J.S.Bach - The Cantatas Pilgrimage (Gardiner)

53 CD - MP3 192 Kbps - 29 RAR (4.95 Gb)


Filefactory - Uploaded

“There is a genuine pilgrim’s humility about this recording that contrasts tellingly with the magnificence of the achievement. Gardiner has made history.” The Times

A page where you can find a lot of useful infos about this recordings is

HERE:

About the Bach Cantata Pilgrimage by Sir John Eliot Gardiner 

HERE:

Into the folders you can find a file named "BacCanGar-pdf(En-Fr)". It contains the PDF with all the sleeve notes in english and french plus an Index to help you in finding a specifical cantata.

I love those covers! (Steve Mc Curry's)

contents:

SDG 101 Volume 1 (2 cds) contains:

Cantatas for the Feast of St. John the Baptist:

BWV 167 - Ihr Menschen, rühmet Gottes Liebe

BWV 7 - Christ unser Herr zum Jordan kam

BWV 30 - Freue dich, erlöste Schar

Cantatas for the 1st Sunday after Trinity

BWV 75 - Die Elenden sollen essen

BWV 20 - O Ewigkeit, du Donnerwort

BWV 39 - Brich dem Hungrigen dein Brot

SDG 165 Volume 2 (2 cds) contains:

Cantatas for the Second Sunday after Trinity

BWV 2 - Ach Gott, vom Himmel sieh darein

BWV 10 - Meine Seel erhebt den Herren

BWV 76 - Die Himmel erzählen die Ehre Gottes

Heinrich Schütz 1585-1672

SWV 386 - Die Himmel erzählen die Ehre Gottes

Cantatas for the Third Sunday after Trinity

BWV 21 - Ich hatte viel Bekümmernis

BWV 135 - Ach Herr, mich armen Sünder

BWV 1044 - Concerto for flute, violin and harpsichord

SDG 141 Volume 3 (2 cds) contains:

Cantatas for the Fourth Sunday after Trinity

BWV 24 - Ein ungefärbt Gemüte

BWV 185 - Barmherziges Herze der ewigen Liebe

BWV 177 - Ich ruf zu dir, Herr Jesu Christ

Cantatas for the Fifth Sunday after Trinity

BWV 71 - Gott ist mein König

BWV 131 - Aus der Tiefen rufe ich, Herr, zu dir

BWV 93 - Wer nur den lieben Gott lässt walten

BWV 88 - Siehe, ich will viel Fischer aussenden

SDG 156 Volume 4 (2 cds) contains:

Cantatas for the Sixth Sunday after Trinity

BWV 9 - Es ist das Heil uns kommen her

BWV 170 - Vergnügte Ruh, beliebte Seelenlust

Motet: Der Gerechte kommt um

Cantatas for the Seventh Sunday after Trinity

BWV 186 - Ärgre dich, o Seele, nicht

BWV 107 - Was willst du dich betrüben

BWV 187 - Es wartet alles auf dich

SDG 147 Volume 5 (2 cds) contains:

Cantatas for the Eighth Sunday after Trinity

BWV 178 - Wo Gott der Herr nicht bei uns hält

BWV 136 - Erforsche mich, Gott, und erfahre mein Herz

BWV 45 - Es ist dir gesagt, Mensch, was gut ist

Cantatas for the Tenth Sunday after Trinity

BWV 46 - Schauet doch und sehet, ob irgendein Schmerz sei

BWV 101 - Nimm von uns Herr, du treuer Gott

BWV 102 - Herr, deine Augen sehen nach dem Glauben!

SDG 134 Volume 6 (2 cds) contains:

Cantatas for the Twelfth Sunday Trinity

BWV 69a - Lobe den Herrn, meine Seele

BWV 137 - Lobe den Herren, den mächtigen König der Ehren

BWV 35 - Geist und Seele wird verwirret

Cantata for the Thirteenth Sunday Trinity

BWV 77 - Du sollt Gott, deinen Herren, lieben

BWV 164 - Ihr, die ihr euch von Christo nennet

BWV 33 - Allein zu dir, Herr Jesu Christ

SDG 124 Volume 7 (2 cds) contains:

Cantatas for the Fourteenth Sunday after Trinity

BWV 25 - Es ist nichts Gesundes an meinem Leibe

BWV 78 - Jesu, der du meine Seele

BWV 17 - Wer Dank opfert, der preiset mich

Cantatas for the Feast of St Michael and All Angels

BWV 50 - Nun ist das Heil und die Kraft

BWV 130 - Herr Gott, dich loben alle wir

BWV 19 - Es erhub sich ein Streit

BWV 149 - Man singet mit Freuden vom Sieg

SDG 104 Volume 8 (2cds) contains:

Cantatas for the 15th Sunday after trinity

BWV 138 - Warum betrübst du dich, mein Herz

BWV 99 - Was Gott tut, das is wohlgetan

BWV 51 - Jauchzet Gott in allen Landen!

BWV 100 - Was Gott tut, das is wohlgetan

Cantatas for the 16th Sunday after Trinity

BWV 161 - Komm, du süsse Todesstunde

BWV 27 - Wer weiss, wie nahe mir mein Ende!

BWV 8 - Liebster Gott, wann werd ich sterben?

