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(...) Christoph Spering has made a very good attempt on this shortened masterpiece,    and has not only taken Mendelssohn's reworking, but has also used contemporaneous    numbers of players and singers. He has also used instruments similar to those    used at the first version in 1829, and its final re-working in 1841. It was    this work which started the renaissance in the appreciation of the choral    works of J. S. Bach, the 1829 performance being the first since the death    of the composer in 1750. To the specialist collector therefore, this issue    is of major importance as it gives the opportunity to hear the recreation    of a work which was instrumental in us re-discovering Bach's major choral    works.(...)
Tenor [Evangelist]: Wilfried Jochens
Bass [Christus]: Peter Lika
Soprano: Angela Kazimierczuk
Alto: Alison Browner
Tenor: Markus Schäfer
Bass: Franz-Josef Selig
[Ancilla 1]: Susanne Merle
[Ancilla 2]: Paola Gronau
[Testis 1]: Andrea Mutert
Tenor [Testis 2]: Florian Simson
Chorus Musicus Köln
Das Neue Orchester
dir. Christoph Spering
Original post 12/05/09
 
 
Thank you so much!
RispondiEliminaDE: YESMAN
RispondiEliminaMuchas Gracias MAESTRO
Pitifully, links don't work
RispondiEliminaThanks :D
RispondiEliminaPlease, post Mendelssohn's Elijah with Christoph Spering. His Matthew Passion is fascinating.
RispondiElimina