Jacopo Peri - Il Zazzerino

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contents:


01 - Hor che gli augelli
02 - Lungi dal vostro lume
03 - Ballo (instrumental suite)
04 - Tra le lagrime e i sospiri
05 - Uccidimi, dolore
06 - Ricercar del primo tuono del Zazzerino
07 - Se tu parti da me
08 - Tu dormi, e 'l dolce sonno
09 - Caro dolce ben mio
10 - Tra le donne onde s'onora
11 - Lasso, ch'i' ardo
12 - Bellissima regina
13 - Occhi, fonti del core, occhi piangete
14 - O miei giorni
15 - Torna, deh torna
16 - Tutto 'l dì piango
17 - Al fonte, al prato


Ellen L. Hargis, soprano
Paul O'Dette, chitarrone & baroque guitar
Andrew Lawrence-King, harp
Hille Perl, lirone & viola da gamba

Sotto l'Imperio del Possente Prince

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contents:


1.Paolo da Firenze - Godi, Firençe poi che sse' sì grande (Madrigale)
2.Anonimo - Lucente stella ch'el mio cor desfai (Ballata)
3.Anonimo - O bella rosa, o perla angelichata (Intabulation for plectrum lute)
4.Giovanni da Firenze - O perlaro gentil se dispogliato (Ballata)
5.Jacopo da Bologna - O ciecho mondo di lusinghe pieno (Madrigal)
6.Prepositus Brixiensis - I ochi d'una ançolleta che m'alcide (Ballata)
7.Francesco Landini - Questa fanciull' amor fallami pia (Ballata)
8.Francesco Landini - Vaga fanciulla leggiadr'e veççosa (Ballata)
9.Anonimo - O bella rosa, o perla angelichata (Ballata)
10.Bartolino da Padova - Imperial sedendo fra più stelle (Madrigale)
11.Anonimo - Sotto l'imperio del possente prince (Madrigale)
12.Anonimo - Amor mi fa cantar a la Francesca (Ballata)
13.Andrea da Firenze - Per fanciulleça tenera (Ballata)
14.Jacopo da Bologna - Lo lume vostro dolce'l mio signore (Madrigale)
15.Jacopo da Bologna - Lux purpurata radiis - Diligite iusticiam (Mottetto)
16.Francesco Landini - Che pena è quest' al cor che si non posso (Ballata)
17.Anonimo - Donna, se'l cor m'aperçi (Ballata)
18.Beltrame Feragut - Francorum nobilitati te tua bonitas (Mottetto)
19.Johannes Ciconia - Ut te per omnes celitus - Ingens alumnus Padue (Mottetto)


Ensemble Perlaro
dir. Lorenza Donadini

The Sephardic Experience

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The Renaissance Players celebrate Sephardic culture throughout Europe and the Ottoman Empire, singing in "Judezmo," a combination of Spanish and Hebrew as well as Turkish, Greek, Slavic, and Arabic. The performance resonates with originality and an authenticity that will intrigue international music aficionados as well as students of early music.

Disc: 1

1. Stelbishte Oro
2. Por Alli Paso Un Cavallero
3. Como La Rosa
4. Yo M'enamori D'un Aire
5. La Rosa Enflorece
6. Slusaj Kaj Sumaj Sumite Bukite/Tri Pati
7. Noches Buenas
8. Puncha, Puncha La Rosa Huele
9. Here Is A Poem/Return, O Shulammite
10. Morena Me Llaman
11. Staro Oro
12. Ah, Signora Novia
13. La Madre De La Novia

Disc: 2

1. Haralambis
2. La Sirena
3. En La Mar Ay Una Torre
4. Cinja Mija
5. Siete Anos
6. Bandary
7. Morenica Sos
8. Por La Tu Puerta
9. Yo Hanino
10. Para Beri
11. La Novia Entre Flores
12. Kopanitsa Oro
13. Have You Heard, My Friends?
14. Durme, Durme Mi Angelico

