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Karl Kaisers performs magic effects in Vivaldi´s "La Notte". Using wonderful mellowness Hans - Peter Westermann makes a big affair of the slow movement of A.Marcello´s concert for oboe, and the continuo group is, again, a model of animation and circumspection.
contents:
Antonio Vivaldi (1678 – 1741)
Concerto G minor, RV 104 (op.X,2)''La Notte'' for transverse flute, 2 violins, bassoon and b.c.
Alessandro Marcello (1684 – 1750)
Concerto D minor for oboe, 2 violins, viola and b.c.
Johann Joachim Quantz (1697 – 1773)
Trio C major for recorder, transverse flute and b.c.
Johann Christian Bach (1735 – 1782)
Quintet D major, op.22,1 for fortepiano, flute, oboe, violin and violoncello
Johann Friedrich Fasch (1688 – 1758)
Quartet D minor for 2 oboes, bassoon and b.c.
Antonio Vivaldi
Concerto C major, RV 444 (PV79) for sopranino recorder,2 violins, viola, and b.c.
CAMERATA KÖLN
Michael Schneider - recorder, sopranino recorder
Karl Kaiser - transverse flute
Hans-Peter Westermann - oboe
Piet Dhont - oboe
Michael McCraw - bassoon
Mary Utiger, Paula Kibildis - violins
Hajo Bäß - violin, viola
Karl-Heinz Steeb - viola
Rainer Zipperling - violoncello
Hans Koch, Margret Urquhart - double bass, violone
Harald Hoeren - harpsichord, fortepiano
