Allegri - Le Suites Medicee

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Lorenzo Allegri (1567 – 1648) was an Italian composer, who worked at the Medici court, in Florence. He was mainly known as a lutenist, and for lute he wrote dances, sometimes with vocal parts. He was sometimes referred to as Lorenzino Todesco so it may be assumed he was of German origin. (Wikipedia)

A review

contents:


Secondo Ballo detto "La Serena"
Quinto Ballo detto "Le Ninfe della Senna"
Primo Ballo detto della "Notte d'Amore"
Ottavo Ballo detto "L'Iride"
Settimo Ballo
Sesto Ballo
Quarto Ballo detto "I Campi Elisi"
Terzo Ballo detto "Alta Maria"

Gran Consort Li Stromenti
Gian Luca Lastraioli

W.A.Mozart - The Violin Concertos

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Concerto n°1 in B flat K207
Concerto n°2 in D K211
Concerto n°3 in G K216
Rondo in B flat K269 (261a)

Concerto N°4 in D K218
Concerto N°5 in A K219
Adagio in E K261
Rondo in C K373


Simon Standage, violin
The Academy of Ancient Music
dir. Christopher Hogwood


-o-



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Freundin! Ich komm' mit der Zither (Trio) K 351 (367b)
Caro mio Druck und Schluck, K Anh. 5 (571a)
Die Zauberflöte, K 620: Nur stille…Die Strahlen der Sonne
Difficile lectu mihi mars, K 559
Das gestöre Ständchen, K Anh. 441c
Johann Ludwig Krebs - Verewight glüht hier Herz un Sinn
Canon à 3 in F Major, K 508
Canon à 3 in F Major, K 507
Lieber freistädler, K 232 (509a)
Im Grab ists finster, K Anh. 6 (441b)
Liebes Mandel, wo is's Bandel, K 441
O Du eselhafter Peierl! in A Major, K 560a (559a)
Brüder, lasst uns lustig sein, K 344
Nun, Liebes Weibchen, K 592a
Gehn wir im Prater, K 558
Zaïde, K 344 (334b): Wer hungrig bei der Tafel sitzt
Essen und Trinken, K 234 (382e)
Warnung, K 433 (416c)
Bona nox! bist a rechta Ox, K 561
Eine musikalischer Spass, K 522



Erika Köth, soprano
Peter Schreier, tenor
Hermann Prey, baritone
Walter Berry, bass-baritone
Convivium Musicum München
Wiener Akademie Kammerchor
Members of the Sinnhoffer Kammerorchester München


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Concerto in si bemolle maggiore K.207
Rondo' in si bemolle maggiore K.269
Concerto in re maggiore K.211
Concerto in sol maggiore K.216

Concerto in re maggiore K218
Concerto in la maggiore K219
Adagio in mi maggiore K261
Rondo' in do maggiore K373


Giuliano Carmignola, violin
Il Quartettone
dir. Carlo de Martini

J.D.Zelenka - 6 Sonate

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Sonata No. 1 in F major
Sonata No. 2 in g minor
Sonata No. 3 in B flat major
Sonata No. 4 In g minor
Sonata No. 5 In F major
Sonata No. 6 In C minor


Paul Dombrecht - Marcel Ponseele - Ku Ebbinge, oboes
Chiara Banchini, violin
Danny Bond, basson
Richte van der Meer, violoncello
Robert Kohnen, harpsichord

J.S.Bach - Brandenburg Concertos

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Concerto No. 1 Bwv 1046 In F Major
Concerto No. 2 Bwv 1047 In F Major
Concerto No. 3 Bwv 1048 In G Major
Concerto No.4 Bwv 1049In G Major
Concerto No.5 Bwv 1050 In D Major
Concerto No.6 Bwv 1051 In B-flat Major


Orchestra of the Age of Enlightenment

Paul Goodwin, oboe
Catherine Mckintosh, violino piccolo & dir.
Timothy Brown & Susan Dent, horns
Rachel Beckett & Marion Scott, recorders
Monica Huggett, violin, viola & dir.
Mark Bennett, trumpet
Alison Bury, violin & dir.
Elizabett Wallfisch, violin & dir.
Lisa Beznosiuk, flute
Malcolm Proud, harpsichord
Pavlo Beznosiuk, viola
Sarah Cunningham & Richard Campbell, viola da gamba
Richard Tunnicliffe, cello
William Hunt, violone
John Toll, harpsichord