Disc: 3

1. Cetvorno Oro
2. El Rey De Francia Tres Hijas Tenia
3. Rychenitsa
4. Por Amar Una Donzella
5. Ajugar De Novia Galana
6. Staro Povrateno
7. Y Una Madre Comio Asado
8. El Conde Nino
9. Cetvorka
10. Hija Mia Mi Querida
11. Y Aunque Yo No Vendi Nada
12. Play For Me Minstrel
13. Desde Hoy La Mi Madre
14. Pravo Za Ramo
15. Fleas
16. Estavase La Mora
17. Dvajspetorka
18. Dunje Rajke Kruske Kara Manke/Kyustendilka

Disc: 4

1. Los Guisados De La Berenjena
2. Dunula
3. Potrculka
4. La Sclava Pario Un Hijo
5. Dolores Tiene La Reina
6. Teskoto
7. Si La Mar Era De Leche
8. Una Matica De Ruda
9. Esta Montana D'Enfrente
10. Salgas Madre
11. Potrceno
12. Poco Le Das La Mi Consuegra
13. Ay, El Novio No Quiere Dinero
14. El Mi Querido

The Renaissance Players
dir. Winsome Evans

Paraisos Perdidos - Christophorus Columbus

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Montserrat Figueras
Hesperion XXI
La Capella Reial de Catalunya
dir. Jordi Savall

This remarkable release is a veritable history lesson in music, poetry, and literature about Spain, as well as Christopher Columbus and his voyages and times. The title of the set, Lost Paradises, refers to the cessation of the period during which all three traditions - Jewish, Muslim and Christian - worked together to create greatness. The music, pre-baroque and sounding very exotic indeed, is exquisitely performed, sometimes by itself and sometimes in conjunction with the reading of a text. The Moorish and Sephardic music is particularly colorful, but the more familiar, "early" music is just as ravishing. With repertoire both sacred and profane, featuring dances and dirges, Savall, in his notes, is attempting to make us pay heed to the past so that we may form our futures: This isn't as pedantic as it sounds, but it is certainly more than an afternoon of great music listening. What a stunning gift this would make - either to yourself or others. --Robert Levine (AMAZON.COM)

John Dowland - Ayres

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the (almost) whole discography is HERE:


contents:


From the First Booke of Songes (1597)
1 - Go Cristall Teares
2 - Awake sweet love
3 - His goulden locks
4 - Now O now
From the Second Booke of Songes (1600)
5 - A Sheperd in a shade
From the Third and Last Booke of Songes (1603)
6 - What if I never speede
Lamentatio Henrici Noel
7 - The Lamentation of a sinner
8 - Domine ne in furore
9 - Miserere mei Deus
10 - The humble sute of a sinner
11 - The Complaint of a sinner
12 - De profundis
13 - Domine exaudi
From: A Pilgrimes Solace
14 - Disdaine me still
15 - Tell me true Love
16 - Thou mightie God (The first Part)
17 - When Davids life (The second Part)
18 - When the poor Criple (The third Part)
19 - Welcome black night
20 - Cease these false sports

The Hilliard Ensemble

Vivaldi Concertos. Telemann and Boismortier

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The "concertos" on this disc are of a special kind: they are so-called chamber concertos, for three or four solo instruments with continuo, but no orchestra. They're not overgrown trio sonatas; the group serves as its own orchestra, with individual players splitting off for solos. (continue)

contents:

Antonio Vivaldi
Chamber Concerto, for recorder, oboe, violin, bassoon & continuo in D major, RV 94

Georg Philipp Telemann
Quartet for flute, oboe, violin & continuo in A minor, TWV 43:a3

Antonio Vivaldi
Chamber Concerto ("Il gardellino"), for flute/recorder or violin, oboe or violin, violin, bassoon or cello & continuo in D, RV 90

Antonio Vivaldi
Sonata à 4, for flute (or oboe), oboe (or violin), bassoon (or cello) & continuo in C major, RV 801

Joseph Bodin de Boismortier
Concerto à 5, for flute, oboe, violin, bassoon & bass, Op. 37

Antonio Vivaldi
Chamber Concerto ("La tempesta di mare"), for flute, oboe, violin, bassoon & continuo in F major, RV 98

Antonio Vivaldi
Chamber Concerto, for flute, oboe, violin, bassoon & continuo in G minor, RV 107

Fioritura

Aldo Abreu (Recorder)
Geoffrey Burgess (Oboe)
Jennifer Roig-Francoli (Violin)
Suzanne De Serres (Bassoon)
Christopher Haritatos (Cello)
Deborah Fox (Theorbo, Guitar)
James Bobb (Harpsichord, Organ)

Unicorn

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This program of old French music and poetry explores a very important but-little known aspect of the Middle Ages: the art of story-telling.

