Bernard de Bury - Premier Livre

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Bernard de Bury was born in Versailles in 1720 to a musical family. He studied with his father and with Colin de Blamont, to whom these four keyboard suites, written at age 15, are dedicated.

Jory Vinikour, harpsichord

Anthoine Boesset - Je meurs sans mourir

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Anthoine Boësset (1587-1643)
ou Boyesset, Sieur de Villedieu

contents:

Una musica
Départ que le devoir me fait précipiter
3. Ballet des fous & des estropiés de la cervelle (Instrumental)
(Entrée de líEmbabouinée - Entrée des demy-fous - Entrée des Fantasques)
Ballet des vaillans combattans (Instrumental)
Récit des Syrènes : Quel soleil
Récit díAmphion et des Syrènes : Quels doux supplices
Récit du Dieu des Songes : Quelle merveilleuse advanture
Récit de Mnémosyne : Quelles beautés, Ô mortels
Récit du temps : Bien que je vole toutes choses & Aux voleurs, au secours, accourez tous
Je meurs sans mourir
A la fin cette bergère
Entrée des Laquais (Instrumental)
Dove ne vai, crudele
Frescos ayres del prado
La gran chacona (Luis de Briceño)
La Pacifique (Louis Constantin) (Instrumental) Ô Dieu !
Nos esprits libres et contents (Anonyme)

Le Poème Harmonique
dir. Vincent Dumestre

Claire Lefilliâtre (dessus),
Bruno Le Levreur (haute-contre),
Jean-François Novelli (taille),
Arnaud Marzorati (basse-contre)

Kaori Uemura, Sylvie Moquet (dessus de viole)
Sylvia Abramowicz, Anne-Marie Lasla (basse de viole)
Françoise Enock (violone)
Joël Grare (percussions)
Massimo Moscardo (archiluth, guitare baroque)
Benjamin Perrot (luth, théorbe)
Vincent Dumestre (guitare baroque, théorbe)

G.F.Handel - Gloris & Dixit Dominus

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contents:


1) Gloria

Emma Kirkby, soprano
Royal Academy of Music
Baroque Orchestra
dir. Laurence Cummings

2) Dixit Dominus

Hillevi Martinpelto, soprano
Anne Sofie von Otter, alto
Stockholm Bach Choir
Drottningholm Baroque Ensemble
dir. Anders Ohrwall

G.F.Handel - Opera Arias

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contents:


Imeneo HWV 41. Sorge nell'alma mia
Floridante HWV 14. Alma mia
Arianna in Creta HWV 32. Salda quercia in erta balza
Tamerlano HWV 18. Benche mi sprezzi
Serse HWV 40. Se bramate d'amar chi vi sdegna
Amadigi di Gaula HWV 11. Pena tiranna
Arianna in Creta. Qual leon che fere irato
Parnaso in festa HWV 73. Non tardate Fauni ancora
Agrippina HWV 6. Come nube, che fugge dal vento
Radamisto HWV 12a. Ombra cara
Orlando HWV 31. Verdi allori
Parnaso in festa. Lunga serie d'alti eroi


Max Emanuel Cencic, mezzo-soprano

I Barocchisti
dir. Diego Fasolis

H.L.Hassler - Lustgarten Neuer Teutscher Gesaeng

16 tracks - MP3 192 Kbps - RAR 77Mb


Gesäng, Balletti, Galliarden und Intraden 4-8 von Nürnberg 1601.


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contents:


1. Intrade 6
2. Galliarde: Tantzen und springen
3. Mein Gmüth ist mir verwirret
4. Intrade 2
5. Tantz: Unter alln auff diser erden
6. Im kühlen Mayen
7. Tantz: Nun laßt uns fröhlich sein
8. Intrade 4
9. Ihr Musici, frisch auff
10. Intrade 7
11. Ach Fräulein zart
12. Ach weh, dess leiden
13. Ach Schatz, ich sing und lache
14. Galliarde: All lust und freud
15. Ein Bräutlein wolt nicht gehn zu Bett
Als der Bräutigam auff gut glück
Und Sagt In Solcher Brünstigkeit
Darumb Ward Er Sehr Ausgelacht
16. Ich bring meim Bruder ein guten Trunck