BWV 95 - Christus, der ist mein leben

SDG 159 Volume 9 (2 cds) contains:

Cantatas for the for the Seventeenth Sunday after Trinity

BWV 148 - Bringet dem Herrn Ehre seines Namens

BWV 114 - Ach, lieben Christen, seid getrost

BWV 47 - Wer sich selbst erhöhet, der soll erniedriget werden

BWV 226 - Motet: Der Geist hilft unser Schwachheit auf

Cantatas for the Eighteenth Sunday after Trinity

BWV 96 - Herr Christ, der ein’ge Gottessohn

BWV 169 - Gott soll allein mein Herze haben

BWV 116 - Du Friedefürst, Herr Jesu Christ

BWV 668 - Chorale: Vor deinen Thron tret’ ich hiermit

SDG 110 Volume 10 (2 cds) contains:

Cantatas for the Nineteenth Sunday after Trinity

BWV 48 - Ich elender Mensch, wer wird mich erlösen

BWV 5 - Wo soll ich fliehen hin

BWV 90 - Es reißet euch ein schrecklich Ende

(for the Twenty-fifth Sunday after Trinity)

BWV 56 - Ich will den Kreuzstab gerne tragen

Cantatas for the Feast of the Reformation

BWV 79 - Gott der Herr ist Sonn und Schild

BWV 192 - Nun danket alle Gott (occasion unspecified)

BWV 80 - Ein feste Burg ist unser Gott

SDG 168 Volume 11 (2 cds) contains:

Cantatas for the Twentieth Sunday after Trinity

BWV 162 - Ach! ich sehe, itzt, da ich zur Hochzeit gehe

BWV 49 - Ich geh und suche mit Verlangen

BWV 180 - Schmücke dich, o liebe Seele

Cantatas for the Twenty-first Sunday after Trinity

BWV 109 - Ich glaube, lieber Herr, hilf meinem Unglauben!

BWV 38 - Aus tiefer Not schrei ich zu dir

BWV 98 - Was Gott tut, das ist wohlgetan I

BWV 188 - Ich habe meine Zuversicht

SDG 171 Volume 12 (2 cds) contains:

Cantatas for the Twenty-second Sunday after Trinity

BWV 55 - Ich armer Mensch, ich Sündenknecht

BWV 89 - Was soll ich aus dir machen, Ephraim?

BWV 115 - Mache dich, mein Geist, bereit

BWV 60 - O Ewigkeit, du Donnerwort II

Cantatas for the Twenty-third Sunday after Trinity

BWV 139 - Wohl dem, der sich auf seinen Gott

BWV 163 - Nur jedem das Seine!

BWV 52 - Falsche Welt, dir trau ich nicht!

BWV 140 - Wachet auf, ruft uns die Stimme

SDG 162 Volume 13 (2 cds) contains:

Cantatas for the for the First Sunday in Advent

BWV 61 - Nun Komm, der Heiden Heiland I

BWV 62 - Nun Komm, der Heiden Heiland II

BWV 36 - Schwingt freudig euch empor

Cantatas for the Fourth Sunday in Advent

BWV 70 - Wachet! betet! betet! wachet!

BWV 132 - Bereitet die Wege, bereitet die Bahn!

BWV 147 - Herz und Mund und Tat und Leben

SDG 113 Volume 14 (1 cd) contains:

Cantatas for Christmas Day & for the Second Day of Christmas

BWV 91 - Gelobet seist du, Jesu Christ

BWV 121 - Christum wir sollen loben schon

BWV 40 - Dazu ist erschienen der Sohn Gottes

BWV 110 - Unser Mund sei voll Lachens

SDG 127 Volume 15 (1 cd) contains:

Cantatas for the Third Day of Christmas

BWV 151 - Süsser Trost, mein Jesus kommt;

BWV 133 - Ich freue mich in dir;

BWV 64 - Sehet, welch eine Liebe hat uns der Vater erzeiget

Cantatas for the Second Day of Christmas

BWV 57 - Selig ist der Mann

SDG 137 Volume 16 (1 cd) contains:

Motet BWV 225 - Singet dem Herrn ein neues Lied

Cantatas for Sunday after Christmas Day

BWV 152 - Tritt auf die Glaubensbahn

BWV 122 - Das neugeborne Kindelein

BWV 28 - Gottlob! nun geht das Jahr zu Ende

Cantata for New Year's Day

BWV 190 - Singet dem Herrn ein neues Lied!

SDG 150 Volume 17 (2 cds) contains:

Cantatas for New Year’s Day

BWV 143 - Lobe den Herrn, meine Seele II

BWV 41 - Jesu, nun sei gepreiset

BWV 16 - Herr Gott, dich loben wir

BWV 171 - Gott, wie dein Name, so ist auch dein Ruhm

Cantatas for the Sunday after New Year

BWV 153 - Schau, lieber Gott, wie meine Feind

BWV 58 - Ach Gott, wie manches Herzeleid II

SDG 174 Volume 18 (2 cds) contains:

Cantatas for Christmas Day

BWV 63 - Christen, ätzet diesen Tag

BWV 191 - Gloria in excelsis Deo

Cantatas for the Feast of Epiphany

BWV 65 - Sie werden aus Saba alle kommen

BWV 123 - Liebster Immanuel, Herzog der Frommen

Cantatas for the First Sunday after Epiphany

BWV 154 - Mein liebster Jesus ist verloren

BWV 124 - Meinen Jesum lass ich nicht

BWV 32 - Liebster Jesu, mein Verlangen

SDG 115 Volume 19 (2 cds) contains:

Cantatas for the Second Sunday after Epiphany

BWV 155 - Mein Gott, wie lang, ach lange?

BWV 3 - Ach Gott, wie manches Herzeleid I

BWV 13 - Meine Seufzer, meine Tränen

Cantatas for the Fourth Sunday after Epiphany

BWV 81 - Jesus schläft, was soll ich hoffen?