Centuries ago, the frontier between the musical and literary worlds was much less sharply drawn than today. This recording focuses on French narrative art, both religious and secular, from the late eleventh to the early thirteenth centuries. unicornThe recording begins with a lovers' Bestiary. In medieval times, animals both real and mythical were used to represent the various states of the human psyche: the works we perform tell of the sorrows of love (the panther), of treason and death (the unicorn), of vanity (the stag), of pride (the fox). We include simple songs (the nightingale), narrative recitations (Marie de France, the twelfth century poetess), and some of the more elaborate trouvère songs: one of these, Thibaut de Champagne's song of the unicorn, develops all the "secret" themes of courtly love, its joys and its tribulations, perils and hopes.

Gauthier de Coincy (1177-1236), prior of Vi sur Aisne, was a prolific author of religious poetry and music. Among his "Miracles of Our Lady," we have selected the cycle of Sainte Leocade (in its American première). The poems and songs tell the story of a holy statue stolen and then found in the Aisne, thanks to the intercession of the Virgin. Gauthier's text is rich in vivid images, and his melodies are among the most beautiful of the period.

The last part of this program focuses on women's texts. The "weaving song," Belle Doette, tells the romanticized story of a maiden whose lover is killed in a joust; the girl then creates the "abbey of love" where all disappointed lovers may go to escape the world. We then meet a dame de Paris, anxious to abandon a husband who beats her for the young gallant she has just met.

The songs and texts are framed by instrumental interludes, based on tunes of the French trouvères.

these notes (c) by Anne Azéma

contents:


1 - 'Serena En Mer Hante'
2 - 'En Mai Au Duz Tens Nouvel'
3 - 'Issi Avint Qu'un Cers'
4 - 'Dun Gupil'
5 - 'La Danse De Gupil'
6 - 'Ensement Com La Panthere'
7 - 'Monosceros Est Beste'
8 - 'Aussi Come Unicorne Sui'
9 - 'Que De Memoyre'
10 - 'las, Las Las'
11 - 'Quarte Jours Plains'
12 - 'Sour Cest Rivage'
13 - 'N'est Pas Merveille'
14 - 'De Sainte Leochade'
15 - 'Au Renouvel'
16 - 'Belle Doette'
17 - 'Je Chevauchoie L'autrier'

Anne Azema (Voice)
Cheryl Ann Fulton (Harp)
Shira Kammen (Vielle, Rebec, Harp)
Jesse Lepkoff (Flute)

Una Musa Plebea

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The music on this intriguing release does not cover a single genre or repertory. Instead, it attempts to answer the question "What was the local music scene like in Italy when the courts and the rich families were importing top talent from the Low Countries to write intricate polyphony?" The answer involves several kinds of music, and the creators of the album deserve credit for not trying to force it all into a single mold. Some of the music -- light, chordal, sometimes very sexy songs that went by the designation of frottola and other names -- remained popular, and similar examples were cultivated by Josquin and other Flemish-Italian composers. But the other kinds of music on the album have received much less attention. With some variations, it consists of three types. One consists of improvised stanzaic poems called ottave (eight-line stanzas), performed unaccompanied or with very light accompaniment, and sometimes dialogic, with a pair of singers re-creating an established idea. Sometimes the topic is the art of poetic improvisation itself. These performances, according to the extensive notes, fell out of fashion in the 18th century, but the Italian countryside today has yielded survivals of many of the traditions developed over the last millennium, and what's presented here are live recordings of contemporary Tuscan exponents. It's fascinating stuff if you are interested in oral poetry, and among the ultimate descendents of the music heard here are the corridos that issue from the radios in a million Mexican restaurants. There are also solo settings of cultivated Italian poems by the likes of Leonardo Giustinian (track 12), and a variety of mostly anonymous instrumental dances, featuring a richly buzzing hammer dulcimer, to break up the texture. The vocalists and instrumentalists of the Ensemble Lucidarium give attractive performances, but the real novelty is the persistence of a tradition of oral poetry that is centuries old. Recommended for anyone interested in vernacular traditions.

