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The work of Duke Guillaume IX d'Aquitaine (1071-1127) represents the earliest known examples of Provençal poetry and music. Because of the often-explicit subject matter of his poems and his notorious, sexually indulgent lifestyle, when he died nearly all of his output was either destroyed or suppressed: only these 11 poems and a single notated line of music set to the first line of "Pos de chanter m'es pres talens" (Since I want to sing) survives. Accompanying himself on viele à archet (bowed medieval viol), vocalist Brice Duisit's aim here is to offer for the first time informed restorations of these songs, a task even he admits is virtually impossible since no musicological models from this period exist. Nonetheless, Duisit is clearly passionate in his mission and the results are often quite moving.
--John Greene, ClassicsToday.com
contents:
- Companhon farai un vers qu'er convinen
- Companho tant ai agut d'avols conres
- Brice Duisit - Instrumental interlude
- Ben vuelh que sapchan li plusor
- Companho non puosc mudar qu'eo non m'effrei
- Pus vezem de novelh florir
- Mout jauzens me prec en amar
- Farai un vers de dreyt nien
- Farai chansoneta nueva
- Ab la dolchor del temps nouvel
- Farai un vers pos mi soneilh
- Pos de chantar m'es pres talens
- Brice Duisit - Instrumental postlude
Brice Duisit, chant & vièle à archet
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