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If we speak about the late works of Jan Dismas Zelenka, we usually refer to his fascinating last masses, oratorios or litanies, which hav
e today finally gained the attention and acclaim they so fully deserve. With sacred music always being the focal point of Zelenka's work, the violone playing composer who was born in Bohemia was eventually appointed Kirchen Compositeur in 1735 after having spent over twenty years as “the most humble and loyal servant” at the royal court in Dresden. Still, among his late works we also find the Serenata ZWV 177 from 1737, another major work, which, thanks to the newly discovered printed libretto, now has a title Il Diamante. It was one of the few secular vocal compositions, possibly also the last, Zelenka wrote for the Dresden court, and crowns his work as a music dramatist. (more in the booklet)
e today finally gained the attention and acclaim they so fully deserve. With sacred music always being the focal point of Zelenka's work, the violone playing composer who was born in Bohemia was eventually appointed Kirchen Compositeur in 1735 after having spent over twenty years as “the most humble and loyal servant” at the royal court in Dresden. Still, among his late works we also find the Serenata ZWV 177 from 1737, another major work, which, thanks to the newly discovered printed libretto, now has a title Il Diamante. It was one of the few secular vocal compositions, possibly also the last, Zelenka wrote for the Dresden court, and crowns his work as a music dramatist. (more in the booklet)Roberta Mameli - soprano (Giunone)
Marie Fajtova - soprano (Amore)
Gabriela Eibenova - soprano (Venere)
Hana Blazikova - soprano (Terra)
Kai Wessel - alto (Imeneo)
Ensemble Inégal
Prague Baroque Soloists
dir. Adam Viktora
Marie Fajtova - soprano (Amore)
Gabriela Eibenova - soprano (Venere)
Hana Blazikova - soprano (Terra)
Kai Wessel - alto (Imeneo)
Ensemble Inégal
Prague Baroque Soloists
dir. Adam Viktora
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