Effetti e Stravaganze. Affect and Effect in 17th-Century Instrumental Music

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Contents:

Giovanni Picchi: Canzon undecima à 4 (Venice, 1625)Le bizzarrie
Nicolò Corradini: Canzon à 4 La Sincopata (Venice, 1624)
Alessandro Piccinini (1566-1638): Toccata cromatica (Bologna, 1623)
Biagio Marini: Sonata decima terza senza cadenza (Venice, 1626)
Antonio Troilo (fl.1606): Canzon à 4 (Venice, 1606)Due stravaganze a due voci
Bartolomeo de Selma y Salaverde (1585-1638): Canzon à 2 tenori (Venice, 1638)
Giovanni Battista Fontana: Sonata 11 à 2 canti
Marco Uccellini: Sonata XI à 2 violini e 2 bassi (Venice, 1639)I canti degl'uccelli
Tarquinio Merula: Canzon La Gallina à 2 (Venice, 1637)
Uccellini: Aria nona à 3 L'Emenfrodito: Maritati insieme la Gallina e il Cucco fanno un bel concerto (Venice, 1642)Echi e risposte
Lodovico da Viadana: Canzon francese in risposta
Corradini: Suonata in risposta La Golferamma (Venice, 1624)
Nicolas a Kempis (c.1600-1676): Sinfonia 1. à 4 (Antwerp, 1647)
Benedetto Ré: Canzon à 4 in risposta (Milan, 1609)
Giovanni Battista Riccio (fl.c.1615) Canzon La Moceniga in ecco (Venice, 1620)Concerto Palatino:Bruce Dickey (cornet)Doron Sherwin (cornet)Charles Toet (sackbut)Wim Becu (sackbut)Stephen Stubbs (chitarrone)Klaus Eichhorn (organ)

Johann Sebastian Bach - The Secret of the Semitones

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Players of the modern harp may look with trepidation on anything with 'chromatic' in its title and velocity on the agenda, imagining a need for a third foot - and for all three to be hyperactive. But the baroque double harp which Lawrence-King uses here has no pedals; there are separate strings for every note, but their selection calls for skill and speed, talents he has in abundance. Nor does he lack any other of the attributes needed to approach such a demanding programme. His view of the Chromatic Fantasia is contemplative rather than dramatized, occupying 10'32'' (par for the keyboard course is six or seven minutes) and in his annotation he rightly refers to the harp-like textures in which it abounds. Given its success it is a pity he severed it from its companion Fugue but doubtless he had his own good (perhaps technical) reasons. Technical reasons may also account for the changes of key for BWV997 (C minor to D minor) and BWV1004 (D minor to A minor), which should disturb no one.The convincing flexibility of his phrasing is superimposed on the beat of the metronome that ticks in his head, giving eloquent humanity to the music, and his fingers respond faithfully to dynamic detail such as the differentiation of appoggiaturas from their resolutions. He is adept, too, at embellishing repeats - and not just by adding the odd ornament here and there. The performance of the famous Chaconne is leisurely but majestic (17'36''), with minor but logical additions to the score, though the sudden piano at 8'17'', debatably anticipating the following variation, may raise some eyebrows - as it did mine. If Bach is listening to this recording he probably has an approving smile on his face. Need I say more?

contents:


Chromatic Fantasia and Fugue in D minor, BWV 903
 Suite for Lute in C minor, BWV 997
 Fantasia in A minor, BWV 944
 Partita for Violin solo no 2 in D minor, BWV 1004
CiacconaAndrew Lawrence-King (Harp)

G.P.Telemann - The 12 Fantasies for Recorder

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Fantasy No.1 in C major
Fantasy No.2 in C minor
Fantasy No.3 in D minor
Fantasy No.4 in E flat major
Fantasy No.5 in E flat major
Fantasy No.6 in F minor
Fantasy No.7 in F major
Fantasy No.8 in G minor
Fantasy No.9 in G major
Fantasy No.10 in A minor
Fantasy No.11 in B flat major
Fantasy No.12 in C minor

Recorder: Peter Holtslag

Henry Purcell - Royal Odes (King's Consort) 8 CD

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CD 1: 112Mb

Arise, My Muse
Welcome To All The Pleasures
Now Does The Glorious Day Appear
CD2: 142Mb

Hail! Bright Cecilia
Who Can From Joy Refrain?