BWV 14 - Wär Gott nicht mit uns diese Zeit

BWV 26 - Ach wie flüchtig, ach wie nichtig (for the Twenty-fourth Sunday after Trinity)

Motet BWV 227 - Jesu, meine Freude

SDG 153 Volume 20 (2 cds) contains:

Cantatas for Septuagesima

BWV 144 - Nimm, was dein ist, und gehe hin

BWV 84 - Ich bin vergnügt mit meinem Glücke

BWV 92 - Ich hab in Gottes Herz und Sinn

Cantatas for Sexagesima

BWV 18 - Gleichwie der Regen und Schnee vom Himmel fällt

BWV 181 - Leichtgesinnte Flattergeister

BWV 126 - Erhalt uns, Herr, bei deinem Wort

SDG 118 Volume 21 (2 cds) contains:

Cantatas for Quinquagesima

BWV 22 - Jesus nahm zu sich die Zwölfe

BWV 23 - Du wahrer Gott und Davids Sohn

BWV 127 - Herr Jesu Christ, wahr’ Mensch und Gott

BWV 159 - Sehet! Wir gehn hinauf gen Jerusalem

Cantatas for the Annunciation / Palm Sunday / Oculi

BWV 182 - Himmelskönig, sei willkommen (for Palm Sunday / Annunciation)

BWV 54 - Widerstehe doch der Sünde (for the Third Sunday in Lent - Oculi)

BWV 1 - Wie schön leuchtet der Morgenstern (for the Feast of the Annunciation)

SDG 128 Volume 22 (2 cds) contains:

Cantatas for Easter Sunday

BWV 4 - Christ lag in Todesbanden

BWV 31 - Der Himmel lacht! die Erde jubliliert

Cantatas for Easter Monday

BWV 66 - Erfreut euch, ihr Herzen

BWV 6 - Bleib bei uns, denn es will Abend werden

Cantatas for Easter Tuesday

BWV 134 - Ein Herz, das seinen Jesum lebend weiss

BWV 145 - Ich lebe, mein Herze, zu deinem Ergötzen

SDG 131 Volume 23 (2 cds) contains:

Cantatas for the First Sunday after Easter

BWV 150 - Nach dir, Herr, verlanget mich

BWV 67 - Halt im Gedächtnis Jesum Christ

BWV 42 - Am Abend aber desselbigen Sabbats

BWV 158 - Der Friede sei mit dir

Cantatas for the Second Sunday after Easter

BWV 104 - Du Hirte Israel, höre

BWV 85 - Ich bin ein guter Hirt

BWV 112 - Der Herr ist mein getreuer Hirt

SDG 107 Volume 24 (2 cds) contains:

Cantatas for the Third Sunday after Easter (Jubilate)

BWV 12 - Weinen, Klagen, Sorgen, Zagen

BWV 103 - Ihr werdet weinen und heulen

BWV 146 - Wir müssen durch viel Trübsal in das Reich Gottes eingehen

Cantatas for the Fourth Sunday after Easter (Cantate)

BWV 166 - Wo gehest du hin?

BWV 108 - Es ist euch gut, dass ich hingehe

BWV 117 - Sei Lob und Ehr dem höchsten Gut (Cantata 'per ogni tempo')

SDG 144 Volume 25 (2 cds) contains:

Cantatas for the Fifth Sunday after Easter

BWV 86 - Wahrlich, wahrlich, ich sage euch

BWV 87 - Bisher habt ihr nichts gebeten in meinem Namen

BWV 97 - In allen meinen Taten

Cantatas for the Sunday after Ascension Day

BWV 44 - Sie werden euch in den Bann tun I

BWV 150 - Nach dir, Herr, verlanget mich

BWV 183 - Sie werden euch in den Bann tun II

Fürchte dich nicht - Johann Christoph Bach

SDG 121 Volume 26 (2 cds) contains:

Cantatas for Whit Sunday

BWV 34 - O ewiges Feuer, o Ursprung der Liebe

BWV 59 - Wer mich liebet, der wird mein Wort halten I

BWV 68 - Also hat Gott die Welt geliebt

BWV 74 - Wer mich liebet, der wird mein Wort halten II

BWV 172 - Erschallet, ihr Lieder, erklinget, ihr Saiten!

BWV 173 - Erhöhtes Fleisch und Blut

BWV 174 - Ich liebe den Höchsten von ganzem Gemüte

SDG 138 Volume 27 (2 cds) contains:

BWV 1048 - Brandenburg Concerto No.3

Cantatas for Whit Tuesday

BWV 184 - Erwünschtes Freudenlicht

BWV 175 - Er rufet seinen Schafen mit Namen

Cantatas for Trinity Sunday

BWV 194 - Höchsterwünschtes Freudenfest

BWV 176 - Es ist ein trotzig und verzagt Ding

BWV 165 - O heil'ges Geist- und Wasserbad

BWV 129 - Gelobet sei der Herr, mein Gott

SDG 185 Volume 28 (1 cds) contains:

For Ascension

BWV 43 - Gott fähret auf mit Jauchzen

BWV 37 - Wer da gläubet und getauft wird

BWV 128 - Auf Christi Himmelfahrt allein

BWV 11 - Lobet Gott in seinen Reichen 

The Monteverdi Choir

The English Baroque Soloist

dir. John Eliot Gardiner

Antonio Vivaldi - L’incoronazione di Dario RV 719

3 CD - MP3 192 Kbps - RAR 259 Mb

The revival of Vivaldi's operas continues with L'incoronazione di Dario (The Coronation of Darius), which has been recorded several times. This release comes from a 2013 live performance in Bremen, Germany, very well recorded indeed by Naïve. The title might lead one to expect a solemn opera seria, but it almost immediately announces itself, with a sparkling duet as the first vocal number, as something different and unusual, a sort of dramedy about the competition for the hand of the daughter of a deceased Persian emperor. The plot proceeds in a series of snappy arias and recitatives, which sometimes interpenetrate in ariosos; the one at the beginning of the second act is an arioso dialogue that is especially elegantly handled. A few of the arias could be profitably discarded, but characteristic Vivaldian touches throughout include Oronte's harmonically daring aria "Non mi lusinga vana speranza" (Act II, scene 6, CD 2, track 10), nicely understated by mezzo-soprano Lucia Cirillo. The cast, with a top-flight group of Italian singers and the very hot Accademia Bizantina orchestra led by the very hot Ottavio Dantone, is generally very strong, although tenor Anders Dahlin in the title role seems underpowered for his surroundings. A worthwhile and even entertaining addition to a Baroque opera shelf.

