Faventina, The liturgical music of Codex Faenza 117

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The Codex Faenza 117 in the Bibloteca Communale Manfredina is the oldest complete surviving manuscript of instrumental music in the world, started by a single scribe around 1380, but heavily recompiled between 1400 and 1420. In the early 1470s, yet another scribe scraped some of its pages clean and added yet more music, creating a "palimpsest"; a manuscript that has been recycled, yet contains traces of the information that went down before. (continue)

Contents:

Codex Faenza

Ordinarium missae
Kyrie Cunctipotentes genitor Deus (Fa 117, ff. 79r-79v)
Kyrie Cunctipotentes genitor Deus (Fa 117, ff. 88r-90r)
Gloria (Fa 117, ff. 90r-92v)
Kyrie Fons et origo (Fa 117, ff. 2r-3r)
Alleluja Ego sum pastor bonus (I-Gua, f. 194v)
Kyrie Orbis factor (Fa 117, ff. 62r-26r)

Cantasi come
Nostra avocata sei, cantasi come Deduto sei (Vat266, f. 32v; ff. 46v-48r)
Per verità portare. Cantasi si come Non al suo amante (I-Ricc2871, f. 59v)
Non al suo amante (Fa 117, ff. 78r-79r)

Ad vesperas
[Deus im adjutorium meum intende] (Fa 117, ff. 93r-94r)
Antiphona: Hec est regina (I-SM572, f. 141r); psalmus: Laudate pueri Dominum
Ave Maris stella (Fa 117, ff. 96v-97r)
Antiphona: Ave regina celorum (I-SM574. Ff. 109v-110r)
Magnificat (Fa 117, ff. 955-96v)
Sicut erat in principio, cantasi come [Soventt mes pas] (Fa 117, f. 94v)
Benedicamus Domino, Deo gratias (Fa 117, ff. 79r-79v)
Benedicamus Domino (Fa 117, ff. 79r-79v)
Benedicamus Domino (Fa 117, ff. 57r-58r)

(more infos)


Mala Punica
dir. Pedro Memelsdorff