contents:


1 - Chjama è rispondi - Roccu Mambrini / Francescu Simeoni
2 - Tent'a l'ora ruzenenta - Anonymous
3 - Strambotti - Francesco Varoter
4 - Ottave a contrasto - Nello Landi / Emilio Meliani
5 - Turcho, turcho e Isabella - La Tricotée - Anonymous
6 - Ay me' sospiri - Anonymous
7 - Non peccando altri che il core - Marchetto Cara
8 - Ogni cosa ha el suo loco - Giovanni Battista Zesso
9 - El bon nochier - Anonymous
10 - Stanze dal "Maggio d' Orfeo ed Euridice" - Mario Filippi
11 - Ottave dal "Transito di Carnevale" - Anonymous
12 - Pianzete done - Anonymous
13 - Romanesca - Anonymous
14 - Ottave dal "Maggio d'Orfeo ed Euridice" - Mario Filippi
15 - O gratiosa viola mia gentile - Anonymous
16 - Gratioso - Guglielmo Ebreo da Pesaro (Giovanni Ambrosio)
17 - Perla mia cara - Anonymous
18 - Trista che spera - Pietro Oriola
19 - Ottave dall' "Orlando furioso" - Dolando Bernardini

Ensemble Lucidarium

Gloria Moretti, canto
Marie Pierre Duceau, canto
Bettina Ruchti, viola d’arco
Avery Gosfield, flauti, flauto e tamburo
Marco Ferrari, flauti, flauto doppio, dulciana
Francis Biggi, liuto, colascione
Elisabetta Benfenati, chitarra rinascimentale
Massimiliano Dragoni, dulcimelo, percussioni

Cor Mio, Deh Non Languire

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contents:


21 Settings of Guarini by:

Luzzasco Luzzaschi
Alessandro Savioli
Gemignano Capilupi
Benedetto Pallavicino
Salamone Rossi
Giulio Caccini
Leone Leoni
Giovanni Priuli
Sigismondo d "india
Giovanni Ghizzolo
Johann Grabbe
Filiberto Nantermi
Alessandro Scialla
John Ward
Enrico Radesca da Foggia
Giuseppe Palazzotto
Claudio Saracini
Adriano Banchieri
Giovanni Pasta
Pompeo Natali
Alessandro Scarlatti


The Consort of Musicke

Emma Kirkby (soprano)
Evelyn Tubb (soprano)
Mary Nichols (alto)
Andrew King (tenor)
Paul Agnew (tenor)
Alan Ewing (bass)

Anthony Rooley (dir.)

Chistodoulos Halaris - Sympotika I & II

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Sometimes billed as "Chris Hallaris," Greek composer and scholar Christodoulos Halaris is a leading expert on the study and reconstruction of ancient Greek and Byzantine music. He turned to musicology and composing after studying mathematics in Paris. Taking his cues from religious iconography and traditional popular Greek music, Halaris began reconstructing fragmentary (and sometimes nonexistent) old Greek music documents. His re-imagining of secular Byzantine music, with what Halaris identifies as roots in Hellenic song, has met with skepticism from some scholars, but it is based on a serious study of a number of sources and centuries of related developments in Greek music. He has published more than 50 compact discs of this music, and helped create the Museum of Thessalonica, devoted to Greek music. He was also involved in a significant project revolving around European medieval music. ~ James Reel, Rovi

contents:


CD 1

1 - Orkikato, dance music
2 - Sympotic Song "Can you see the Amaranth"?
3 - A work by Master Manouil Chrysafis
4 - Wild bird become tame
5 - The Small semantron
6 - Short song, When the Rooster calls
7 - Organikon, Sourouliston, papadikon, by Master Ioannis Glykys

CD 2

1 - Atzemiko Love Song
2 - Orphan
3 - Erotic Nightingale
4 - So-called Tataric Kratima
5 - King Throws a Party

Don Quijote de la Mancha, Romances y Músicas

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Exactly 400 years since the publication of Don Quixote, Jordi Savall has conceived a project: to gather together all the airs, songs and ballads written or quoted by Cervantes, as well as those to which the author alludes throughout the novel. The result is a rich and colourful programme of music, punctuated by a reading of some of the finest passages from Don Quixote.