Nornar - Uploaded - FileFactory

(Look for VIVTDP58.rar)

contents:

disc 1

1. Sinfonia

2. Recitativo accompagnato [Ombra di Ciro] | Scena 1, Atto primo

3. Recitativo [Statira, Argene, Niceno] | Scena 2, Atto primo

4. Duetto : Cessi il pianto [Statira, Argene] | Scena 2, Atto primo

5. Recitativo [Flora, Statira, Argene, Niceno] | Scena 3, Atto primo

6. Recitativo [Dario, Argene, Statira, Flora] | Scena 4, Atto primo

7. Aria : Sarà dono del tuo amore [Dario] | Scena 4, Atto primo

8. Recitativo [Argene, Flora] | Scena 5, Atto primo

9. Aria : D’un bel viso [Argene] | Scena 5, Atto primo

10. Recitativo [Statira, Flora] | Scena 6, Atto primo

11. Aria : In petto ho un certo affanno [Statira] | Scena 6, Atto primo

12. Recitativo [Flora] | Scena 7, Atto primo

13. Aria : Arma il cor di bel coraggio [Flora] | Scena 7, Atto primo

14. Recitativo [Arpago] | Scena 8, Atto primo & Recitativo [Oronte, Arpago] | Scena 9, Atto primo

15. Sinfonia per il combattimento | Scena 9, Atto primo

16. Recitativo [Dario, Oronte, Arpago] | Scena 10, Atto primo

17. Aria : Cinto il crin [Arpago] | Scena 10, Atto primo

18. Recitativo [Dario] | Scena 11, Atto primo

19. Aria : Chi vantar può [Dario] | Scena 11, Atto primo

20. Recitativo [Oronte, Alinda] | Scena 12, Atto primo

21. Aria : Lasciami in pace [Oronte] | Scena 12, Atto primo

22. Recitativo [Alinda] | Scena 13, Atto primo

23. Aria : Se si potesse amar [Alinda] | Scena 13, Atto primo

24. Recitativo [Niceno] | Scena 14, Atto primo & Recitativo [Statira, Niceno] | Scena 15, Atto primo

25. Cantata : Ardo tacito amante [Statira] | Scena 15, Atto primo

26. Recitativo [Statira, Niceno] | Scena 15, Atto primo

27. Aria : L’occhio, il labbro, il seno, il core [Statira] | Scena 15, Atto primo

28. Recitativo [Argene, Niceno] | Scena 16, Atto primo

29. Aria : Affetti del cor mio [Argene] | Scena 16, Atto primo

30. Recitativo [Niceno] | Scena 17, Atto primo

31. Aria : Quale all’onte [Niceno] | Scena 17, Atto primo

disc 2

1. Arioso [Dario] | Scena 1, Atto secondo & Recitativo [Argene, Dario] | Scena 1, Atto secondo

2. Recitativo [Flora, Argene, Dario] | Scena 2, Atto secondo & Arioso - Recitativo - Arioso - Recitativo [Argene, Dario] | Scena 2, Atto secondo

3. Aria : Placami la mia bella [Dario] | Scena 2, Atto secondo

4. REcitativo [Argene, Flora] | Scena 3, Atto secondo

5. Aria : Fermo scoglio in mezzo al mare [Argene] | Scena 3, Atto secondo

6. Recitativo - Arioso - Recitativo [Flora, Statira] | Scena 4, Atto secondo / Arioso [Statira] | Scena 4, Atto secondo & Recitativo [Statira] | Scena 4, Atto secondo

7. Recitativo [Flora] | Scena 5, Atto secondo

8. Aria : Lo spietato crudo amore [Flora] | Scena 5, Atto secondo

9. Terzetto : Lampa eterna, eterna face [Dario, Oronte, Arpago] | Scena 6, Atto secondo / Recitativo accompagnato [Apollo] | Scena 6, Atto secondo & Recitativo [Apollo, Dario, Arpago, Oronte] | Scena 6, Atto secondo

10. Aria : Non mi lusinga vana speranza [Oronte] | Scena 6, Atto secondo

11. Recitativo Statira, Niceno] | Scena 7, Atto secondo

12. Recitativo [Arpago, Statira, Niceno] | Scena 8, Atto secondo

13. Aria : Mi va scherzando in sen [Arpago] | Scena 8, Atto secondo

14. Recitativo [Oronte, Statira, Niceno] | Scena 9, Atto secondo

15. Recitativo [Alinda, Oronte, Niceno, Statira] | Scena 10, Atto secondo

16. Aria : Serena il tetro nubilo [Statira] | Scena 10, Atto secondo

17. Recitativo [Oronte, Alinda] | Scena 11, Atto secondo

18. Aria : Se fui contento della tua fede [Oronte] | Scena 11, Atto secondo

19. Recitativo [Alinda] | Scena 12, Atto secondo

20. Aria : Io son quell’augelletto [Alinda] | Scena 12, Atto secondo

21. Arioso [Argene] | Scena 13, Atto secondo / Recitativo [Flora, Argene] | Scena 14, Atto secondo & Recitativo [Flora, Dario, Argene] | Scena 15, Atto secondo