Luca Marenzio - Madrigali

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1 - Basciami milli volte, a 5 voci (Libro 5, 1585)
2 - Satiati Amor, ch'a più doglioso amante, a 6 voci (Libro 2, 1584)
3 - Dolorosi martir, fieri tormenti, a 5 voci (Libro 1, 1580)
4 - Nè fero sdegno mai, Donna, mi mosse, a 6 voci (parte 1, Libro 4, 1587)
5 - Talchè dovunque vò, tutte repente (parte 2)
6 - Liquide perle, Amor; da gl'occhi sparse, a 5 voci (Libro 1, 1580)
7 - Liquide perle Amor, da gl'occhi sparse, diminution pour luthe (Intavolatura di liutto, Venezia, 1593)
8 - Vaghi e lieti fanciulli, a 6 voci (Libro 2, 1581)
9 - Deh rinforzate il vostro largo pianot, a 6 voci (Libro 1, 1581)
10 - Donne il celeste Lume, a 9 (Libro 4, 1593)
11 - Udite, lagrimosi Spirti d'Averno, udite, a 5 voci (Libro 4, 1594)
12 - Là dove sono i pargoletti Amori, a 6 voci (Libro 2, 1584)
13 - E s'io mi doglio, Amor, a 6 voci (Libro 2, 1584)
14 - Fuggi, speme mia, fuggi, a 6 voci (Libro 2, 1584)
15 - Tirsi morir volea, a 5 voci (Libro 1, 1580, parte 1)
16 - Frenò Tirsi il desio (parte 2)
17 - Così moriro i fortunati anamti (parte 3)
18 - Tirsi morir volea, diminution pour clavecin (Fitzwilliam Virginal Book)
19 - Consummando mi vò piaggia in piaggia, a 5 voci (Libro 5, 1585)
20 - O verdi selv'o dolci fonti e rivi a 6 voci (Libro 6, 1595)
21 - Caro Aminta, pur voi, a 6 voci (parte 1, Libro 4, 1587)
22 - Non può Filli più, a 2 voci in dialogo (parte 2)
23 - Cruda Amarilli, a 5 voci (parte 1, Libro 7, 1595)
24 - Ma grideran per me le piagg'e i monti (parte 2)
25 - Per duo coralli ardenti, a 6 voci (Libro 1, 1581)
26 - Così nel mio parlar vogl'esser aspro, a 5 voci (parte 1, Libro 9, 1599)
27 - Et ella ancide, e non val c'huom si chiuda (parte 2)

Il Concerto Italiano
dir. Rinaldo Alessandrini

Antonio Vivaldi - Armida al campo d'Egitto

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Opera in 3 atti (1718)

Libretto di Giovanni Palazzo dal Tasso
Prima rappresentazione al Teatro San Moisè di Venezia nel 1718

Sara Mingardo, contralto (Armida)
Furio Zanasi, baritono (Califfo)
Monica Bacelli, mezzo soprano (Osmira)
Raffaella Milanesi, soprano (Erminia)
Marina Comparato, contralto (Emireno)
Romina Basso, contralto (Adrasto)
Martin Oro, controtenore (Tisaferno)

Concerto Italiano
Dir. Rinaldo Alessandrini

Blockflotenkonzerte

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G.P.Telemann - Concerto in g minor
(World premiere recording)
G.P.Telemann - Concerto in c major TWV 51:C
C.Graupner - Suite in f major
J.C.Schultze - Concerto in g major



Dorothee Oberlinger, alto recorder
Ensemble 1700
dir. Reinhard Goebel

Jan Dismas Zelenka - Il Diamante

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If we speak about the late works of Jan Dismas Zelenka, we usually refer to his fascinating last masses, oratorios or litanies, which have today finally gained the attention and acclaim they so fully deserve. With sacred music always being the focal point of Zelenka's work, the violone playing composer who was born in Bohemia was eventually appointed Kirchen Compositeur in 1735 after having spent over twenty years as “the most humble and loyal servant” at the royal court in Dresden. Still, among his late works we also find the Serenata ZWV 177 from 1737, another major work, which, thanks to the newly discovered printed libretto, now has a title Il Diamante. It was one of the few secular vocal compositions, possibly also the last, Zelenka wrote for the Dresden court, and crowns his work as a music dramatist. (more in the booklet)

Roberta Mameli - soprano (Giunone)
Marie Fajtova - soprano (Amore)
Gabriela Eibenova - soprano (Venere)
Hana Blazikova - soprano (Terra)
Kai Wessel - alto (Imeneo)