The rip I found contains only the spanish and english versions of the booklet. When I'll buy it I'll post the rest.

contents:


Anon: Fanfarra
Cervantes: Don Quijote De La Mancha - En Un Lugar De La Mancha...
Du Bailly: La Folia "Yo Soy La Locura"
Narváez: 4 Diferencias Sobre Las Vacas
Anon/Milán: Romance De Moriana - Le Maure Se Souvint Avec Frayeu
Cervantes: Esteban En La Puerta Dos Mujeres
Anon/Sefardí: Romance De Lancelot - Jamais Ne Fut Chevalier De Dames
Cervantes: A La Vista De Unos Mercaderes/Mudarra: Pavan #2 De Alexandre
Cervantes: Un Mozo De Mulas/Cabezón (A): Diferencias Sobre Las Vacas
Anon/Milán: Romance De Valdovinos - Vous Soupirez, Valdovinos
Cervantes: Ese Labrador Procuro
Anon/Pisador: Romance De Abindarráez - En Campagne Part Narvaez
Cervantes: Entraron El Ama/Narváez: Differencias Sobre Guardame Las Vacas
Anon/Vasquez: Romance De Don Beltrán: Les Douze Pairs Et Roncevaux
Cervantes: Por Tomar Muchos Juntos
Lo Blanc: Oh, Très Sainte Et Glorieuse Trinité/Anon: Adoramus Te Domine
Cervantes: Cenaron Don Quijote Et Sancho
Antonio: Cancion Para Olalla
Cervantes: Estando, Pues, El Cura Y El Barbero Alli
Sant Juan: Quién Menoscaba?
Cervantes: La Hora, El Tiempo, La Soledad
Peñalosa: Santa Amistad Que Con Ligeras...
Cervantes: Como Ya La Noche Iba.
Anon: Marinero Soy De Amor
Cervantes: Media Noche Era Por Filo/Anon: Conde Claros
Anon/Salinas: Romance Du Comte Claros - Il Était Minuit Tout Juste
Mudarra: Pavana
Cervantes: Estandos Los Dos En Estas Plasticas
Anon: Romance De Guarinos - Français, Mal Vous En Prit..
Cervantes: Si Oigo-Respondio Sancho
Anon/Valderrábano: Romance De Calaynos - Calaynos Était À Cheval
Cervantes: Las Cuatro De La Tarde Serian
Anon: Romance Del Llanto De Belerma - Sobre El Coraçon Difunto
Cervantes: Asistieron Don Quijote Y Sancho Panza/Mudarra: Romanesca #1
Anon: Romance De Don Gayferos - Si D'Amor
Cervantes: Detras De Los Tristes Musicos
Gabriel: De La Dulce Mi Enemiga
Cervantes: Y De Este Mismo Jaez/Valderrábano: Gallarda
Anon: Seguidillas En Eco
Cervantes: Don Quijote Mato Las Velas
Anon: Romance De Altisidoro - Oh Que Tu Estas
Cervantes: Llegadas Las Once Horas De La Noche
Anon/Ribera: Romance - Suelen Las Fuerza De Amor
Cervantes: Ya Le Parecio A Don Quijote/Mudarra: Gallarda
Anon: Lamento De Altisidora - Escucha Mal Caballero
Cervantes: En Fin, Porcaminos Desudados/Mudarra: Conde Claros
Martín Y Coll: El Villano
Cervantes: Don Quijote De La Mancha - Llego La Noche
Arañés: Un Sarao De La Chacona
Cervantes: Era La Noche Algo Escura
Venegas De Henestrosa: Amor, Cuando Yo Pienso
Cervantes: En Esto Comenzo A Salir/Venegas De Henestrosa: Mira Nero De Tarpeya
Guerrero (F): En Tanto Que En Si Vuelve
Cervantes: Como Las Cosas Humanas/Morales: Circumdederum Me
Anon: Missa Pro Defunctis - Lacrimosa Dies Illae
Cervantes: Epitafio: Yace Aqui El Hidalgo Fuerte
Morales: Missa Pro Defunctis A 5 - Pie Jesu Domine