22. Recitativo [Argene, Dario] | Scena 16, Atto secondo & Recitativo - Arioso Recitativo - Arioso - Recitativo [Statira, Argene, Dario, Niceno] | Scena 17, Atto secondo

23. Aria : Sarà tua la bella sposa [Argene] | Scena 17, Atto secondo

24. Recitativo [Statira, Dario] | Scena 18, Atto secondo

25. Aria : Se palpitarti in sen [Statira] | Scena 18, Atto secondo

26. Recitativo [Dario, Niceno] | Scena 19, Atto secondo

27. Aria : Non lusinghi il core amante [Niceno] | Scena 19, Atto secondo

28. Recitativo [Dario] | Scena 20, Atto secondo

29. Aria : Col furor ch’in petto io serbo [Dario] | Scena 20, Atto secondo

disc 3

1. Arioso a due : Col fulgor di sacro alloro [Oronte, Arpago] | Scena 1, Atto terzo

2. Recitativo [Oronte, Arpago, Statira] | Scena 1, Atto terzo

3. Aria : V’ubbidisco amate stelle [Arpago] | Scena 1, Atto terzo

4. Recitativo [Argene, Niceno, Flora, Statira] | Scena 2, Atto terzo

5. Aria : Sentirò fra ramo e ramo [Statira] | Scena 2, Atto terzo

6. Recitativo Flora, Argene] | Scena 3, Atto terzo & Recitativo Argene, Dario] | Scena 4, Atto terzo

7. Recitativo [Oronte, Alinda, Argene] | Scena 5, Atto terzo / Arioso [Alinda] | Scena 5, Atto terzo / Recitativo [Argene, Oronte] | Scena 5, Atto terzo & Arioso [Argene] | Scena 5, Atto terzo

8. Recitativo [Alinda, Oronte] | Scena 6, Atto terzo

9. Aria : Amorosa la mia speme [Alinda] | Scena 6, Atto terzo

10. Recitativo [Oronte] | Scena 7, Atto terzo

11. Aria : Crudeltà che m’è pietosa [Oronte] | Scena 7, Atto terzo

12. Recitativo [Statira, Flora, Niceno] | Scena 8, Atto terzo / Recitativo Niceno, Statira] | Scena 8, Atto terzo & Recitativo Dario, Statira, Niceno] | Scena 9, Atto terzo

13. Recitativo [Dario, Statira] | Scena 10, Atto terzo

14. Duetto : Pur t’abbraccio, pur t’annodo [Dario, Statira] | Scena 10, Atto terzo

15. Recitativo [Argene] | Scena 11, Atto terzo & Recitativo [Alinda, Argene] | Scena 12, Atto terzo

16. Aria : A me ceppi ? A me catene ? [Alinda] | Scena 12, Atto terzo

17. Recitativo [Arpago, Oronte, Argene, Alinda] | Scena 13, Atto terzo & Recitativo [Dario, Argene, Oronte, Arpago, Alinda, Statira] | Scena 14, Atto terzo

18. Aria : Ferri, ceppi, sangue, morte [Argene] | Scena 14, Atto terzo

19. Recitativo [Arpago, Oronte, Dario, Alinda, Statira] | Scena ultima, Atto terzo

20. Rinforzi la gioia [Coro] | Scena ultima, Atto terzo

Anders Dahlin - TENOR - DARIO 

Sara Mingardo - CONTRALTO - STATIRA

Delphine Galou - CONTRALTO - ARGENE

Riccardo Novaro - BARYTON - NICENO

Sofia Soloviy - SOPRANO - ARPAGO

Lucia Cirillo - MEZZO SOPRANO - ORONTE

Giuseppina Bridelli - MEZZO SOPRANO - FLORA

Roberta Mameli - SOPRANO - ALINDA

Accademia Bizantina

dir. Ottavio Dantone

J.M.Leclair - Trosieme Livre de Sonates Vol. II

16 tracks - MP3 192 Kbps - RAR 109 Mb

Jean-Marie Leclair is hardly the most typical composer from the late French Baroque: born and raised in Lyons rather than Paris, he was a professional dancer (and, indeed, lacemaker) before reaching his prime as a violinist; he spent much time out of France (including protracted stays in Turin and appointments in Holland and Spain); he became estranged from his second wife in his later years; and, most tantalizing of all, he was murdered in strange circumstances in his late sixties.

However, despite all these unusual factors he enjoyed an extremely successful career both as a performer and as a composer, with thirteen opuses printed before his death and two more posthumously. He found favour with the court of Louis XV and also worked for noble houses in The Netherlands and Spain.

It is clear from his music that Leclair was well acquainted with the remarkable violin writing of Locatelli, and the two had a celebrated contest in Germany. Certainly, there was no one else in France who matched both Leclair's virtuoso, idiomatic violin writing and his subtlety of compositional organization.

Nornar - Uploaded - FileFactory

contents:

Sonata Op. 9 No.3 in D major

Sonata Op. 9 No.2 in E minor

Sonata Op. 9 No.7 in G major

Sonata Op. 9 No.6 in D major

Convivium

Elizabeth Wallfisch (Violin)

Paul Nicholson (Harpsichord)

Richard Tunnicliffe (Cello) 

Giovanni Antonio Terzi - Il secondo libro di Intavolatura

24 tracks - MP3 192 Kbps - RAR Mb

GIO ANTONIO TERZI. Sua professione particolare fù la Musica per cui si rese in Patria, & fuori molto stimato. Amò la vocale ma più la Sonora, & se con la voce emulava l'armonie de Cieli, col suono del Liutto gareggiava con quella degl'Angeli. Pretese rendere tutti nella bell'arte addottrinati, havendo fatto stampare alcuni libri alla dilettevol professione attinenti, un solo de quali mi è sotto gl'occhi capitato con questo titolo. Intavolatura di Liutto accomodata con diversi passaggi per suonar in concerti à duoi liutti, e solo lib. primo il qual contiene Mottetti, Contrapunti, Canzoni Italiane, e Francesi, Madrigali, Fantasie, & Balli di diverse sorti italiani, francesi, & alemani. In Venetia per Ricciardo Amadino. 1613.