CD3: 141Mb

Fly, Bold Rebellion
Sound The Trumpet, Beat The Drum
Celebrate This Festival
CD4: 111Mb

Ye Tuneful Muses
Celestial Music Did The Gods Inspire
From Hardy Chimes
CD5: 131Mb

Ode For The Birthday Of Queen Mary
Ode For The Centenary Of Trinity College Dublin
Welcome Song For King Charles II
CD6: 126Mb

Ode For Queen Mary's Birthday
Ode For St. Cecilia's Day
Welcome Song For Charles II

CD7: 122Mb

The Yorkshire Feast Song
Welcome Song For Charles II
Welcome Song For The Duke Of York

CD8: 126Mb

Ode For The Birthday Of Queen Mary
Welcome Song For Charles II
Welcome Song For King James
The King's Consort
dir Robert King

Morin, Mouret, Corrette, Rameau - La Chasse du Cerf

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1. Jean-Baptiste Morin: La Chasse Du Cerf - Scene 1 - 'Le Réveil'
2. Scene 2 - 'Chour de Nymphes - Le Rendezvous'
3. Scene 3 - 'Le Rapport'
4. Scene 4 - 'Le Déjeuner'
5. Scene 5 - 'La chasse'
6. Scene 6 - 'La Mort du Cerf'
7. Scene 7 - 'La Curée'

8. Jean-Joseph Mouret: Symphonies de Chasse - Fanfare et Air
9. Airs, gracieusement
10. Gavottes - Menuets

11. Michel Corrette: La Choisy - Allegro
12. Adagio
13. Allegro

14. Jean-Philippe Rameau: Hippolyte et Aricie - Choeur
15. Premier air
16. Deuxième air en Rondeau
17. Menuets

Orchestre Jean-François Paillard
dir. Jean-François Paillard

Phantasticus - 17th Century Italian Violin Music

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Giovanni Antonio Pandolfi - Sonata 'La Monella Romanesca' Op. IV, No. 3
Giovanni Paolo Cima - Sonata Per Il Violino
Dario Castello - Sonata I
Alessandro Piccinini - Romanesca Con Partite Variate
Giovanni Paolo Cima - Sonata
Dario Castello - Sonata II
Girolamo Frescobaldi - Partite Sopra L'Aria Della Romanesca
Giovanni Battista Fontana - Sonata V
Girolamo Kapsberger - Toccata I
Giovanni Battista Fontana - Sonata VI
Niccolò Corradini - Sonata 'La Sfondrata'

Romanesca

Andrew Manze, violin
Nigel North, theorbo
John Toll, harpsichord & chamber organ

Francois Couperin - Concert Royaux

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contents:

1. Second Concert : Prélude
2. Second Concert : Allemande, Fuguée
3. Second Concert : Air Tendre
4. Second Concert : Air Contre Fugué
5. Second Concert : Echos
6. Premier Concert : Prélude
7. Premier Concert : Allemande
8. Premier Concert : Sarabande
9. Premier Concert : Gavotte
10. Premier Concert : Gigue
11. Premier Concert : Menuet En Trio
12. Premier Concert : Le Charme
13. Premier Concert : L'enjouement
14. Premier Concert : Les Graces, Courante Françoise
15. Premier Concert : Le Je Ne Scay Quoy
16. Premier Concert : La Vivacité
17. Premier Concert : La Noble Fierté, Sarabande
18. Premier Concert : La Douceur
19. Premier Concert : L'et Caetera Ou Menuets
20. Septième Concert : Gravement Et Gracieusement
21. Septième Concert : Allemande
22. Septième Concert : Sarabande, Grave
23. Septième Concert : Fuguette
24. Septième Concert : Gavotte
25. Septième Concert : Sicilienne