Capella Lisiensis
dir. Dietrich Knothe

Johann Gottlieb Naumann - Psalm 96 & 103

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contents:


Ouvertuere zur Oper "Gustav Wasa"
Psalm 96 "Singet dem Herrn ein neues Lied"
Kantate "Kommt herzu" fuer Herrnhuter Bruedergemeinde
Psalm103 "Lobe den Herrn meine Seele"


Kornerscher Sing-Verein Dresden
Dresdner Instrumental-Concert
dir. Peter Kopp



Psalm103 Quartett - Wie sich ein Vater ueber Kinder erbarmet

Il Laudario di Cortona

3 CD - MP3 192 Kbps - RAR (383Mb)


contents:


CD1: Laude della Vergine
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Venite a laudare
Laude novella sia cantata
Ave donna santissima
Madonna santa Maria
Ave regina gloriosa
Dal ciel venne messo novello
Altissima luce
Fami cantar
O Maria d’omelia
Regina sovrana
Ave dei genitrix
O Maria dei cella
Ave vergene gaudente
O divina Virgo flore
Salve, salve Virgo pia

CD2: Laude de Cristo
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Cristo è nato et humanato
Gloria’n cielo e pace ‘n terra
Stella nova ‘n fra la gente
Plangiamo quel crudel basciare
Ben è crudel e spiatoso
De la crudel morte de Cristo
Dami conforto, Dio
Onne homo ad alta voce
Iesu Cristo glorioso
Laudiam la resurrectione
Troppo perde ‘l tempo
Oimè lasso e freddo lo mio core
Amor dolçe senza pare

CD3: Laude dei Santi
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Spiritu sancto, dolçe amore
Spirito sancto glorioso
Spirito sancto da servire
Alta Trinità beata
Stomme allegro e latioso
Chi vol lo mondo despreççare
Laudar vollio per amore
Sia laudato san Francesco
Ciascun che fede sente
Magdalena degna da laudare
Peccatrice nominata
Vergene donçella da Dio amata
L’alto prence arcangelo
Faciam laude a tutt’i sancti
San Iovanni al mondo è nato
Ogn’om canti novel canto
Benedicti e laudati
Salutiam divotamente

CD4: Facsimili e testi
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Il codice
Facsimili laudi
Testi
Glossario
Cortona e il Laudario
Cenni sulla lauda
Interpretazione
Crediti e informazioni


Ensemble Micrologus

Patrizia Bovi, canto
Alessandro Quarta, canto
Gianni De Gennaro, canto
Goffredo degli Esposti, organo portativo
Gabriele Russo, viella
Adolfo Broegg, campane

Oswald von Wolkenstein

and his Italian Contemporaries

22 tracks - MP3 192 Kbps - RAR 106Mb


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contents:

Früling und Liebe

1. Anon: Saltarello I (lute, fiddle, recorder, dulcimer)
2. Wolkenstein: Der mai mit lieber zal (voice, fiddle)
3. Landini: Ecco la primavera (voice, 2 fiddles, 2 recorders, dulcimer, organistrum)
4. Anon: Saltarello II (recorder, percussion)
5. Wolkenstein: Gar wunniklich hat si mein her besessen (voice, 2 fiddles)
6. Ciconia: O rosa bella (voice, mandora, fiddle, recorder)
7. Anon: Istampita chominciamento di gioia (recorder, 2 fiddles, slide trumpet, sackbut, percussion)

A la caccia

8. Ghirardellus de Florenzia: Tosto che l'alba (voice, cornet)
9. Ciconia: Cacciando un giorno (shawm, sackbut)
10. Landini: La pescha - Cosi pensoso (voice, fiddle)
11. Wolkenstein: Wohl auff gesell! wer jagen well (shawm, zink, krumhorn)