Donato Calvi: "Scena Letteraria de gli scrittori bergamaschi" Bergamo, 1664

Nornar - Uploaded - FileFactory

contents:

Balletto Alemano

Balletto Francese

Ballo Alemano Primo

Ballo Polaco

Bariera Balletto Con Le Sue Repliche: Duetto

Canzon Francese Allermifault, Di Adriano, Per Sonar A Due Liuti: Duetto 

Chi Fara Fede Al Ciel A' Modo Di Viola Bastarda Di Alessandro Striggio:Duetto

Corente Francese Primo

Corente Francese Secondo

Fantasia In Modo Di Canzon Francese Di Giovanni Gabrieli 

Fantasia Seconda

Fantasia Seconda In Modo Di Canzon Francese

Gagliarda Del Pass' E Mezo Con La Represa

Gagliarda Tamburina

Gagliarda Terza

Iousance Canzon Francesca Di Adriano (Willaert) 

Liquide Perle A 5 Di Luca Marenzio (Contrappunto:CM): Duetto 

Non Mi Toglia Il Ben Mio A 4 Di Marc'Antonio Ingegnero: Duetto

Padoana Terza

Pass'E Mezzo Ultimo 

Preambulo De L'Autore Sopra Le Corente Francese

Preludio 

Non mi toglia il ben mio a 4, contrappunto (di Marc'Antonio Ingegnero) 

Bariera balletto con le sue repliche 

Liquide perle a 5, contrappunto (di Luca Marenzio)

Canzon Francese "Allermifaut" (Di Adriano, Per Sonar A Due Liuti)

Toccata Seconda

Volta Francese Quarta

Paul Beier & Craig Marchitelli, lutes

Secret Voices

23 tracks - MP3 192 Kbps - RAR 110 Mb

Anonymous 4 revisit their favorite era in repertoire that illuminates medieval women s affinity for the most complex polyphony of their time. Spanning the entire 13th century from virtuosic motets and conductus to heartfelt laments and sacred songs the remarkable Las Huelgas manuscript was compiled for a convent of aristocratic Castilian women who (in spite of a rule forbidding Cistercian nuns from singing polyphony) sang the most beautiful, advanced and demanding music from all across Gothic-era Europe.

Nornar - Uploaded - FileFactory

contents:

1. Virginies egregie

2. Ave maris stella

3. Claustrum pudicicie/Virgo viget

4. Fa fa mi/Ut re mi

5. O Maria virgo/O Maria maris stella

6. Benedicamus domino: cum cantico

7. Salve porta/Salve salus/Salve sancta parens

8. Kirie: Rex virginum amator

9. Gloria: Spiritus et alme

10. Verbum bonum et suave

11. Salve virgo regia/Ave gloriosa mater

12. Sanctus & Benedictus

13. Gaude virgo regia/Verbum caro factum

14. Agnus dei: Gloriosa spes reorum

15. O monialis conscio

16. Benedicamus domino: Belial vocatur

17. In virgulto gracie

18. Ave regina celorum/Alma redemptoris mater

19. Benedicamus domino a 3 (rondellus)

20. Si vocatus ad nupcias

21. Mater partis et filia

22. Benedicamus domino a 2

23. Omnium in te christe

Anonymous 4

Insiraf - Arab-Andalusian Music

15 tracks - MP3 192 Kbps - RAR 167 Mb

This recording presents an anthology of magnificent songs from various Mediterranean traditions with a strong Arab influence on performance style. The program features Galician works by Martin Codax (13th c.), the 'Cantigas de Amigo' which are the only songs analogous to the more famous contemporary "Cantigas de Santa Maria" surviving with music in Spain. Berenger de Palou (d.1194) was an Occitan troubadour. Also included are songs in other idioms from medieval Spain, including Sephardic and Andalusian repertory. This CD is a reissue of the "Ondas do Mar" recording from Symphonia label. "This lovely recording succeeds in its goal of transporting the listener back to the lost Iberian world of the 13th century, where a unique culture emerged in the Mediterranean, an amalgamation of Christian, Hebraic and Arabic elements ... This is simply one of the most beautifully engineered recordings I have ever heard. I highly recommend this CD, without reservation, for all audiences." (Continuo) "Stefano Albarello's singing, like the instrumental work, is flexible, sensitive and alive to eastern styles of ornamentation." (Gramophone)

Nornar - Uploaded - FileFactory

contents:

