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Only two of
Froberger's many compositions were published during his lifetime, but
his music was very widely spread in manuscript copies and he was one of
the very few 17th century composers who were never entirely forgotten.
His works were studied in the 18th century (although perhaps not very
extensively, and certainly without influence on the emerging Classical
style) by Handel, Bach and, extraordinarily, even Mozart and Beethoven.
Contents:
Suite No.12 in A minor
Suite No.3 in E minor
Suite No.2 in D minor
Suite No.5 in G minor
Suite No.11 in A minor
Suite No.4 in F major
Suite No.6 in A minor
Suite No.9 in D major
Suite No.1 in C minor
Suite No.8 in D minor
Suite No.7 in G minor
Suite No.13 in G major
Suite No.10 in E minor
Suite No.14 (doubtful) in A major
Ludger Rémy, harpsichord
CD 1
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CD 2
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Johann Jakob
Froberger (baptized May 19, 1616 – May 7, 1667) was a German Baroque
composer, keyboard virtuoso, and organist. He was among the most famous
composers of the era and influenced practically every major composer in
Europe by developing the genre of keyboard suite and contributing
greatly to the exchange of musical traditions through his many travels.
He is also remembered for his highly idiomatic and personal descriptive
harpsichord pieces, which are among the earliest known examples of
program music.
Contents:
Suite No.12 in A minor
Suite No.3 in E minor
Suite No.2 in D minor
Suite No.5 in G minor
Suite No.11 in A minor
Suite No.4 in F major
Suite No.6 in A minor
Suite No.9 in D major
Suite No.1 in C minor
Suite No.8 in D minor
Suite No.7 in G minor
Suite No.13 in G major
Suite No.10 in E minor
Suite No.14 (doubtful) in A major
Ludger Rémy, harpsichord
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