Hosanna in excelsis

12. Anon: Quem terra, pontus, aethera (3 voices)
13. Ghirardellus de Florenzia: Benedicamus domino (voice, organ)
14. Wolkenstein: Ave mater o maria (3 voices, shawm, fiddle, krumhorn)

In den Augen der Fremden

15. Ciconia: Una panthera in compania del marte (voice, shawm, cornet, sackbut)
16. Wolkenstein: Wer die ougen wil verschüren (2 voices, organistrum)

Eher traurig

17. Landini: Gram piant agli occhi (voice, 2 fiddles)
18. Wolkenstein: Ich klag ich klag (2 fiddles, cornet)
19. Wolkenstein: Du auserweltes schöns (voice, fiddle, recorder)

Vom Triken und Tanzen

20. Wolkenstein: Frölaich geschrai (voice, shawm, sackbut, slide trumpet)
21. Wolkenstein: Herr wirt uns dürstet (voices)
22. Anon: Istampita parlamento (2 fiddles, recorder, organistrum, percussion)

Les Menestrels

Renate Burtscher (soprano)
Florian Mayr (countertenor)
Markus Resch (tenor)
Eric Klug (bass baritone)
Eva Brunner (treble strings)
Gebhard Hüttler (reeds)
Helge Stiegler (recorders)
Klaus Walter (lute, etc.),
Michel Walker (cornet, winds)

G.F.Handel - Cantatas & Sonatas

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contents:


Lungi da me pensier tiranno
Sonata in F major for Oboe & BC
Siete rose ruggiadose
Udite il mio consiglio
Sonata in c minor for Oboe & BC
Carco sempre di gloria


Derek Lee Ragin, countertenor
&
Ensemble Divitia Cologne
Alison Gangler, oboe
Susanne Hartig, cello
Leslie Samuels, harpsichord

J.H.Roman - Solo Concertos

15 tracks - MP3 192 Kbps - RAR 160Mb


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The "Father of Swedish Music," Johan Helmich Roman, was one of the most influential Swedish composers of his time, not only because of his numerous compositions, but also for his role in moving the music of the great composers from the royal court to public concerts in Stockholm. He was also influential in promoting the use of the Swedish language in sacred texts and in developing an indigenous tradition of vocal writing in secular and sacred music.

contents:



Violin Concerto F minor BeRI 52
Oboe Concerto B-flat major BeRI 46
Flute Concerto G major BeRI 54
Violin Concerto D minor BeRI 49
Oboe d'Amore Concerto D major BeRI 53



Elisabeth Wallfisch (violin)
Lisa Beznosiuk (flute)
Anthony Robson (oboe)
Orchester of the Age of Enlightenment
Anthony Halstead (conductor & Harpsichord)

G.F.Handel - Operatic Arias

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contents:


Ah, crudel (from Rinaldo)
Desterò dall'empia dite (from Amadigi)
M'hai resa infelice (from Deidamia)
Piangerò la sorte mia (from Guilio Cesare)
Scherza in mar (from Lotario)
Ombre piante (from Rodelinda)
Se'l mio duol (from Rodelinda)
Tutta raccolta ancor (from Scipione)
Orrida agli occhi miei (from Ariodante)
Ah, crudel (from Rinaldo)
Sommi Dei (from Radamisto)
Barbaro partirò (from Radamisto)


Emma Bell, soprano
Scottish Chamber Orchestra
dir. Richard Egarr

G.P.Telemann - Ouvertures & Concertos (Standage)

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contents:


Violin Concerto in A Minor
Flute and Violin Concerto in E Minor
Concerto in G Major for Four Violins Unaccompanied
Concerto in A major for Four Violins
La Changeante - Orchestral Suite in G Minor
Violin Concerto in E major


-O-




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contents:


Ouverture Burlesque in B-flat Major
Violin Concerto in G Major
Concerto in D Major for Two Flutes, Violin and Cello
Violin Concerto in F-sharp Minor
Concerto in G Major for Two Violins


-O-




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contents:


Trio Sonata for Two Violins and Continuo in E flat major
Singe-, Spiel- und Generalbass-Übungen
Suite No. 5 for Flute, Violin and Continuo in A minor
Moralische Cantata - Das mässige Glück
Sonata for Two Violins in E minor

24 theils ernsthafte, theils scherzende, Oden
Quartet for Flute, Two Violins and Continuo in G major



Collegium Musicum 90
dir. Simon Standage

Il Fasolo?