Ensemble Inégal
Prague Baroque Soloists
dir. Adam Viktora

Thomas Baltzar - Complete Works for Unaccompanied Violin

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contents:

Prelude in G major

Allemande and Variation in G minor

Courante in G minor

Sarabande in G minor

Prelude in C minor

Allemande in C minor

Allemande in B-flat major

Sarabande in B-flat major

Allemande in C major

Sarabande in C major

Prelude in G major (2)

Allemande in B minor by John Jenkins, with Variation by Baltzar

A Set Of Tunings (scordatura)

I. Allemande in A major

II. Allemande in A major (2)

III. Courante in A major

IV. Sarabande in A major

Patrick Wood, violin

"Thomas Baltzar is a little-known German violinist and composer who is getting a well-deserved airing in this new premiere recording...This CD represents his complete output of unaccompanied violin music, and is also the first-ever recording of this once-innovative music. What’s so striking about the pieces is their early use of polyphony. One immediately thinks of Bach when hearing the pieces; though composed around 1660, 25 years before Bach’s birth, it’s almost as if they are primitive strains of his writing. Baltzar’s compositions stand out for their early use of double-stops and scordatura... British-Mexican violinist Patrick Wood thoughtfully plays the works. His tone is even, pure, and warm, and his intonation is spot-on. His light, gentle playing adds just the right shimmer to the simple beauty of each short piece."

Strings ~ July 2008

Musique Francaise a Deux Clavecins

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J.B.de Boismortier
Troisieme sonate en Sol, op.91

J.M.Leclair
Sonata VIII en Re

C.Dieupart
Deuxieme suite en Re

J.Duphly
Ouverture
La De Mary
La Madin
La De Casaubon
La Du Tailly
La de Valmallette

Luc Beauséjour & Hervé Niquet, harpsichord

All in a Garden Green: Four Seasons of English Music

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Music by John Playford, William Byrd, Nicola Matteis, Nicholas Lanier, Gottfried Finger, William Lawes, Henry François de Gallot, Anonymous, William Croft, Henry Purcell, Thomas Morley, Thomas Ravenscroft, Henry Eccles.

Spring:
1. Chirping of the Nightingale / Chirping of the Lark (The English Dancing Master, 1651 edition)
2. John come kiss me now (The Fitzwilliam Virginal Booke c.1618 / The Division Violin, 1685 edition)
3. Va poco di manera Italiana / Aria Amorosa (Book I and IV of Aires in 3 Parts, 1676/85)
4. No more shall meads be deckt with Flowers (Select Ayres and Dialogues, The Second Book, 1669)
5. Ciaccona (Airs Anglois, Vol. 4)
6. Glory of the West / The Goddesses (The English Dancing Master: edition 1651)
7. Can beauty’s Spring (Autograph songbook, #22)
8. Chaconne (Pieces de Guittarre de Differends Autheurs)
9. Now ye Spring is come (Elizabeth Rogers Hir Virginall Booke, 1656)
10. Ground after the Scotch Humour (Ayrs for the Violin, Part 4)
Summer:
11. Ground in C Minor (from Suite No. 3, D. 221)
12. Sweeter than Roses (Incidental Music to Pausanius, Z. 585, 1695)
13. Greensleeves (The Division Flute, first part)
14. All in a Garden Green / Onder een linde groen (The English Dancing Master, edition 1651 / Secular keyboard works)
15. Stanes Morris / The Glory of the Sun (The English Dancing Master, 1651/2)
Autumn:
16. O Mistress Mine (The First Book of Consort Lessons, 1599)
17. The Woods so wild (The Fitzwilliam Virginal Booke, c.1618)
18. The Chestnut / Autumn (Elizabeth Rogers Hir Virginall Booke / The Fairy Queen, Z. 629/35)
19. Aria (2nd Book of Aires in 3 parts, 1676)
Winter:
20. Cold and Raw (The English Dancing Master, 1686 edition)
21. When a cruel long Winter (The Fairy Queen, Z. 629/31, Act IV)
22. Remember O Thou Man (Melismata, 1611)
23. Virgin Queen / An Italian Rant (The Dancing Master, 1702, 1657 editions)
24. A Division on a Ground (The Division Violin, 1685 edition)
25. Here the Deities approve (Welcome to all the Pleasures, Ode for St Cecilia’s Day, Z. 339)

Ensemble Le Tendre Amour