Montserrat Figueras

La Capella Reial de Catalunya
Hespèrion XXI
dir. Jordi Savall

La Cetra d'Orfeo

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Attracted to the range of timbre and techniques possible on non mechanical instruments, Marina Bonetti attended many specialist courses on the Arpa doppia, Basso continuo and the Arpa de dos ordenes (the Spanish Baroque chromatic harp with two crossed rows of strings) in Italy and Spain.

contents:


01 Monteverdi, Toccata
02 Guerrieri, Sonata ‘La Tità’
03 Anonimo, Bella pedrina
04 Kapsberger, Toccata VII
05 Castaldi, Capriccio ‘Hermafrodito’
06 Marini, Passacaglio
07 Kapsberger, Sarabanda
08 Anonimo, Ciaccona
09 Kapsberger, Preludio I
10 Falconiero, Suave melodia
11 Lambardo, Toccata
12 Kirker, Antidotum tarantulæ
13 Castaldi, Capriccio ‘Bischizzoso’
14 Piccinini, Aria di Fiorenza
15 Kapsberger, Canario
16 Merula, La Monteverde
17 Monteverdi, ‘Pur ti miro’.

Marina Bonetti, harp
Diego Cantalupi, theorbo

Albinoni - Sonatas, Op.4 & Op.6

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contents:


CD1

Sonata in C major Op 6 No 1
Sonata in G minor Op 4 No 4
Sonata in B flat major Op 6
Sonata in F major Op 6 No 5
Sonata in B minor Op 4 No 6
Sonata in G major Op 6 No 9
Sonata in C minor Op 6 No 10
Sonata in G minor Op 4 No 5
Sonata in D major Op 6 No 7

CD2

Sonata in D major Op 6 No 2
Sonata in D minor Op 4 No 1
Sonata in E minor Op 6 No 8
Sonata in A major Op 6 No 11
Sonata in E minor Op 4 No 2
Sonata in B flat major Op 6 No 12
Sonata in D minor Op 6 No 4
Sonata in F major Op 4 No 3
Sonata in A minor Op 6 No 6

The Locatelli Trio

Sacred Music - Cornerstone Works of Sacred Music

Harmonia Mundi 30cds (29+PDF) HMX2908304-33

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Includes:

J. S. BACH Weihnachts-Oratorium / René Jacobs
HANDEL Messiah / William Christie
MONTEVERDI Vespro della Beata Vergine / Philippe Herreweghe
ALESSANDRO SCARLATTI Cain overo Il primo omicidio / René Jacobs
MENDELSSOHN Paulus / Philippe Herreweghe
BERNSTEIN Mass / Kent Nagano
BEETHOVEN Missa Solemnis / Philippe Herreweghe
MOZART Requiem / Philippe Herreweghe
BRAHMS Requiem allemand / Philippe Herreweghe
FAURE Requiem (1893) / Philippe Herreweghe
ANON Requiem grégorienne / Deller Consort
DURUFLE Requiem Choir of Madgalen College
CHARPENTIER Te Deum / William Christie
PERGOLESI Stabat Mater / Concerto Vocale, René Jacobs
VIVALDI Stabat Mater / Ensemble 415, Scholl, Chiara Banchini
BOCCHERINI Stabat Mater / Ensemble 415, Banchini
ROSSINI Stabat Mater / RIAS Kammerchor, Marcus Creed
MACHAUT Messe de Notre Dame / EPCC
RACHMANINOV Vespers / Paul Hillier
JOSQUIN DESPREZ Missa Pangue lingua / Ensemble Clément Janequin
JANEQUIN Messe ‘La Bataille’ / Ensemble Clément Janequin
LASSUS Missa ‘Tous les regretz’ Huelgas,Van Nevel
PALESTRINA Missa Viri Galilaei / Philippe Herreweghe
BYRD Mass for 4 Voices / Hilliard Ensemble
J. S. BACH Missa brevis in F BWV 233 / Cantus Cölln, Konrad Junghänel
POULENC Mass in G, Motets / RIAS Kammerchor, Marcus Creed
CHARPENTIER Seconde Leçon de Ténèbres du Mercredy / Concerto Vocale, René Jacobs
COUPERIN Troisième Leçon de Ténèbres / Concerto Vocale, René Jacobs
ROVETTA Solemn Vespers / Cantus Cölln, Konrad Junghänel
TALLIS 9 Psalm Tunes for Archbishop Parker's Psalter / Stile Antico
SCHÜTZ Concert in Form einer teutschen Begräbnis / Philippe Herreweghe