1. Calvivi Arabia (Trad. Arabic) / La rosa en florese (Trad. Sephardic) by Anonymous

2. Ai tal domna by Berenguer de Palol

3. San'a Darj by Traditional Arabic-Andalu

4. Cantigas (7) de amigo: Ondas do mar de Vigo by Martin Codax

5. Tant m'abelis by Berenguer de Palol

6. Mishalja - Btahi by Traditional Arabic-Andalu

7. Cantigas (7) de amigo: Mandad ei comigo by Martin Codax

8. Amuri amuri (Trad. Sephardic) / Abenamar (Trad. Arabic) by Anonymous

9. De la gençor by Berenguer de Palol

10. Peshref by Traditional Arabic-Andalu

11. Totz temoros by Berenguer de Palol

12. Cantigas (7) de amigo: Ay ondas que eu vin ver by Martin Codax

13. Inshad / Insiraf by Traditional Arabic-Andalu

14. Cantigas (7) de amigo: Quantas sabedes amar amigo by Martin Codax

15. Cantigas (7) de amigo: Miña imana fremosa iredes comigo by Martin Codax

Cantilena Antiqua 

dir. Stefano Albarello

Vivaldi - Concerti per Archi II

tracks - MP3 192 Kbps - RAR Mb

Part of a large Vivaldi edition issued by Italian historical-instrument specialist Rinaldo Alessandrini and his Concerto Italiano, this is the second album devoted to Vivaldi's Concerti per archi, or concertos for strings. Alessandrini uses just one instrument per part here, and although his usual orchestra at the Ospedale della Pietà girls' residence was clearly larger, it's hard to argue with his choice for these pieces, especially inasmuch as it's not clear exactly how they were used (the booklet also argues that they were related to the 17th-century sonata a quattro, further suggesting a small-ensemble approach). These are almost miniatures, three-movement works with each movement just a bit over one minute long (or two minutes in a few cases), and the smaller ensemble scale fits them. So does Alessandrini's characteristically vigorous, punchy approach, scaled down from his quasi-operatic readings of larger instrumental works but losing nothing in highly percussive attacks and stirring, rapid tempos. Not everyone buys this turbo-Vivaldi approach, but it works especially well here. Each of these little movements seems to be exploring a particular possibility of Vivaldi's language, and while 33 of them in a row may seem like a lot, anyone hooked on Vivaldi won't find the album tedious in the least. Together with strong engineering from Naïve and some typically wild graphics that could have come out of Vogue magazine -- or might even have been too far out there for Vogue -- this is another fine entry in Alessandrini's series.

Nornar - Uploaded - FileFactory

contents:

Concerto in sol maggiore, per archi, RV 150

Concerto in mi minore, per archi, RV 134

Concerto in sol maggiore, per archi, RV 151 "Alla rustica"

Concerto in do minore, per archi, RV 119

Concerto in do maggiore, per archi, RV 110

Concerto in la maggiore, per archi, RV 160

Concerto in re minore, per archi, RV 128

Concerto in si bemolle maggiore, per archi, RV 164

Concerto in re minore, per archi, RV 127

Concerto in si bemolle maggiore, per archi, RV 166

Concerto in sol minore, per archi, RV 157

Rinaldo Alessandrini, violin

Concerto Italiano

Bach Complete Works (Scores)

BachGesellschaft, Leipzig 1851-1899
49 PDF - 2002 - >16.800 pages - 1.80Gb

Uploaded


Index in the comments or HERE

The Bach-Gesellschaft began publishing Bach's works in 1851 with a volume that started with BWV 1, the cantata Wie schön leuchtet der Morgenstern, BWV 1. It completed publication in 1900 with its forty-sixth volume. The volumes varied somewhat in editorial quality and accuracy; Britannica both lauds the editing of Wilhelm Rust for the edition and notes a deterioration of standards after his death, including a volume in which "the bass and violin are a bar apart for a whole line" (apparently a reference to sloppy editing). Nevertheless, the Bach-Gesellschaft's volumes were a groundbreaking achievement and contributed greatly to the study and appreciation of Bach's music. They remained the standard edition of Bach's complete works until the publication of the Neue Bach-Ausgabe, begun in 1954 and published by Bärenreiter.

Andrea Falconieri - Canzone, Sinfonie e Fantasie

21 tracks - MP3 192 Kbps - RAR 84 Mb

Andrea Falconieri (c 1585-1656) was born in Naples and worked extensively throughout Europe. In his lifetime he was best-known for the light canzonette for voice and guitar, as well as for instrumental dances, but was well-versed in all genres of the time. After many adventures and much wandering, Falconieri was hired in 1639 as musician of theorbo and archlute"" in the highest institution of Naples, the Royal Chapel of the Palace. There he was later elected maestro to take the place of Trabaci who died in 1648. Il primo libro di Canzone, Sinfonie, Fantasie, Capricci, Brandi ..., his instrumental collection of 1650, is the only such collection printed in southern Italy during the era. The true `colour´ of the collection is derived from Falconieri´s experience with early lute suites and from Iberian-Neapolitan culture with a richness and variety of instrumental timbres.

Nornar - Uploaded - FileFactory

contents:

1 - Folias echa para mi Senora Dona Tarolilla de Carallenos

2 - Fantasia detta la Portia

3 - Passacalle

4 - Brando dicho el melo

5 - Corrente detta L'Avelina

6 - Sinfonia quarta

7 - La monarcha

8 - Alemana detta la Ciriculia

9 - Fantasia echa para el muy reverendo

10 - Corrente la Cuella

11 - L'armata Aurelia

12 - La suave melodia

13 - Su corrente

14 - Bayle de los dichos diabolos

15 - La Xaviera Buelta echa para Senor Conde

16 - La Murroya, corriente para el Senor D. Fernando Murroya

17 - Sinfonia seconda

18 - Preludio

19 - L'infanta Arcibizzarra

20 - La Borga

21 - Battaglia de Barabaso yerno de Satanas

Ensemble Isabella d'Este

Orient-Occident II - Hommage a la Syrie

18 tracks - MP3 192 Kbps - RAR 108 Mb

The first volume of Orient Occident - released in 2006 - turned out to be a landmark in Jordi Savall s discography : for the first time, the Maestro had explored an extra-European repertoire, demonstrating the same musicological expertise he had shown with composers such as Marin Marais.This album soon became a best seller. His new opus is a focus on Syria, alternating instrumental and vocal pieces. Musicians from Syria, Lebanon and Israël play alongside Hespèrion XXI and illustrate the artistic and humanist process we have come to expect from Jordi Savall, A process more necessary than ever. 