17 tracks - MP3 192 Kbps - RAR 107Mb

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Here the European period-instrument ensemble Le Poème Harmonique offers a program devoted to another of those arguably unjustly-neglected composers who occasionally turn up on concerts and on disc--and in our reviews. This time it's the very obscure, early-17th-century Italian guitarist/composer known today only by his pseudonym Il Fasolo (the bean). In the liner notes Jean-François Lattarico warns that this Il Fasolo should not necessarily be confused with Giovanni Battista Fasolo or Il Fasolo-Manelli (two other composer/musicians active around the same time) regardless of evidence that both confirms and denies Il Fasolo's relationship to each--and hence the question mark in the program's title. Surely a fascinating musicological mystery!

--John Greene, ClassicsToday.com

contents:


1 - Bergamasca : La Barchetta passaggiera
2 - Lamento di Madama Lucia, con la riposta di Cola
3 - Chi non sà come Amor
4 - Son ruinato, appassionato
5 - Canzonetta : Sguardo lusinghiero
6 - Madrigale : O dolorosa sorte
7 - Jacarà : Aria alla napolitana
8-16 Serenata in lingua lombarda che fa Madonna Gola a Messir Carnevale
17 - Ciaconna : Acceso mio core

Le Poème Harmonique
dir. Vincent Dumestre

W.Boyce - Solomon

31 tracks - MP3 192 Kbps - RAR 111Mb


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In 1743 William Boyce wrote music for the play 'Solomon' by Edward Moore. The work was frequently performed, but being judged mildly rude*, was seldom performed after about 1800. One song however, 'Softly Rise, O Southern Breeze' remained popular for another fifty years. In 1762, after a performance of Solomom, the music critic John Potter wrote "......a fine piece of composition! It has a number of beautiful strokes of genius, it is fine, it is elegant and sublime....how delicate the airs in it, how charming the melody! Can anything be more so? Really it is almost impossible."

She - Bronwen Mills, soprano,
He - Howard Crook, tenor
The Parley of Instruments
Choir & Orchestra
dir. Roy Goodman

* I wanted to understand what a "mildly rude" work was like by XVIII century standards so I searched for Moore text. I found it at the University of Virgina Library along with some other intesting works (Mainly poems & fables) . Or you can download it here (26Kb) in RTF format.

Guillaume IX - Las Cansos del Coms de Peitieus

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The work of Duke Guillaume IX d'Aquitaine (1071-1127) represents the earliest known examples of Provençal poetry and music. Because of the often-explicit subject matter of his poems and his notorious, sexually indulgent lifestyle, when he died nearly all of his output was either destroyed or suppressed: only these 11 poems and a single notated line of music set to the first line of "Pos de chanter m'es pres talens" (Since I want to sing) survives. Accompanying himself on viele à archet (bowed medieval viol), vocalist Brice Duisit's aim here is to offer for the first time informed restorations of these songs, a task even he admits is virtually impossible since no musicological models from this period exist. Nonetheless, Duisit is clearly passionate in his mission and the results are often quite moving.

--John Greene, ClassicsToday.com

contents:

1. Companhon farai un vers qu'er convinen
2. Companho tant ai agut d'avols conres
3. Brice Duisit - Instrumental interlude
4. Ben vuelh que sapchan li plusor
5. Companho non puosc mudar qu'eo non m'effrei
6. Pus vezem de novelh florir
7. Mout jauzens me prec en amar
8. Farai un vers de dreyt nien
9. Farai chansoneta nueva
10. Ab la dolchor del temps nouvel
11. Farai un vers pos mi soneilh
12. Pos de chantar m'es pres talens
13. Brice Duisit - Instrumental postlude

Brice Duisit, chant & vièle à archet