Go to ArchivMusic to get more detailed information

or download:

CD 30 - PDFs
(sung text: English, French, Deutsch)
Covers
(42Mb)


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J.S.Bach - Complete Cantatas (Koopman)

67 CD - 192 Kbps - 67 ZIP files - 6.47Gb


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J.S. Bach: Complete Cantatas Vol. 1

CD-1: Cantatas BWV 21, BWV 131, BWV 21 (Appendix)
CD-2: Cantatas BWV 106, BWV 196, BWV 71, BWV 150
CD-3: Cantatas BWV 31, BWV 185, BWV 4, BWV 4 (Appendix)

J.S. Bach: Complete Cantatas Vol. 2

CD-1: Cantatas BWV 12, BWV 18, BWV 61, BWV 18 (Appendix)
CD-2: Cantatas BWV 172, BWV 132, BWV 182, BWV 182 (Appendix)
CD-3: Cantatas BWV 152, BWV 199, BWV 203, Quodlibet BWV 524

J.S. Bach: Complete Cantatas Vol. 3

CD-1: Cantatas BWV 63, BWV 162, BWV 155, BWV 63 (Appendix), BWV 162 (Appendix)
CD-2: Cantatas BWV 22, BWV 23, BWV 163, BWV 165
CD-3: Cantatas BWV 54, BWV 161, BWV 208

J.S. Bach: Complete Cantatas Vol. 4

CD-1: Cantatas BWV 198, BWV 215
CD-2: Cantatas BWV 211, BWV 214, BWV 209
CD-3: Cantatas BWV 204, BWV 201

J.S. Bach: Complete Cantatas Vol. 5

CD-1: Cantatas BWV 207a, BWV 202
CD-2: Cantatas BWV 206, BWV 210
CD-3: Cantatas BWV 212, BWV 205
CD-4: Cantata BWV 213

J.S. Bach: Complete Cantatas Vol. 6

CD-1: Cantatas BWV 76, BWV 75
CD-2: Cantatas BWV 190, BWV 179, BWV 59, BWV 69
CD-3: Cantatas BWV 50, BWV 186, BWV 104, BWV 69a, BWV 50 (Appendix)

J.S. Bach: Complete Cantatas Vol. 7

CD-1: Cantatas BWV 25, BWV 95, BWV 144, BWV 67, BWV 24
CD-2: Cantatas BWV 136, BWV 184, BWV 105, BWV 148
CD-3: Cantatas BWV 147, BWV 181, BWV 173, BWV 181 (Appendix)

J.S. Bach: Complete Cantatas Vol. 8

CD-1: Cantatas BWV 65, BWV 89, BWV 60, BWV 83, BWV 89a (Appendix)
CD-2: Cantatas BWV 40, BWV 46, BWV 64, BWV 167
CD-3: Cantatas BWV 109, BWV 81, BWV 77, BWV 90

J.S. Bach: Complete Cantatas Vol. 9

CD-1: Cantatas BWV 48, BWV 154, BWV 138, BWV 173a
CD-2: Cantatas BWV 37, BWV 153, BWV 166, BWV 86, BWV 70
CD-3: Cantatas BWV 66, BWV 194

