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Nothing is known of her life except that ‘Romana’ appears on the title-pages of her manuscripts, indicating Roman origin.
She wrote four oratorios for solo voices and orchestra, which were performed in the Vienna court chapel between 1707 and 1710. In style and form they are similar to the oratorios of Alessandro Scarlatti. A cantata also survives.
Her first known work, Santa Beatrice d’Este, was commissioned by Emperor Joseph I.
She often uses particular instruments for dramatic effect or characterization: trumpets represent the villainous warrior in Santa Beatrice d’Este, the archlute represents the innocence of S.Alessio in Sant’Alessio, and chalumeaux(*), only a year after their first orchestral use in Vienna, represent the peaceful dream of Abramo in Il sacrifizio di Abramo.
According to the title-page of the manuscript, Rossi wrote the text as well as the music for Il figliuol prodigo.
Angiolo, Sara, Susanne Ryden (Soprano)
Isacco, Ralf Popken (Alto)
Abramo, Jan Stromberg (Tenor)
Weser-Renaissance
dir. Manfred Cordes
She wrote four oratorios for solo voices and orchestra, which were performed in the Vienna court chapel between 1707 and 1710. In style and form they are similar to the oratorios of Alessandro Scarlatti. A cantata also survives.
Her first known work, Santa Beatrice d’Este, was commissioned by Emperor Joseph I.
She often uses particular instruments for dramatic effect or characterization: trumpets represent the villainous warrior in Santa Beatrice d’Este, the archlute represents the innocence of S.Alessio in Sant’Alessio, and chalumeaux(*), only a year after their first orchestral use in Vienna, represent the peaceful dream of Abramo in Il sacrifizio di Abramo.
According to the title-page of the manuscript, Rossi wrote the text as well as the music for Il figliuol prodigo.
Angiolo, Sara, Susanne Ryden (Soprano)
Isacco, Ralf Popken (Alto)
Abramo, Jan Stromberg (Tenor)
Weser-Renaissance
dir. Manfred Cordes
(*)Accostatevi a queste pupille
Strali, fulmini
Gracias por esta musica tan bella,cuanto me gustaria compartir con ustedes unos discos que tengo de barroco latinoamericano.de nuevo gracias!
RispondiEliminathank u very much i wish Il figliuol prodigo. if u find or have idea if it record or not , i wish all baroque rare treasures from Camilla de rossi and fago record soon
RispondiEliminaThanks for all the great uploads!
RispondiEliminaI'm starting a blog to share unreleased music at http://feldeinsamkeit.blogspot.com/.
Visit and subscribe if you're interested.
André, good luck!
RispondiEliminaWomen composers are usually neglected by the history of music. Thank you very much!
RispondiElimina