn dahin, Lass, Galatea, lass den Schmerz! (Acis) (Galatea)
11. Acis Und Galatea: Act II - 17. Wohlan! So nutz ich meine Gottermacht - Herz, du Sitz verliebten Grams (Galatea)
12. Acis Und Galatea: Act II - 18. Galatea, klag nicht mehr



The English Concert
dir. Trevor Pinnock


sabato 3 novembre 2007

Antonio Vivaldi - L'Arte della Trascrizione

25 tracks - MP3 192 Kbps - RAR 96 Mb


Uploaded - FileFactory


Sonata in mi minore per flauto in la, flauto di voce e B.C. op. V n. 18 (= 6) RV. 72
Sonata in mi bemolle maggiore per due flauti contralto e B.C. op.I n. 10 RV. 78
Sonata in si minore per flauto di voce e B.C. op. V n. 16 (= 4) RV. 35
Sonata in do minore per due flauti contralto e B.C. (Ms Lund ) RV. 74
Sonata in do maggiore per due flauti soprano e B.C. op. I n. 3 RV. 61
Sonata in mi minore per due flauti di voce e B.C. op. I n. 2 RV. 67
Sonata in si bemolle maggiore per flauto contralto e B.C. n. 6 RV. 46
"Follia" in sol minore per due flauti contralto e B.C. op. I n. 12 RV. 63


Lorenzo Cavasanti, Manuel Staropoli: flauti dolci
Linda Murgia: violoncello
Claudia Ferrero: clavicembalo
Ugo Nastrucci: tiorba e chitarra barocca
Direttore Artistico: Pietro Busca

Schubert - Sonate für Arpeggione

11 tracks - MP3 192 Kbps - RAR 82Mb


DepositFiles - FileFactory



Franz Schubert - Sonate für Arpeggione und Klavier D.821
Robert Schumann - Fantasiestücke für Cello und Klavier Op.73
Robert Schumann - 5 Stücke im Volkston für Klavier und Cello Op.102


Mischa Maisky - Cello
Marta Argerich - Piano

martedì 30 ottobre 2007

Quel lascivissimo cornetto


14 tracks | MP3 192Kbps | RAR 80 Mb


Uploaded - FileFactory

Tracklist:


  1. Tarquinio Merula: Sonata prima per violino ò cornetto e basso
  2. Cipriano da Rore: Angelus ad pastores, motetto passeggiato da Giovanni Battista Bovicelli
  3. Andrea Gabrieli: Caro dolce ben mio, madrigale passeggiato da Giovanni Bassano
  4. Giralamo Frescobaldi: Canzona seconda detta la Bernadinia per canto solo
  5. Frescobaldi: Canzona quintadecima detta la Lievoratta per due bassi
  6. Frescobaldi: Canzona decimanona detta la Capriola per canto e basso
  7. Giovanni Palestrina: Io son ferito ahi lasso, madrigale passeggiato da Bovicelli
  8. Thomas Crecquillon: Onques amour, chanson à 5
  9. Crecquillon: Onques amour, chanson passeggiato da Bassano
  10. Giovanni Battista Fontana: Sonata seconda
  11. Palestrina: Pulchra es amica mea, motetto passeggiato da Francesco Rognoni Taeggio
  12. Crecquillon: Petite fleur, chanson à 5
  13. Crecquillon: Petite fleur, chanson passeggiato da Girolamo Dalla Casa
  14. Nicolaus à Kempis: Sonata per violino solo
Bruce Dickey (cornetto)
Stephen Stubbs (chitarrone, viheula)
Erin Headley (viola da gamba)
Andrew Lawrence-King (double harp, renaissance harp, organ)

martedì 16 ottobre 2007

J.S.Bach - Actus Tragicus

28 tracks - MP3 192 Kbps - RAR 102 Mb


Uploaded - FileFactory


When Joshua Rifkin introduced his thesis that Bach composed most of his choral works for only one singer per part, he used the Mass in B Minor as his demonstration piece--in part, no doubt, for maximum shock effect. Since then, Rifkin's theory has made the greatest headway with performances of Bach's early cantatas--those he wrote before arriving in Leipzig in 1723. Even Christ lag in Todesbanden and the Actus tragicus, both considered canonic works of the choral literature, have benefited from fine single-voice recordings by groups such as the Taverner Consort and the American Bach Soloists. Now along comes Cantus Cölln and outdoes them all.


contents:


Christ lag in Todes Banden BWV 4
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106
Der Herr denket an uns BWV 196
Weinen, Klagen, Sorgen, Zagen BWV 12
Cantus Cölln
dir. Konrad Junghänel

Consort of Musicke by Byrd and Gibbons

9 tracks - MP3 192 Kbps - RAR 74 Mb


Uploaded - FileFactory


I know, pianos were not there when these musics were delighting people's ears all around Europe, still I think this record is worth a try. Glenn Gould was a sheer universal genius: here each voice of these splendid poliphonics is so perfectly clear that I think this record should be used in classrooms too.


Tracklist:


William Byrd - First Pavan and Gaillard
Orlando Gibbons - Fantasy in C major
Orlando Gibbons - Allemande (Italian Ground)
William Byrd - Hughe Ashton's Ground
William Byrd - Sixth Pavan and Gaillard
Orlando Gibbons - ''Lord of Salisbury'' Pavan and Gaillard
William Byrd - A Voluntary
William Byrd - Sellinger's Round
Jan Peterszoon Sweelink - Fantasia in D (Fantasia Cromatica)


Glenn Gould, piano