Nornar - Uploaded - FileFactory

contents:

1 - Ahla Zahra

2 - Samai maqam Bayati (Syrie)

3 - Creire m’en fach

4 - Ô Aube Ya fajr (Syrie)

5 - Shaouia (Syrie)

6 - Improvisation Oud

7 - Mawal Sap’awi, ‘Ala Al-‘Aqiqa, Beiny wa Beinak

8 - Istampitta : Isabella (Italie mss. Trecento - anonyme)

9 - Ce Brun Hal asmar (Syrie)

10 - Trotto

11 - Ya Mariam el bekr (Syrie)

12 - Ghazal

13 - Angoisse Qalaq (Syrie)

14 - Cantiga 41: Virgen, madre de nostro Sennor

15 - Hija mia - Et dodim kala (Israël)

16 - Una pastora (Espagne)

17 - À Damas (Syrie)

18 - Improvisation Ney · Départ

HESPERION XXI

Waed Bouhassoun oud, chant

Lior Elmaleh chant

Hamam Khairy chant, riq, sonaja

Oumeima Khalil chant

Moslem Rahal ney

Pierre Hamon flûtes, ney & frestel (flûte de pan médievale)

Driss El Maloumi oud

Yair Dalal oud

Jordi Savall vielle & rebab

Wahab Badarne qanun

Hakan Güngör qanun

Dimitri Psonis oud, santur, saz

Michaël Grébil cistre

Pedro Estevan, Erez Shmuel Mounk def, darbukas, riq

La Follia Itinerante (The Hurdy-Gurdy Band)

11 tracks - MP3 192 Kbps - RAR 63 Mb

Nornar - Uploaded - FileFactory

It is that moment in time and place when the soul catches a slow motion glimpse of itself traveling willy-nilly through the maelstrom of the great vortex. At once noble and base, it is coloured in a chromatic blue melancholy and dry red pathos. There too is the peace that comes with acceptance of one's fate... and the anguished impossibility of not struggling against this same fate... La Follia Itinerante holds up a mirror that we may see ourselves as we really are: beggars before God. And makes us laugh at our own pitiful and ludicrous condition.

A true Follia is unique at each playing. It exists for a moment and then vanishes. This one was caught on a warm and sunny afternoon in a garden house on the southern slopes of the Schwarzwald. It takes as inspiration the Follias of Nicholas Chédeville, Corelli, Vivaldi, Marais and the many other composers, known and unknown, who have added to our treasure store of Follias.

contents:

1 - Troisieme Suitte Fanfare (Jacques Hotteterre)

2 - Rondeau Le Complaisant Six Galante Duos - Suite I (EP Chedeville)

3 - Sellingers Round & Marlborough (English Traditional)

4 - Amusements en Duo - Tambourins 1 & 2 (Jean-Baptiste Dupuits)

5 - Les Fleurs - Les Margeurites (Philibert Delavigne)

6 - Commedia - Danze Curiose per Teatro - Nos 9 (Gregorio Lambranzi)

7 - Les Fleurs - Les Penseees (Philibert Delavigne)

8 - Commedia - Danze Curiose per Teatro - Nos 11 (Gregorio Lambranzi)

9 - Les Fleurs - Les Prime-Veres (Philibert Delavigne)

10 - Commedia - Danze Curiose per Teatro - Nos 18 (Gregorio Lambranzi)

11 - La Follia Itinerante (Anonymous)

The Hurdy-Gurdy Band

(Donald & Anicét Heller)

Giuseppe Tartini - The violin Concertos (17th and Final Volume)

2 CD - MP3 192 Kbps - RAR 190 Mb

Nornar - Uploaded - FileFactory

Volume 17 brings to an end Dynamic’s series devoted to Giuseppe Tartini’s violin concertos. Giovanni and Federico Guglielmo and Carl Lazari again serve as the soloists on period instruments, with L’Arte dell’arco. They’ve adopted some procedures to bring order to the project. Since this will probably be the last time I have the opportunity to work with these releases, I’d like to repeat briefly their work rules, as stated by their harpsichord player and fellow transcriber, Nicola Reniero. They’ve taken the liberty of filling in what’s missing from Tartini’s manuscripts; they’ve left the choice of alternate solo parts to the soloists; they’ve allowed tempos to vary, generally speeding up in tuttis and playing solos freely; they’ve taken ornamentation from Tartini’s own suggestions and treatise; they’ve composed cadenzas when ones by the composer weren’t available; and they’ve adopted A=442, which they think represents a practice current in Tartini’s time and in the area in which he worked. Danilo Prefumo’s notes identify all the concertos as having come from Tartini’s second period, roughly from 1735. Soloists and ensemble recorded the first CD in September 2009 and the second in August 2010, both in Studio Magister. 

All lovers of the violin and its colorful history should be grateful to the Guglielmos, Lazari, and Dynamic for this series, so energetically played and featuring such clear and, at the same time, reverberant recorded sound—and such informative notes. This monument should stand for all time and be a part of every aficionado’s library. Urgently recommended as a whole and in its parts, including this one. A standing ovation for the impossible dream so stunningly made real. 

FANFARE: Robert Maxham

contents:

CD 1

Violin Concerto in A Minor, D. 114

Violin Concerto in D Major, D. 25

Violin Concerto in B-Flat Major, D. 121

Violin Concerto in D Major, D. 36

Violin Concerto in C Major, D. 11

Violin Concerto in E Major, D. 51

CD 2

Violin Concerto in D Major, D. 32

Violin Concerto in A Major, D. 98

Violin Concerto in D Major, D. 37

Violin Concerto in G Major, D. 80

Violin Concerto in C Major, D. 6

Federico Guglielmo

Giovanni Guglielmo

Carlo Lazari

L'Arte dell'Arco