J.S. Bach: Complete Cantatas Vol. 10

CD-1: Cantatas BWV 119, BWV 134, BWV 44, BWV 73
CD-2: Cantatas BWV 20, BWV 2, BWV 101
CD-3: Cantatas BWV 180, BWV 130, BWV 134a

J.S. Bach: Complete Cantatas Vol. 11

CD-1: Cantatas BWV 127, BWV 5, BWV 94
CD-2: Cantatas BWV 41, BWV 7, BWV 139
CD-3: Cantatas BWV 115, BWV 113, BWV 10


J.S. Bach: Complete Cantatas Vol. 12

CD-1: Cantatas BWV 135, BWV 124, BWV 121, BWV 111
CD-2: Cantatas BWV 99, BWV 78, BWV 114
CD-3: Cantatas BWV 91, BWV 107, BWV 116, BWV 8, Appendix BWV 8

J.S. Bach: Complete Cantatas Vol. 13

CD-1: Cantatas BWV 1, BWV 62, BWV 96
CD-2: Cantatas BWV 38, BWV 93, BWV 33
CD-3: Cantatas BWV 133, BWV 122, BWV 92

J.S. Bach: Complete Cantatas Vol. 14

CD-1: Cantatas BWV 68, BWV 6, BWV 74
CD-2: Cantatas BWV 126, BWV 26, BWV 125
CD-3: Cantatas BWV 178, BWV 1045 (instrumental), BWV 103 (+Appendix), BWV 42 (+Appendix), BWV 123

J.S. Bach: Complete Cantatas Vol. 15

CD-1: Cantatas BWV 110, BWV 146, BWV 28
CD-2: Cantatas BWV 168, BWV 175, BWV 87, BWV 3
CD-3: Cantatas BWV 176, BWV 108, BWV 85, BWV 128, BWV 183

J.S. Bach: Complete Cantatas Vol. 16

CD-1: Cantatas BWV 82 (+ Appendix), BWV 27, BWV 16 (+ Appendix)
CD-2: Cantatas BWV 170, BWV 102, BWV 79
CD-3: Cantatas BWV 49, BWV 43 (+ Appendix), BWV 39

J.S. Bach: Complete Cantatas Vol. 17

CD-1: Cantatas BWV 169, BWV 32, BWV 58, BWV 84
CD-2: Cantatas BWV 19, BWV 13, BWV 56
CD-3: Cantatas BWV 35, BWV 17, BWV 57

J.S. Bach: Complete Cantatas Vol. 18

CD-1: Cantatas BWV 55, BWV 47, BWV 157, BWV 45, Appendix to BWV 47
CD-2: Cantatas BWV 52, BWV 187, BWV 151, BWV 98
CD-3: Cantatas BWV 137, BWV 164, BWV 36

J.S. Bach: Complete Cantatas Vol. 19

CD-1: Cantatas BWV 129, BWV 159, BWV 174, BWV 72
CD-2: Cantatas BWV 171, BWV 51, BWV 145, BWV 188
CD-3: Cantatas BWV 88, BWV 117, BWV 193

J.S. Bach: Complete Cantatas Vol. 20

CD-1: Cantatas BWV 120a, BWV 156, Aria for Soprano BWV 1127
CD-2: Cantatas BWV 149, BWV 14, BWV 29, BWV 192
CD-3: Cantatas BWV 120, BWV 11, BWV 9, BWV 112

J.S. Bach: Complete Cantatas Vol. 21

CD-1: Cantatas BWV 100, BWV 200, BWV 177, BWV 195
CD-2: Cantatas BWV 140, BWV 34, BWV 143, BWV 158
CD-3: Cantatas BWV 197, BWV 97, BWV 118, BWV 191

J.S. Bach: Complete Cantatas Vol. 22

CD-1: Cantatas BWV 80, BWV 30; Mass BWV 236
CD-2: Masses BWV 233, BWV 234; W.F. Bach: Bach: Gaudete omnes populi, F103 8:40 (Latin version of BWV 80)
CD-3: Cantata BWV 30a; Mass BWV 235

Amsterdam Baroque Orchestra & Choir
dir. Ton Koopman