Wieland Kuijken
Robert Kohnen
Barthold Kuijken

Giuseppe Valentini - 7 Bizzarrie per Camera Op 2

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Bizzarria No 1 (in D major)
Bizzarria No 2 (in E major)
Bizzarria No 3 (in F major)
Bizzarria No 4 (in E minor)
Bizzarria No 5 (in F major)
Bizzarria No 6 (in E major)
Bizzarria No 7 (in B minor)

Aura Musicale
dir. Balazs Maté

Paul Hillier - Proensa (A Theatre of Voices Project)

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Guillaume IX - Farai un Vers
Giraut de Bornelh - Reis Glorios
Raimon de Miraval - Aissi cum es genserpascors
Marcabru - L' Autrier jost' una sebissa
Bernart de Ventadorn - Be M'an Perdut
Bernart de Ventadorn - Can vei la lauzeta mover, motet
Peire Vidal - Pos tornatz sui en Proensa
Guiraut Riquier - Be'm Degra de Chantar

Paul Hillier, voiceStephen Stubbs, lute & psaltery
Andrew Lawrence-King, harp & psalteryErin Headley, vielle

Jacques Hotteterre le Romain - Premier Flutiste Francais

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1. Méthode pour la musette, Op 10: Bourrée d'Achille
2. Suite in B flat major for recorder & basso continuo, Op 2
3. Premier Livre de Pièces, Op 2: Échos, pour la flûte traversière suele
4. Trio sonata in C major for 2 oboes & basso continuo, Op 3
5. Méthode pour la musette, Op 10: La Pharaonne
6. Méthode pour la musette, Op 10: La Petite Janeton
7. Trio sonata in D minor for 2 recorders & basso continuo, Op 3
8. Premier Livre de Pièces, Op 2
9. Méthode pour la musette, Op 10: Quitte la musette
10. Méthode pour la musette, Op 10: Marche des dragons
11. Premier Livre de Pièces, Op 2: Suite in E minor
12. Méthode pour la musette, Op 10: Musette de Mr. Clerambault
13. Méthode pour la musette, Op 10: Le Badaut
14. Deuxiéme Livre de Pièces, for flute, continuo & other instruments, Op 5: Suite in E minor
15. Airs et Brunettes
16. Méthode pour la musette, Op 10: Prélude et la Régence
17. Méthode pour la musette, Op 10: Tres Beaux Yeux ma Nicole
18. Deuxième Suitte de Pièces for 2 flutes (or other instruments)
19. Deuxiéme Livre de Pièces, for flute, continuo & other instruments, Op 5: Suite sonata in C major
20. Méthode pour la musette, Op 10: Rigaudons
21. L'Art de préluder, Op 7: Prélude, for recorder
22. L'Art de préluder, Op 7: Prélude, for Transverse Flute
23. L'Art de préluder, Op 7: Prélude, for oboe
24. L'Art de préluder, Op 7: Prélude, for soprano Viola da gamba
25. Airs et Brunettes: Brunette, "l'autre jour ma Cloris"
26. Airs et Brunettes: Air de Mr Lambert "Goûtons un doux repos"

Frans Bruggen, Wieland Kuijken, Gustav Leonhardt
Bruce Haynes, Ku Ebbinge, Danny Bond, Shelley Gruskin

Georg Philipp Telemann - String Concertos

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tracklist:

Concerto Polonois G-dur (43:G7)
Concerto Polonois B-dur (43:B3)
Divertimento A-dur (50:22)
Divertimento B-dur (50:23)
Concerto G-dur (51:G9) for Viola
Concerto ''a sei'' G-dur (52:G2)
Concerto G-dur (52:G3)

Musica Antiqua Koln
Reinhard Goebel

George Frideric Handel - The Secret Handel

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"Christopher Hogwood’s incisive mind regularly leads to strong and imaginative concepts and this, the first of a series of clavichord discs dedicated to Bach, Handel, Haydn, Mozart and Beethoven, is a perfect example. The clavichord has a history of domestic usage, the intimate nature of its utterances seeming both exquisite and slightly enigmatic. Its main mechanical feature of stretching strings gives the player the ‘touch’ to grade dynamics, alter pitch through vibrating and other idiomatic colouring. These are delicate nuances with an instrument of such softness, offered as fleeting gestures, usually for the player’s ears alone." - GRAMOPHONE

tracklist:

1. Suite for keyboard (Suite de piece), Vol.1, No.3 in D Minor, HWV 428
2. Aria (Chaconne) and variations for keyboard in G major, HWV 430/4a
3. Fugue for keyboard in C minor, HWV 610
4. Suite for 2 harpsichords in C minor, HWV 446 (fragment)
5. Minuet for keyboard in A major, HWV 545
6. Minuet for keyboard in A major, HWV 547
7. Minuet for keyboard in A major, HWV 546
8. Air for keyboard in F major, HWV 464
9. Water Music Suite No.1 for orchestra in F major, HWV 348: Bourrée and Hornpipe
10. Aria and variations for clavichord in B flat major
11. Air for keyboard in B flat major, HWV 469
12. Concerto for keyboard (2 movements) in G major, HWV 487
13. Air Lentement for keyboard in G minor, HWV 467
14. Concerto for keyboard (2 movements) in G major, HWV 487
15. Allemande for keyboard in B minor, HWV 479
16. Courante for keyboard in B minor, HWV 489
17. Sarabande for clavichord in B minor
18. Gigue for clavichord in B minor
19. Jesu meine Freude, chorale for keyboard in G minor, HWV 480
20. Chaconne for harpsichord in G major, HWV 435Christopher Hogwood, clavichord

Alfonso X - Cantigas de Viola de Rueda

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Tracklist:


1. Cantiga de Santa María 68, A Groriosa grandes faz
2. Cantiga de Santa María 77, Da que Deus mamou o leite do seu peito
3. Cantiga de Santa María 61, Fol é que cuida que non poderia
4. Cantiga de Santa María 327, Porque ben Santa María sabe os seus dões dar
5. Cantiga de Santa María 74, Quen Santa María quiser deffender
6. Cantiga de Santa María 92, Santa María poder á
7. Cantiga de Santa María 81, Par Deus, tal sennor muito val
8. Cantiga de Santa María 407, Como o demo cofonder
9. Cantiga de Santa María 91, A Virgen nos d´ saud' e tolle mal
10. Cantiga de Santa María 259, Santa María punna d' aviir
11. Cantiga de Santa María 71, Se muito non amamos. Gran sandeçe fazemos
12. Cantiga de Santa María 76, Quenas sas figuras da Virgen partir
13. Cantiga de Santa María 62, Santa María sempr' os seus ajuda
14. Cantiga de Santa María 72, Quen diz mal




Musica Antiqua Ensemble, Luis Delgado
Conducted by Eduardo Paniagua

Georg Philipp Telemann - 5 Violin Concertos

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Concerto n°4 in E
Concerto n°11 in B-flat (attributed)
Concerto n°8 in G
Concerto n°3 in D
Concerto n°9 in G minor

Iona Brown, violin and direction
Academy of St.Martin-in-the-Fields
continuo:
Denis Vigay, violoncello
Alan Cuckstone, harpsichord

Arcangelo Corelli - Sonatas Op 5

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Sonata I. D major
Sonata II. B flat major
Sonata III. D major (orig. C major)
Sonata IV. G major (orig. F major)
Sonata V. G minor
Sonata VI. A major


(Flute Transcription: Benedek Csalog)


Benedek Csalog, flute
Léon Berben, harpsichord